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Why Does Comedy Give Pleasure

Bibliographic Data

ID4158075
AuthorsTzachi Zamir (0000-0001-6019-4474, Hebrew University of Jerusalem, corresponding author)
Year2014
Volume54
Issue2
Pages175-190
Publication date2014-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe British Journal of Aesthetics (JOURNAL)
Journal identifiersISSN: 0007-0904 • E-ISSN: 1468-2842
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/aesthj/ayu008
OpenAlexW2316383791
LanguageEN
Citations received2

By way of attempting to explain comic pleasure, this paper proposes an outline for an inclusive theory of comedy — ‘inclusive’ in the sense of amalgamating various past contributions that tend to be thought of as mutually exclusive. More specifically, this essay will (a) propose a teleological definition of comedy, (b) integrate seemingly competing accounts of laughter into a relatively unified explanation, (c) clarify the connection between laughter and comedy, (d) defend a flexible ontology of comic response that enables the coexistence of genuinely competing paradigms of the mind (which, in turn, underlie seemingly competing theories of comic reception), and (e) will suggest how comic pleasure forms an indispensable addition to a theory of comedy

Aesthetics · Art · Comedy · Comics · Epistemology · Laughter · Literature · Pleasure · Teleology · Ethics, Aesthetics, and Art · Humor Studies and Applications · Language, Metaphor, and Cognition · Philosophy · Psychology

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Unique citing works2
Citations per year0,4
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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