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Tzachi Zamir

Biographic Data

ID322964
NAMETzachi Zamir
GIVEN NAMESTzachi
FAMILY NAMEZamir
SIGNATUREZAMIR T
AFFILIATIONSHebrew University of Jerusalem
ORCID0000-0001-6019-4474
VERIFIEDYes
TOTAL WORKS22
TOTAL CITATIONS16
AUTHOR COUNT21
EDITOR COUNT1
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Just Literature: Philosophical Criticism and Justice

    Tzachi Zamir•BOOK•Just Literature•2019

  • Shakespeare's Hamlet

    Tzachi Zamir•BOOK•Shakespeare's Hamlet•2017

    Hamlet has long been recognized as concerned with fundamental philosophical issues about identity, responsibility, intimacy, mourning, and agency. How is the play’s address to these issues structured by its distinctively powerful literary-dramatic form and language? What might philosophy have to learn from its mode of address? Is such learning affected by Hamlet being not merely literature, but literature designed to be embodied and voiced on a s…

  • Philosophical Sex: Philosophical Perspectives

    Tzachi Zamir, David Hillman et al.•BOOK•Shakespeare's Hamlet•2017

    This essay argues that we need to give more thought to sex in Hamlet —to broaden our thinking beyond the critical consensus regarding the protagonist’s “loathing” of sexuality. I suggest that Hamlet’s antisexual disposition is part not only of his investment in a bounded, isolated self, but also of his concomitant bias toward an epistemology that figures knowledge under the sign of possessive dominion. This means that we can apprehend sex philoso…

  • Amalia Ziv: Explicit Utopias: Rewriting the Sexual in Women’s Pornography

    Open Access•Tzachi Zamir•ARTICLE•Sexuality & Culture•2016

  • Why Does Comedy Give Pleasure

    Tzachi Zamir•ARTICLE•The British Journal of Aesthetics•2014•Cited by: 1

    By way of attempting to explain comic pleasure, this paper proposes an outline for an inclusive theory of comedy — ‘inclusive’ in the sense of amalgamating various past contributions that tend to be thought of as mutually exclusive. More specifically, this essay will (a) propose a teleological definition of comedy, (b) integrate seemingly competing accounts of laughter into a relatively unified explanation, (c) clarify the connection between laug…

  • Unethical Acts: Winner of The Philosophical Quarterly Essay Prize 2012

    Tzachi Zamir•ARTICLE•The Philosophical Quarterly•2013

  • The Theatricalization of Death

    Open Access•Tzachi Zamir•ARTICLE•Journal of Medical Humanities•2012

  • Eating Animals

    Tzachi Zamir•ARTICLE•Common Knowledge•2012

    Book Review| April 01 2012 Eating Animals Foer, Jonathan Safran, Eating Animals (New York: Back Bay Books, 2009), 341 pp. Tzachi Zamir Tzachi Zamir Search for other works by this author on: This Site Google Common Knowledge (2012) 18 (2): 370–371. https://doi.org/10.1215/0961754X-1545121 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tzachi Zamir; Eating Animals. Common Knowledge 1 April 2012; 18…

  • Talking Trees

    Tzachi Zamir•ARTICLE•New Literary History•2011

    Moral embodiment" is a construction proposed by this essay to capture ways in which morally significant states may be experienced as modifications of one's relationship with one's body. Literary episodes in which humans are metamorphosed into trees exemplify such changes in relation to states such as guilt, sexual experience, and grief. It will be suggested that such approaches need to be supplemented by the recognition that acknowledging another…

  • Watching Actors

    Tzachi Zamir•ARTICLE•Theatre Journal•2010•Cited by: 1

    Dramatic acting is often loosely associated with the freedom to be someone else. This essay presents a philosophical exploration of this idea. It suggests that dramatic acting is a form of what it calls "existential amplification," a fictional actualization of usually unavailable possibilities that partly constitute the self (under one of the self's renderings). Acting is able to fascinate its practitioners and its audiences because it involves s…

  • The Theatricalization of Love

    Tzachi Zamir•ARTICLE•New Literary History•2010

    eaders of leopold von Sacher-Masoch's Venus in Furs (1870) have repeatedly noted the theatrical quality of masochism. The objective of the following reading of the novel is to take seriously and literally the histrionic nomenclature that permeates masochistic role-playing in the novel and—since the novel's eroticism is in part an autobiographical disclosure on Masoch's part—in masochistic sexuality as such. Masochism uniquely informs playacting. …

  • How Reliable Is Moral Sensitivity

    Tzachi Zamir•ARTICLE•Common Knowledge•2010

    This response to "Morality or Moralism?" by Emilie Hache and Bruno Latour takes issue with their distinction between two kinds of morality. Hache and Latour see a difference between morality as sensitivity and morality as principled claims regarding moral considerability. They then argue for form-content contradiction/harmony between these purportedly opposing senses. In responding, Zamir argues that these operations can be construed as distinct …

  • Puppets

    Tzachi Zamir•ARTICLE•Critical Inquiry•2010•Cited by: 1•References: 6

  • Reply to Bostock

    Tzachi Zamir•ARTICLE•Society and Animals•2008

  • Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester

    Open Access•Tzachi Zamir•ARTICLE•Renaissance Quarterly•2008

    Christopher Tilmouth. Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester. Oxford: Oxford University Press, 2007. 414 pp. index. bibl. $120. ISBN: 978-0-19-921237-8. - Volume 61 Issue 2

  • Wooden Subjects

    Tzachi Zamir•ARTICLE•New Literary History•2008•Cited by: 1

    The essay offers a reading of botanical imagery in Shakespeare's Titus Andronicus , associating trees with the play's presentation of grief and trauma. I situate the play in relation to Kyd's Spanish Tragedy and its own linkage between trees and violence, and discuss how these plays highlight the dubiousness of tragic pleasure. Shakespeare's response to the misgivings invoked by enjoying tragedy is moral and also psychological, presenting both a …

  • The Welfare-based Defense of Zoos

    Tzachi Zamir•ARTICLE•Society and Animals•2007•Cited by: 3

    A "welfare-based defense" of a practice involving nonhuman animals presents the examined practice as promoting the animal's own interests. Such justifications surface in relation to various interactions between human and nonhuman animals. Sometimes such arguments appear persuasive. Sometimes they form self-serving rationalizations. This paper attempts to clarify and specify the distinction between plausible and dubious applications of such argume…

  • Shakespeare and the Mismeasure of Renaissance Man

    Open Access•Tzachi Zamir•ARTICLE•Renaissance Quarterly•2007

  • Double vision: Moral philosophy and Shakespearean drama

    Tzachi Zamir•BOOK•Double vision•2007

  • The Moral Basis of Animal-Assisted Therapy

    Tzachi Zamir•ARTICLE•Society and Animals•2006•Cited by: 9•References: 1

    Is nonhuman animal-assisted therapy (AAT) a form of exploitation? After exploring possible moral vindications of AAT and after establishing a distinction between "use" and "exploitation," the essay distinguishes between forms of animal-assisted therapy that are morally unobjectionable and those modes of it that ought to be abolished

  • Upon One Bank and Shoal of Time: Literature, Nihilism, and Moral Philosophy

    Tzachi Zamir•ARTICLE•New Literary History•2000

    New Literary History - Volume 31, Number 3, Summer 2000

  • A Case of Unfair Proportions: Philosophy in Literature

    Tzachi Zamir•ARTICLE•New Literary History•1998

    New Literary History - Volume 29, Number 3, Summer 1998

  • The Moral Basis of Animal-Assisted Therapy

    Tzachi Zamir•ARTICLE•Society and Animals•2006•Cited by: 9•References: 1

    Is nonhuman animal-assisted therapy (AAT) a form of exploitation? After exploring possible moral vindications of AAT and after establishing a distinction between "use" and "exploitation," the essay distinguishes between forms of animal-assisted therapy that are morally unobjectionable and those modes of it that ought to be abolished

  • The Welfare-based Defense of Zoos

    Tzachi Zamir•ARTICLE•Society and Animals•2007•Cited by: 3

    A "welfare-based defense" of a practice involving nonhuman animals presents the examined practice as promoting the animal's own interests. Such justifications surface in relation to various interactions between human and nonhuman animals. Sometimes such arguments appear persuasive. Sometimes they form self-serving rationalizations. This paper attempts to clarify and specify the distinction between plausible and dubious applications of such argume…

  • Why Does Comedy Give Pleasure

    Tzachi Zamir•ARTICLE•The British Journal of Aesthetics•2014•Cited by: 1

    By way of attempting to explain comic pleasure, this paper proposes an outline for an inclusive theory of comedy — ‘inclusive’ in the sense of amalgamating various past contributions that tend to be thought of as mutually exclusive. More specifically, this essay will (a) propose a teleological definition of comedy, (b) integrate seemingly competing accounts of laughter into a relatively unified explanation, (c) clarify the connection between laug…

  • Watching Actors

    Tzachi Zamir•ARTICLE•Theatre Journal•2010•Cited by: 1

    Dramatic acting is often loosely associated with the freedom to be someone else. This essay presents a philosophical exploration of this idea. It suggests that dramatic acting is a form of what it calls "existential amplification," a fictional actualization of usually unavailable possibilities that partly constitute the self (under one of the self's renderings). Acting is able to fascinate its practitioners and its audiences because it involves s…

  • Puppets

    Tzachi Zamir•ARTICLE•Critical Inquiry•2010•Cited by: 1•References: 6

  • Wooden Subjects

    Tzachi Zamir•ARTICLE•New Literary History•2008•Cited by: 1

    The essay offers a reading of botanical imagery in Shakespeare's Titus Andronicus , associating trees with the play's presentation of grief and trauma. I situate the play in relation to Kyd's Spanish Tragedy and its own linkage between trees and violence, and discuss how these plays highlight the dubiousness of tragic pleasure. Shakespeare's response to the misgivings invoked by enjoying tragedy is moral and also psychological, presenting both a …

  • A Case of Unfair Proportions: Philosophy in Literature

    Tzachi Zamir•ARTICLE•New Literary History•1998

    New Literary History - Volume 29, Number 3, Summer 1998

  • Upon One Bank and Shoal of Time: Literature, Nihilism, and Moral Philosophy

    Tzachi Zamir•ARTICLE•New Literary History•2000

    New Literary History - Volume 31, Number 3, Summer 2000

  • The Moral Basis of Animal-Assisted Therapy

    Tzachi Zamir•ARTICLE•Society and Animals•2006•Cited by: 9•References: 1

    Is nonhuman animal-assisted therapy (AAT) a form of exploitation? After exploring possible moral vindications of AAT and after establishing a distinction between "use" and "exploitation," the essay distinguishes between forms of animal-assisted therapy that are morally unobjectionable and those modes of it that ought to be abolished

  • The Welfare-based Defense of Zoos

    Tzachi Zamir•ARTICLE•Society and Animals•2007•Cited by: 3

    A "welfare-based defense" of a practice involving nonhuman animals presents the examined practice as promoting the animal's own interests. Such justifications surface in relation to various interactions between human and nonhuman animals. Sometimes such arguments appear persuasive. Sometimes they form self-serving rationalizations. This paper attempts to clarify and specify the distinction between plausible and dubious applications of such argume…

  • Shakespeare and the Mismeasure of Renaissance Man

    Open Access•Tzachi Zamir•ARTICLE•Renaissance Quarterly•2007

  • Double vision: Moral philosophy and Shakespearean drama

    Tzachi Zamir•BOOK•Double vision•2007

  • Reply to Bostock

    Tzachi Zamir•ARTICLE•Society and Animals•2008

  • Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester

    Open Access•Tzachi Zamir•ARTICLE•Renaissance Quarterly•2008

    Christopher Tilmouth. Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester. Oxford: Oxford University Press, 2007. 414 pp. index. bibl. $120. ISBN: 978-0-19-921237-8. - Volume 61 Issue 2

  • Wooden Subjects

    Tzachi Zamir•ARTICLE•New Literary History•2008•Cited by: 1

    The essay offers a reading of botanical imagery in Shakespeare's Titus Andronicus , associating trees with the play's presentation of grief and trauma. I situate the play in relation to Kyd's Spanish Tragedy and its own linkage between trees and violence, and discuss how these plays highlight the dubiousness of tragic pleasure. Shakespeare's response to the misgivings invoked by enjoying tragedy is moral and also psychological, presenting both a …

  • Watching Actors

    Tzachi Zamir•ARTICLE•Theatre Journal•2010•Cited by: 1

    Dramatic acting is often loosely associated with the freedom to be someone else. This essay presents a philosophical exploration of this idea. It suggests that dramatic acting is a form of what it calls "existential amplification," a fictional actualization of usually unavailable possibilities that partly constitute the self (under one of the self's renderings). Acting is able to fascinate its practitioners and its audiences because it involves s…

  • The Theatricalization of Love

    Tzachi Zamir•ARTICLE•New Literary History•2010

    eaders of leopold von Sacher-Masoch's Venus in Furs (1870) have repeatedly noted the theatrical quality of masochism. The objective of the following reading of the novel is to take seriously and literally the histrionic nomenclature that permeates masochistic role-playing in the novel and—since the novel's eroticism is in part an autobiographical disclosure on Masoch's part—in masochistic sexuality as such. Masochism uniquely informs playacting. …

  • How Reliable Is Moral Sensitivity

    Tzachi Zamir•ARTICLE•Common Knowledge•2010

    This response to "Morality or Moralism?" by Emilie Hache and Bruno Latour takes issue with their distinction between two kinds of morality. Hache and Latour see a difference between morality as sensitivity and morality as principled claims regarding moral considerability. They then argue for form-content contradiction/harmony between these purportedly opposing senses. In responding, Zamir argues that these operations can be construed as distinct …

  • Puppets

    Tzachi Zamir•ARTICLE•Critical Inquiry•2010•Cited by: 1•References: 6

  • Talking Trees

    Tzachi Zamir•ARTICLE•New Literary History•2011

    Moral embodiment" is a construction proposed by this essay to capture ways in which morally significant states may be experienced as modifications of one's relationship with one's body. Literary episodes in which humans are metamorphosed into trees exemplify such changes in relation to states such as guilt, sexual experience, and grief. It will be suggested that such approaches need to be supplemented by the recognition that acknowledging another…

  • The Theatricalization of Death

    Open Access•Tzachi Zamir•ARTICLE•Journal of Medical Humanities•2012

  • Eating Animals

    Tzachi Zamir•ARTICLE•Common Knowledge•2012

    Book Review| April 01 2012 Eating Animals Foer, Jonathan Safran, Eating Animals (New York: Back Bay Books, 2009), 341 pp. Tzachi Zamir Tzachi Zamir Search for other works by this author on: This Site Google Common Knowledge (2012) 18 (2): 370–371. https://doi.org/10.1215/0961754X-1545121 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tzachi Zamir; Eating Animals. Common Knowledge 1 April 2012; 18…

  • Unethical Acts: Winner of The Philosophical Quarterly Essay Prize 2012

    Tzachi Zamir•ARTICLE•The Philosophical Quarterly•2013

  • Why Does Comedy Give Pleasure

    Tzachi Zamir•ARTICLE•The British Journal of Aesthetics•2014•Cited by: 1

    By way of attempting to explain comic pleasure, this paper proposes an outline for an inclusive theory of comedy — ‘inclusive’ in the sense of amalgamating various past contributions that tend to be thought of as mutually exclusive. More specifically, this essay will (a) propose a teleological definition of comedy, (b) integrate seemingly competing accounts of laughter into a relatively unified explanation, (c) clarify the connection between laug…

  • Amalia Ziv: Explicit Utopias: Rewriting the Sexual in Women’s Pornography

    Open Access•Tzachi Zamir•ARTICLE•Sexuality & Culture•2016

  • Shakespeare's Hamlet

    Tzachi Zamir•BOOK•Shakespeare's Hamlet•2017

    Hamlet has long been recognized as concerned with fundamental philosophical issues about identity, responsibility, intimacy, mourning, and agency. How is the play’s address to these issues structured by its distinctively powerful literary-dramatic form and language? What might philosophy have to learn from its mode of address? Is such learning affected by Hamlet being not merely literature, but literature designed to be embodied and voiced on a s…

  • Philosophical Sex: Philosophical Perspectives

    Tzachi Zamir, David Hillman et al.•BOOK•Shakespeare's Hamlet•2017

    This essay argues that we need to give more thought to sex in Hamlet —to broaden our thinking beyond the critical consensus regarding the protagonist’s “loathing” of sexuality. I suggest that Hamlet’s antisexual disposition is part not only of his investment in a bounded, isolated self, but also of his concomitant bias toward an epistemology that figures knowledge under the sign of possessive dominion. This means that we can apprehend sex philoso…

  • Just Literature: Philosophical Criticism and Justice

    Tzachi Zamir•BOOK•Just Literature•2019

Philosophy (12 works) · Art (9 works) · Epistemology (8 works) · Psychology (8 works) · Philosophy (7 works) · Literature (6 works) · Political science (5 works) · Sociology (5 works) · Aesthetics (4 works) · Computer Science (4 works)

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