Raymond Bellour
Biographic Data
| ID | 311461 |
|---|---|
| NAME | Raymond Bellour |
| GIVEN NAMES | Raymond |
| FAMILY NAME | Bellour |
| SIGNATURE | BELLOUR R |
| AFFILIATIONS | Centre de Recherches sur les Arts et le Langage |
| VERIFIED | No |
| TOTAL WORKS | 39 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 39 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
L'improbable
Une romancière anglaise
Art Resists, Even If It Is Not the Only Thing That Resists
Layers of Images
L’animal Comme Corps Du Cinéma
L’idée même de l’animal comme corps du cinéma ressort de la généalogie d’une vision qui fait du spectateur de cinéma un corps d’hypnose et un corps d’émotion. Les animaux, dit François Roustang, sont comme « en état d’hypnose permanent » ; ils incarnent, selon Étienne Souriau, l’essence du mouvement – d’où leur présence excessive dans tant de films. Ils en expriment ainsi un « devenir », au sens propre à Gilles Deleuze et Félix Guattari. Ainsi pe…
Daniel Stern und die Einstellung
Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections.
Un météore
est autorise que dans les limites des conditions gnrales d'utilisation du site ou, le cas chant, des conditions gnrales de la licence souscrite par votre tablissement
Le regard, l'écoute
Antoni Muntadas cherche à intensifier l'art, intensifier la perception. D'où une vie et une œuvre « on translation », circulant entre les langues, les institutions, les pays et leurs villes, dans un tournoiement du monde généralisé
L'utopie du signe
Rait », Signe d'Utopie
"Rait": Sign of Utopia
There would be [". . . rait"] three reasons for this title, formed according to the inflection of the conditional mood. 1
L'enfant
Bellour Raymond. L’enfant. In: Chimères. Revue des schizoanalyses, N°41, hiver 2001. L'intime étranger. pp. 173-179
L'enfant
Note sur Michaux et la musique
Quatre cents hommes en croix
In 1925, Michaux loved Lautréamont, Ernest Hello-and Christ. In 1925 (also experimenting with drugs) he published drawings and texts about the man on the cross, which fail to revive the figure while suggesting other figures for a faith whose transfer to literature is refused
‘Cinema and…’
Les gens
Les gens
Bellour Raymond. Les gens. In: Chimères. Revue des schizoanalyses, N°21, hiver 1994. Félix Guattari — vol 1. p. 105
L'ici-là-bas
Bellour Raymond. L’ici-là-bas. In: Chimères. Revue des schizoanalyses, N°15, printemps 1992. Le sexe des étoiles. pp. 73-80
Pour Félix
Le ciel est historique: Propos recueillis par Serge Daney et Raymond Bellour présentés par Philippe Tancelin
Oliveira Manoel de, Daney Serge, Bellour Raymond, Tancelin Philippe. Le ciel est historique. In: Chimères. Revue des schizoanalyses, N°14, hiver 1991. Corps et âmes. pp. 131-156
“The Letter goes on …”
Research Article| September 01 1990 “The Letter goes on ...” Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Alison Rowe; Alison Rowe Search for other works by this author on: This Site Google Elisabeth Lyon Elisabeth Lyon Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 206–215. https://doi.org/10.1215/02705346-8-3_24-206 Cite Icon Cite Share Icon Share Faceb…
The Power of Words, The Power of Images
Research Article| September 01 1990 The Power of Words, The Power of Images Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Elisabeth Lyon Elisabeth Lyon Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 7–10. https://doi.org/10.1215/02705346-8-3_24-7 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Raymond Bellour, Elisabeth Lyon; The P…
L'oubli
Michaux l'intermédiaire
Bellour Raymond. Michaux l'intermédiaire. In: L'Homme, 1989, tome 29 n°111-112. Littérature et anthropologie. pp. 194-207
Psychosis, Neurosis, Perversion
Le blocage symbolique
Bellour Raymond. Le blocage symbolique. In: Communications, 23, 1975. Psychanalyse et cinéma, sous la direction de Raymond Bellour, Thierry Kuntzel et Christian Metz. pp. 235-350
The Power of Words, The Power of Images
Research Article| September 01 1990 The Power of Words, The Power of Images Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Elisabeth Lyon Elisabeth Lyon Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 7–10. https://doi.org/10.1215/02705346-8-3_24-7 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Raymond Bellour, Elisabeth Lyon; The P…
Autoportraits
Bellour Raymond. Autoportraits. In: Communications, 48, 1988. Vidéo, sous la direction de Raymond Bellour et Anne-Marie Duguet. pp. 327-387
Entretien sur la sémiologie du cinéma
On Fritz Lang
An amazing fate, Fritz Lang's, and fraught with paradox. Like Stroheim, he was one of the foremost directors, yet not an actor embellished by the surprising prestige accorded every wretched performance; he was like Sternberg, yet without a woman like Marlene at his side; like Murnau, dying (forty years ago) a death wrapped in mystery; in a sense, Fritz Lang was the first in his day, solely for his work as a filmmaker, to have become cinematic leg…
Le blocage symbolique
Bellour Raymond. Le blocage symbolique. In: Communications, 23, 1975. Psychanalyse et cinéma, sous la direction de Raymond Bellour, Thierry Kuntzel et Christian Metz. pp. 235-350
Hitchcock, The Enunciator
Research Article| September 01 1977 Hitchcock, The Enunciator Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Bertrand Augst; Bertrand Augst Search for other works by this author on: This Site Google Hilary Radner Hilary Radner Search for other works by this author on: This Site Google Camera Obscura (1977) 1 (2 (2)): 67–92. https://doi.org/10.1215/02705346-1-2_2-67 Cite Icon Cite Share Icon Share Faceb…
Psychosis, Neurosis, Perversion
I Am an Image”
Research Article| December 01 1982 “I Am an Image” Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Susan Suleiman Susan Suleiman Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 116–123. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-116 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Raymond Bellour, Susan Suleiman; “I Am…
Thierry Kuntzel and the Return of Writing
Monstrous Criticism: Finding, Citing. Analyzing Film
Analysis in Flames
Film analysis has finally become an art without a future. The fact is that it has never been, in itself, anything more than an illusory object. That is why, paradoxically, it could appear to be a particular activity endowed with a sort of intransitivity. As it happened, it laid claim to this quality without worrying about the confusions and false divisions that would result from it. At the other end of the chain, this tendency was confirmed by th…
An Interview with Bill Viola
Viola: Probably for a lot of the wrong reasons in the beginning. I was in art school at Syracuse University, and I was one of the worst painters in the class. The school was very traditional; we had to sit all day and draw apples and oranges on a table, or nude models, like in the seventeenth century. Abstract painting wasn't even being taught yet. There was an explosion of media, process, and information all around us, but at the school there wa…
Ideal Hadaly
Research Article| December 01 1986 Ideal Hadaly Raymond Bellour Raymond Bellour Search for other works by this author on: This Site Google Camera Obscura (1986) 5 (3 (15)): 110–136. https://doi.org/10.1215/02705346-5-3_15-110 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Raymond Bellour;…
The Form My Gaze Goes Through
Essay| November 01 1988 The Form My Gaze Goes Through Raymond Bellour Raymond Bellour Raymond Bellour has been a member of the National Center for Scientific Research (CNRS) in Paris since 1964. where he conducts research on film analysis, film history and theory, and comparative literature. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1988) 16 (4): 4–6. https://doi.org/10.1525/aft.1988.16.4.4 Views Icon V…
La question vidéo
Autoportraits
Bellour Raymond. Autoportraits. In: Communications, 48, 1988. Vidéo, sous la direction de Raymond Bellour et Anne-Marie Duguet. pp. 327-387
Michaux l'intermédiaire
Bellour Raymond. Michaux l'intermédiaire. In: L'Homme, 1989, tome 29 n°111-112. Littérature et anthropologie. pp. 194-207
“The Letter goes on …”
Research Article| September 01 1990 “The Letter goes on ...” Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Alison Rowe; Alison Rowe Search for other works by this author on: This Site Google Elisabeth Lyon Elisabeth Lyon Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 206–215. https://doi.org/10.1215/02705346-8-3_24-206 Cite Icon Cite Share Icon Share Faceb…
The Power of Words, The Power of Images
Research Article| September 01 1990 The Power of Words, The Power of Images Raymond Bellour; Raymond Bellour Search for other works by this author on: This Site Google Elisabeth Lyon Elisabeth Lyon Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 7–10. https://doi.org/10.1215/02705346-8-3_24-7 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Raymond Bellour, Elisabeth Lyon; The P…
L'oubli
Le ciel est historique: Propos recueillis par Serge Daney et Raymond Bellour présentés par Philippe Tancelin
Oliveira Manoel de, Daney Serge, Bellour Raymond, Tancelin Philippe. Le ciel est historique. In: Chimères. Revue des schizoanalyses, N°14, hiver 1991. Corps et âmes. pp. 131-156
L'ici-là-bas
Bellour Raymond. L’ici-là-bas. In: Chimères. Revue des schizoanalyses, N°15, printemps 1992. Le sexe des étoiles. pp. 73-80
Pour Félix
Les gens
Les gens
Bellour Raymond. Les gens. In: Chimères. Revue des schizoanalyses, N°21, hiver 1994. Félix Guattari — vol 1. p. 105
‘Cinema and…’
Quatre cents hommes en croix
In 1925, Michaux loved Lautréamont, Ernest Hello-and Christ. In 1925 (also experimenting with drugs) he published drawings and texts about the man on the cross, which fail to revive the figure while suggesting other figures for a faith whose transfer to literature is refused
Art (20 works) · Computer Science (10 works) · Philosophy (10 works) · Art history (9 works) · Humanities (8 works) · Philosophy (8 works) · French Urban and Social Studies (7 works) · Download (6 works) · Photography and Visual Culture (6 works) · World Wide Web (6 works)