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Monika Stobiecka

Biographic Data

ID309471
NAMEMonika Stobiecka
GIVEN NAMESMonika
FAMILY NAMEStobiecka
SIGNATURESTOBIECKA M
AFFILIATIONSUniversity of Warsaw
ORCID0000-0003-3774-6159
VERIFIEDYes
TOTAL WORKS22
TOTAL CITATIONS26
AUTHOR COUNT21
EDITOR COUNT1
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Fallowed heritage. The past and presents of the State Agricultural Farms in Poland

    Monika Stobiecka, Gabriela Jarzebowska•ARTICLE•International Journal of Heritage…•2026•References: 42

    The paper offers the first regular exploration of Poland’s State Agricultural Farms (pol. Państwowe Gospodarstwo Rolne, hereafter PGR) within critical heritage studies. Despite a growing interest in socialist heritage, current heritagization efforts prioritise artistic values and elite narratives, leaving rural and agricultural landscapes, such as PGRs, marginalised. By presenting an attempt at typology of contemporary PGRs – museum-adapted, repu…

  • Postsekularne podejście do dziedzictwa w Europie Środkowo-Wschodniej. Przypadek litewskiej Góry Krzyży

    Open Access•Monika Stobiecka•ARTICLE•Teksty Drugie•2025

    Od 2002, nr 1/2 wyd.: Stowarzyszenie "Pro Cultura Litteraria"

  • Weak Artefacts, Fierce Resistance

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2025

    This paper discusses the musealised material remains of the All-Poland Women’s Strike, an activity that mobilised around 430,000 protestors against a new restrictive abortion law introduced by the Polish government in 2020. These remains, comprising banners and posters made of cardboard and paper bearing images and slogans, can be understood as “weak artefacts”: ephemeral, flammable, easily damaged, but also resilient and persistent. Following fe…

  • Heritage of empty spaces. The case of the tomb of the unknown soldier in Warsaw

    Open Access•Monika Stobiecka•ARTICLE•International Journal of Heritage…•2025•References: 26

    The study focuses on the Tomb of the Unknown Soldier at Marshall Józef Piłsudski Square in Warsaw and its future in light of the planned reconstruction of the Saxon Palace. By examining the existing memorial – the last World War II ruin in Warsaw and the only remaining part of the former palace – this study conceptualises the heritage value of emptiness. Engaging with ongoing discussions on heritage values within critical heritage studies, it emp…

  • Convivial Heritage

    Open Access•Shumon T Hussain, Monika Stobiecka•ARTICLE•Archaeological Dialogues•2025•Cited by: 1•References: 113

    This paper explores the utility of conviviality thinking for archaeological theory and practice. It first situates calls for convivial analysis as a response to the excesses of late capitalism and the existential challenges of the global Anthropocene polycrisis. The paper then highlights the critical, ethical and interpretive potentials of the concept to re-think human-animal coexistence, to frame new approaches to ecological conservation and to …

  • Lost in Details

    Open Access•Monika Stobiecka•ARTICLE•Current Swedish Archaeology•2024•Cited by: 1•References: 3

    In 2019 I claimed that archaeology suffers from 'digital escapism', a term that can denote two different phenomena.The first is the dismissal of artefacts as subjects of scientific interest and a shift in focus to digital methods as subjects of studies.The second is the use of big data in archaeology and the attempt to make the discipline more scientific (Stobiecka 2019).While the first understanding of digital escapism refers mainly to the proli…

  • Awangardowe teorie czy prawdopodobne scenariusze

    Open Access•Monika Stobiecka•ARTICLE•Konteksty Polska Sztuka Ludowa•2024•References: 38

    Tekst omawia teoretyczne i praktyczne propozycje redefinicji roli muzeum, jego praktyk i kolekcji oferowane przez przedstawicieli i przedstawicielki krytycznych studiów nad dziedzictwem, interdyscyplinarnego pola badawczego, które sytuuje się na przecięciu antropologii, archeologii, etnologii, historii, historii sztuki, humanistyki środowiskowej, konserwatorstwa, prawa, studiów muzealnych i turystyki. Krytyczne studia nad dziedzictwem dokonując p…

  • Krytyczne studia nad dziedzictwem. Pojęcia, metody, teorie i perspektywy

    C id_orcid Sterling, Monika Stobiecka•BOOK•Krytyczne studia nad dziedzictwem.…•2023

    Antologia prezentuje szerokie spektrum problematyki podejmowanej w ramach krytycznych studiów nad dziedzictwem i jest pierwszą tego typu publikacją w Polsce kompleksowo zapoznającą czytelnika z tematem, który dotychczas w artykułach autorów krajowych

  • Rzeczy getta warszawskiego - rozmowa o sprawczości, materialności i witalności zabytków archeologicznych jako muzealiów

    Open Access•Anna Zalewska, Magdalena Wróblewska et al.•ARTICLE•Przegląd Kulturoznawczy•2023

    Przegląd Kulturoznawczy » 2023 » Numer 2 (56) Bio-aktywne rumowisko historii cz. II » Rzeczy getta warszawskiego - rozmowa o sprawczości, materialności i witalności zabytków archeologicznych jako muzealiów A A A

  • Wprowadzenie

    Open Access•Aleksandra Brylska, Monika Sadowska et al.•ARTICLE•Przegląd Kulturoznawczy•2023

    Przegląd Kulturoznawczy » 2023 » Numer 2 (56) Bio-aktywne rumowisko historii cz. II » Wprowadzenie: Bio-aktywne rumowisko historii cz. II. Jak zapamiętać zgliszcza? A A A

  • Critical Public Archaeology

    Terry P Brock, Jeffery Burton et al.•BOOK•Critical Public Archaeology•2022

    Critical approaches to public archaeology have been in use since the 1980s, however only recently have archaeologists begun using critical theory in conjunction with public archaeology to challenge dominant narratives of the past. This volume brings together current work on the theory and practice of critical public archaeology from Europe and the United States to illustrate the ways that implementing critical approaches can introduce new underst…

  • Wprowadzenie

    Open Access•Monika Sadowska, Aleksandra Brylska et al.•ARTICLE•Przegląd Kulturoznawczy•2022

    PrzeglÄ d Kulturoznawczy » 2022 » Numer 2 (52) Bio-aktywne rumowisko historii cz. I » Wprowadzenie: Bio-aktywne rumowisko historii A A A

  • Lively Heritage

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2022•Cited by: 3•References: 15

    This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the i…

  • Material records of the Anthropocene

    Mikołaj Smykowski, Monika Stobiecka•ARTICLE•Rethinking History•2022•Cited by: 1•References: 26

    This paper discusses new types of naturecultural heritage that have emerged during the Anthropocene. The authors trace and analyze novel records of the ongoing geological event and propose a method of surface-oriented ethnography to investigate heritage in the Anthropocene. We argue that rethinking history in the Anthropocene means to think through new forms of heritage that emerge in the course of ecological processes of decomposition, decay and…

  • Archaeological Theory

    Open Access•Ewa Domańska, Monika Stobiecka•CHAPTER•Encyclopedia Of Global Archaeology•2020

  • W obronie autonomii historii w muzeum

    Open Access•Monika Stobiecka, Rafał Stobiecki•ARTICLE•Teksty Drugie•2020

    W artykule są poddane dyskusji zjawiska dokonujące się wewnątrz historiografii, jak i te które widoczne są w jej otoczeniu. Można do nich zaliczyć komercjalizację, „gadżetyzację” i techno-entuzjazm. W tym pierwszym przypadku historia staje się towarem, konkurującym na rynku z innymi dobrami. W drugim, traktuje się historię jak swoistą zabawę, co prowadzi do uprzedmiotowienia i banalizacji historycznego doświadczenia. Wreszcie techno-entuzjazm to …

  • Farewell to Tradition? Presenting Archaeology after the Digital Turn

    Open Access•Monika Stobiecka•ARTICLE•Advances in Archaeological Practice•2020•Cited by: 2•References: 3

    OVERVIEW The last 20 years mark a period of transformation from a traditional model of displaying archaeology to a more immersive model supported by digital and virtual media. The traditional model has generally used glass cases accompanied by extensive texts to inform visitors, whereas the immersive model employs digital media, tablets, virtual reality, and augmented reality to attract and engage a wide audience. In light of the recent enthusias…

  • Violent care’? A response to Lynn Meskell and Trinidad Rico

    Open Access•Monika Stobiecka•ARTICLE•Archaeological Dialogues•2020•References: 20

    reconstructed parts of the site, while Antoine Poidebard, an early exponent of aerial archaeology, mapped the desert landscape from above. Technocratic programmes like those outlined above reinforce a sense of superiority for Westerners in cultural and technical matters. Bell (2015, xiii) described such interventions as 'vast schemes for the government of the universe'. However, as history reminds us, those claiming to bring knowledge and civiliz…

  • Towards a Prosthetic Archaeology

    Open Access•Monika Stobiecka•ARTICLE•Journal of Social Archaeology•2020•Cited by: 2•References: 41

    Prosthetic archaeology is a theoretical proposal for a materially oriented digital practice. It is based on a critical approach to implementing the latest technologies in archaeology. Drawing from the philosophy of technology and prosthetic studies, this project offers a more critical and meaningful understanding of digital methods in archaeology. The main interpretative figure is the verb “to prostheticize.” Thus, prosthetic archaeology is not s…

  • Archaeological heritage in the age of digital colonialism

    Open Access•Monika Stobiecka•ARTICLE•Archaeological Dialogues•2020•Cited by: 14•References: 15

    Digital archaeologists claim that their practices have proven to be an important tool for mediating conflict, ensuring that the digital turn in archaeology entails engaging in current political issues. This can be questioned by analysing a copy of the Syrian Arch of Triumph. The original was destroyed in 2015. A year later, a copy was carved out of Egyptian marble; the replica was constructed thanks to digital documentation, which allowed archaeo…

  • Digital Escapism

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2019•Cited by: 2

    In contemporary archaeology, we can identify a clash of two apparently antagonistic "paradigms": the "(re)turn to things" and the "digital turn". The latter has had great impact on archaeological museums, traditionally focused on material objects, and in this article I analyse this in terms of a phenomenon that I call "digital escapism". Digital escapism embraces ontological and epistemological questions that stem from the digital turn in archaeo…

  • Witalność ruin w dobie antropocenu

    Open Access•Monika Stobiecka•ARTICLE•Przegląd Kulturoznawczy•2019•References: 4

    The life among ruins is a well-known motif in the Polish urban, architectural and historical studies. The ruination, as a leit-motif, reappears now in a different setting -it is anymore connected solely to traditional heritage studies, but it stands as a real threat and challenge resulting from the Anthropocene condition. In this paper, the idea is to discuss the phenomenon of an intensified ruination as a sign of our, Anthropocene time, and furt…

  • Archaeological heritage in the age of digital colonialism

    Open Access•Monika Stobiecka•ARTICLE•Archaeological Dialogues•2020•Cited by: 14•References: 15

    Digital archaeologists claim that their practices have proven to be an important tool for mediating conflict, ensuring that the digital turn in archaeology entails engaging in current political issues. This can be questioned by analysing a copy of the Syrian Arch of Triumph. The original was destroyed in 2015. A year later, a copy was carved out of Egyptian marble; the replica was constructed thanks to digital documentation, which allowed archaeo…

  • Lively Heritage

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2022•Cited by: 3•References: 15

    This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the i…

  • Farewell to Tradition? Presenting Archaeology after the Digital Turn

    Open Access•Monika Stobiecka•ARTICLE•Advances in Archaeological Practice•2020•Cited by: 2•References: 3

    OVERVIEW The last 20 years mark a period of transformation from a traditional model of displaying archaeology to a more immersive model supported by digital and virtual media. The traditional model has generally used glass cases accompanied by extensive texts to inform visitors, whereas the immersive model employs digital media, tablets, virtual reality, and augmented reality to attract and engage a wide audience. In light of the recent enthusias…

  • Towards a Prosthetic Archaeology

    Open Access•Monika Stobiecka•ARTICLE•Journal of Social Archaeology•2020•Cited by: 2•References: 41

    Prosthetic archaeology is a theoretical proposal for a materially oriented digital practice. It is based on a critical approach to implementing the latest technologies in archaeology. Drawing from the philosophy of technology and prosthetic studies, this project offers a more critical and meaningful understanding of digital methods in archaeology. The main interpretative figure is the verb “to prostheticize.” Thus, prosthetic archaeology is not s…

  • Digital Escapism

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2019•Cited by: 2

    In contemporary archaeology, we can identify a clash of two apparently antagonistic "paradigms": the "(re)turn to things" and the "digital turn". The latter has had great impact on archaeological museums, traditionally focused on material objects, and in this article I analyse this in terms of a phenomenon that I call "digital escapism". Digital escapism embraces ontological and epistemological questions that stem from the digital turn in archaeo…

  • Convivial Heritage

    Open Access•Shumon T Hussain, Monika Stobiecka•ARTICLE•Archaeological Dialogues•2025•Cited by: 1•References: 113

    This paper explores the utility of conviviality thinking for archaeological theory and practice. It first situates calls for convivial analysis as a response to the excesses of late capitalism and the existential challenges of the global Anthropocene polycrisis. The paper then highlights the critical, ethical and interpretive potentials of the concept to re-think human-animal coexistence, to frame new approaches to ecological conservation and to …

  • Lost in Details

    Open Access•Monika Stobiecka•ARTICLE•Current Swedish Archaeology•2024•Cited by: 1•References: 3

    In 2019 I claimed that archaeology suffers from 'digital escapism', a term that can denote two different phenomena.The first is the dismissal of artefacts as subjects of scientific interest and a shift in focus to digital methods as subjects of studies.The second is the use of big data in archaeology and the attempt to make the discipline more scientific (Stobiecka 2019).While the first understanding of digital escapism refers mainly to the proli…

  • Material records of the Anthropocene

    Mikołaj Smykowski, Monika Stobiecka•ARTICLE•Rethinking History•2022•Cited by: 1•References: 26

    This paper discusses new types of naturecultural heritage that have emerged during the Anthropocene. The authors trace and analyze novel records of the ongoing geological event and propose a method of surface-oriented ethnography to investigate heritage in the Anthropocene. We argue that rethinking history in the Anthropocene means to think through new forms of heritage that emerge in the course of ecological processes of decomposition, decay and…

  • Digital Escapism

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2019•Cited by: 2

    In contemporary archaeology, we can identify a clash of two apparently antagonistic "paradigms": the "(re)turn to things" and the "digital turn". The latter has had great impact on archaeological museums, traditionally focused on material objects, and in this article I analyse this in terms of a phenomenon that I call "digital escapism". Digital escapism embraces ontological and epistemological questions that stem from the digital turn in archaeo…

  • Witalność ruin w dobie antropocenu

    Open Access•Monika Stobiecka•ARTICLE•Przegląd Kulturoznawczy•2019•References: 4

    The life among ruins is a well-known motif in the Polish urban, architectural and historical studies. The ruination, as a leit-motif, reappears now in a different setting -it is anymore connected solely to traditional heritage studies, but it stands as a real threat and challenge resulting from the Anthropocene condition. In this paper, the idea is to discuss the phenomenon of an intensified ruination as a sign of our, Anthropocene time, and furt…

  • Archaeological Theory

    Open Access•Ewa Domańska, Monika Stobiecka•CHAPTER•Encyclopedia Of Global Archaeology•2020

  • W obronie autonomii historii w muzeum

    Open Access•Monika Stobiecka, Rafał Stobiecki•ARTICLE•Teksty Drugie•2020

    W artykule są poddane dyskusji zjawiska dokonujące się wewnątrz historiografii, jak i te które widoczne są w jej otoczeniu. Można do nich zaliczyć komercjalizację, „gadżetyzację” i techno-entuzjazm. W tym pierwszym przypadku historia staje się towarem, konkurującym na rynku z innymi dobrami. W drugim, traktuje się historię jak swoistą zabawę, co prowadzi do uprzedmiotowienia i banalizacji historycznego doświadczenia. Wreszcie techno-entuzjazm to …

  • Farewell to Tradition? Presenting Archaeology after the Digital Turn

    Open Access•Monika Stobiecka•ARTICLE•Advances in Archaeological Practice•2020•Cited by: 2•References: 3

    OVERVIEW The last 20 years mark a period of transformation from a traditional model of displaying archaeology to a more immersive model supported by digital and virtual media. The traditional model has generally used glass cases accompanied by extensive texts to inform visitors, whereas the immersive model employs digital media, tablets, virtual reality, and augmented reality to attract and engage a wide audience. In light of the recent enthusias…

  • Violent care’? A response to Lynn Meskell and Trinidad Rico

    Open Access•Monika Stobiecka•ARTICLE•Archaeological Dialogues•2020•References: 20

    reconstructed parts of the site, while Antoine Poidebard, an early exponent of aerial archaeology, mapped the desert landscape from above. Technocratic programmes like those outlined above reinforce a sense of superiority for Westerners in cultural and technical matters. Bell (2015, xiii) described such interventions as 'vast schemes for the government of the universe'. However, as history reminds us, those claiming to bring knowledge and civiliz…

  • Towards a Prosthetic Archaeology

    Open Access•Monika Stobiecka•ARTICLE•Journal of Social Archaeology•2020•Cited by: 2•References: 41

    Prosthetic archaeology is a theoretical proposal for a materially oriented digital practice. It is based on a critical approach to implementing the latest technologies in archaeology. Drawing from the philosophy of technology and prosthetic studies, this project offers a more critical and meaningful understanding of digital methods in archaeology. The main interpretative figure is the verb “to prostheticize.” Thus, prosthetic archaeology is not s…

  • Archaeological heritage in the age of digital colonialism

    Open Access•Monika Stobiecka•ARTICLE•Archaeological Dialogues•2020•Cited by: 14•References: 15

    Digital archaeologists claim that their practices have proven to be an important tool for mediating conflict, ensuring that the digital turn in archaeology entails engaging in current political issues. This can be questioned by analysing a copy of the Syrian Arch of Triumph. The original was destroyed in 2015. A year later, a copy was carved out of Egyptian marble; the replica was constructed thanks to digital documentation, which allowed archaeo…

  • Critical Public Archaeology

    Terry P Brock, Jeffery Burton et al.•BOOK•Critical Public Archaeology•2022

    Critical approaches to public archaeology have been in use since the 1980s, however only recently have archaeologists begun using critical theory in conjunction with public archaeology to challenge dominant narratives of the past. This volume brings together current work on the theory and practice of critical public archaeology from Europe and the United States to illustrate the ways that implementing critical approaches can introduce new underst…

  • Wprowadzenie

    Open Access•Monika Sadowska, Aleksandra Brylska et al.•ARTICLE•Przegląd Kulturoznawczy•2022

    PrzeglÄ d Kulturoznawczy » 2022 » Numer 2 (52) Bio-aktywne rumowisko historii cz. I » Wprowadzenie: Bio-aktywne rumowisko historii A A A

  • Lively Heritage

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2022•Cited by: 3•References: 15

    This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the i…

  • Material records of the Anthropocene

    Mikołaj Smykowski, Monika Stobiecka•ARTICLE•Rethinking History•2022•Cited by: 1•References: 26

    This paper discusses new types of naturecultural heritage that have emerged during the Anthropocene. The authors trace and analyze novel records of the ongoing geological event and propose a method of surface-oriented ethnography to investigate heritage in the Anthropocene. We argue that rethinking history in the Anthropocene means to think through new forms of heritage that emerge in the course of ecological processes of decomposition, decay and…

  • Krytyczne studia nad dziedzictwem. Pojęcia, metody, teorie i perspektywy

    C id_orcid Sterling, Monika Stobiecka•BOOK•Krytyczne studia nad dziedzictwem.…•2023

    Antologia prezentuje szerokie spektrum problematyki podejmowanej w ramach krytycznych studiów nad dziedzictwem i jest pierwszą tego typu publikacją w Polsce kompleksowo zapoznającą czytelnika z tematem, który dotychczas w artykułach autorów krajowych

  • Rzeczy getta warszawskiego - rozmowa o sprawczości, materialności i witalności zabytków archeologicznych jako muzealiów

    Open Access•Anna Zalewska, Magdalena Wróblewska et al.•ARTICLE•Przegląd Kulturoznawczy•2023

    Przegląd Kulturoznawczy » 2023 » Numer 2 (56) Bio-aktywne rumowisko historii cz. II » Rzeczy getta warszawskiego - rozmowa o sprawczości, materialności i witalności zabytków archeologicznych jako muzealiów A A A

  • Wprowadzenie

    Open Access•Aleksandra Brylska, Monika Sadowska et al.•ARTICLE•Przegląd Kulturoznawczy•2023

    Przegląd Kulturoznawczy » 2023 » Numer 2 (56) Bio-aktywne rumowisko historii cz. II » Wprowadzenie: Bio-aktywne rumowisko historii cz. II. Jak zapamiętać zgliszcza? A A A

  • Lost in Details

    Open Access•Monika Stobiecka•ARTICLE•Current Swedish Archaeology•2024•Cited by: 1•References: 3

    In 2019 I claimed that archaeology suffers from 'digital escapism', a term that can denote two different phenomena.The first is the dismissal of artefacts as subjects of scientific interest and a shift in focus to digital methods as subjects of studies.The second is the use of big data in archaeology and the attempt to make the discipline more scientific (Stobiecka 2019).While the first understanding of digital escapism refers mainly to the proli…

  • Awangardowe teorie czy prawdopodobne scenariusze

    Open Access•Monika Stobiecka•ARTICLE•Konteksty Polska Sztuka Ludowa•2024•References: 38

    Tekst omawia teoretyczne i praktyczne propozycje redefinicji roli muzeum, jego praktyk i kolekcji oferowane przez przedstawicieli i przedstawicielki krytycznych studiów nad dziedzictwem, interdyscyplinarnego pola badawczego, które sytuuje się na przecięciu antropologii, archeologii, etnologii, historii, historii sztuki, humanistyki środowiskowej, konserwatorstwa, prawa, studiów muzealnych i turystyki. Krytyczne studia nad dziedzictwem dokonując p…

  • Postsekularne podejście do dziedzictwa w Europie Środkowo-Wschodniej. Przypadek litewskiej Góry Krzyży

    Open Access•Monika Stobiecka•ARTICLE•Teksty Drugie•2025

    Od 2002, nr 1/2 wyd.: Stowarzyszenie "Pro Cultura Litteraria"

  • Weak Artefacts, Fierce Resistance

    Monika Stobiecka•ARTICLE•Journal of Contemporary Archaeology•2025

    This paper discusses the musealised material remains of the All-Poland Women’s Strike, an activity that mobilised around 430,000 protestors against a new restrictive abortion law introduced by the Polish government in 2020. These remains, comprising banners and posters made of cardboard and paper bearing images and slogans, can be understood as “weak artefacts”: ephemeral, flammable, easily damaged, but also resilient and persistent. Following fe…

  • Heritage of empty spaces. The case of the tomb of the unknown soldier in Warsaw

    Open Access•Monika Stobiecka•ARTICLE•International Journal of Heritage…•2025•References: 26

    The study focuses on the Tomb of the Unknown Soldier at Marshall Józef Piłsudski Square in Warsaw and its future in light of the planned reconstruction of the Saxon Palace. By examining the existing memorial – the last World War II ruin in Warsaw and the only remaining part of the former palace – this study conceptualises the heritage value of emptiness. Engaging with ongoing discussions on heritage values within critical heritage studies, it emp…

  • Convivial Heritage

    Open Access•Shumon T Hussain, Monika Stobiecka•ARTICLE•Archaeological Dialogues•2025•Cited by: 1•References: 113

    This paper explores the utility of conviviality thinking for archaeological theory and practice. It first situates calls for convivial analysis as a response to the excesses of late capitalism and the existential challenges of the global Anthropocene polycrisis. The paper then highlights the critical, ethical and interpretive potentials of the concept to re-think human-animal coexistence, to frame new approaches to ecological conservation and to …

  • Fallowed heritage. The past and presents of the State Agricultural Farms in Poland

    Monika Stobiecka, Gabriela Jarzebowska•ARTICLE•International Journal of Heritage…•2026•References: 42

    The paper offers the first regular exploration of Poland’s State Agricultural Farms (pol. Państwowe Gospodarstwo Rolne, hereafter PGR) within critical heritage studies. Despite a growing interest in socialist heritage, current heritagization efforts prioritise artistic values and elite narratives, leaving rural and agricultural landscapes, such as PGRs, marginalised. By presenting an attempt at typology of contemporary PGRs – museum-adapted, repu…

History (12 works) · Archaeology (9 works) · Art (9 works) · History (9 works) · Philosophy (9 works) · Cultural Heritage Management and Preservation (8 works) · Central European Literary Studies (6 works) · Geographies of human-animal interactions (6 works) · Museums and Cultural Heritage (6 works) · Polish-Jewish Holocaust Memory Studies (6 works)

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