Digital Escapism

How Objects Become Deprived of Matter

Bibliographic Data

ID13014393
AuthorsMonika Stobiecka (0000-0003-3774-6159, University of Warsaw, corresponding author)
Year2019
Volume5
Issue2
Pages194-212
Publication date2019-01-26
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Contemporary Archaeology (JOURNAL)
Journal identifiersISSN: 2051-3429 • E-ISSN: 2051-3437
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/jca.34353
OpenAlexW2911549624
LanguageEN
Citations received8

In contemporary archaeology, we can identify a clash of two apparently antagonistic "paradigms": the "(re)turn to things" and the "digital turn". The latter has had great impact on archaeological museums, traditionally focused on material objects, and in this article I analyse this in terms of a phenomenon that I call "digital escapism". Digital escapism embraces ontological and epistemological questions that stem from the digital turn in archaeology - it might denote the dismissal of artefacts as subjects of scientific interest, or a shift in focus to digital methods as a means to creating an immersive past reality. It may also relate to big data in archaeology and the attempt to (re)connect this archaeology with science by way of informatics. My analysis of the exhibition presented in Rynek Underground, a museum in Krakow, provides a case study of digital escapism within museum space

Aesthetics · Antique · Archaeology · Art · Dismissal · Epistemology · Escapism · Exhibition · Phenomenon · Political science · Sociology · Archaeological Research and Protection · Computer Science · History · Image Processing and 3D Reconstruction · Law · Museums and Cultural Heritage · Philosophy

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