Lorenzo Pericolo
Biographic Data
| ID | 323176 |
|---|---|
| NAME | Lorenzo Pericolo |
| GIVEN NAMES | Lorenzo |
| FAMILY NAME | Pericolo |
| SIGNATURE | PERICOLO L |
| AFFILIATIONS | Université de Montréal |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
"Lorenzo Pericolo. Review of "Redefining Eclecticism in Early Modern Bolognese Painting
The liver, the heart, and the brain
In the introduction to Leviathan (1651), Thomas Hobbes notes that man succeeds so well in imitating nature that, unknowingly, he is able to “make an artificial animal.” “Why may we not say,” he wonders, “that all automata (engines that move themselves by springs and wheels as doth a watch) have an artificial life?” Indeed, man’s heart is “but a spring,” the nerves “so many strings,” and the joints “so many wheels giving motion to the whole body.”…
Michael Fried. After Caravaggio . New Haven, Conn
Statuino
Rembrandt's Faith
Shelley Perlove and Larry A. Silver. Rembrandt's Faith: Church and Temple in the Dutch Golden Age. University Park: Penn State University Press, 2009. xxii + 506 pp. index. illus. bibl. $1.0. ISBN: 978–0–271–03406–5. - Volume 63 Issue 2
Love in the Mirror
The Invisible Presence
Antonello da Messina's Palermo Annunciate (c. 1475) is usually construed as the equivalent of an icon. Relying on the iconography of the fifteenth-century Flemish Annunciation, Lorenzo Pericolo demonstrates that Antonello's panel must rather be interpreted as a "truncated" narrative in the form of an icon. From this premise, Pericolo also unveils the experimental charge of some pictorial devices used by Antonello, such as close-up, cut-in, and of…
Weltskepsis und Bildkrise
Kristine Schönert. Weltskepsis und Bildkrise: Eustache Le Sueurs Vie de saint Bruno im Licht des französischen Jansenismus. Studien sur Christlichen Kunst 7. Regensburg: Schnell & Steiner, 2007. 518 pp. index. illus. bibl. €86. ISBN: 978-3-7954-1833-5. - Volume 61 Issue 2
Weltskepsis und Bildkrise
Kristine Schönert. Weltskepsis und Bildkrise: Eustache Le Sueurs Vie de saint Bruno im Licht des französischen Jansenismus. Studien sur Christlichen Kunst 7. Regensburg: Schnell & Steiner, 2007. 518 pp. index. illus. bibl. €86. ISBN: 978-3-7954-1833-5. - Volume 61 Issue 2
Love in the Mirror
The Invisible Presence
Antonello da Messina's Palermo Annunciate (c. 1475) is usually construed as the equivalent of an icon. Relying on the iconography of the fifteenth-century Flemish Annunciation, Lorenzo Pericolo demonstrates that Antonello's panel must rather be interpreted as a "truncated" narrative in the form of an icon. From this premise, Pericolo also unveils the experimental charge of some pictorial devices used by Antonello, such as close-up, cut-in, and of…
Rembrandt's Faith
Shelley Perlove and Larry A. Silver. Rembrandt's Faith: Church and Temple in the Dutch Golden Age. University Park: Penn State University Press, 2009. xxii + 506 pp. index. illus. bibl. $1.0. ISBN: 978–0–271–03406–5. - Volume 63 Issue 2
Statuino
Michael Fried. After Caravaggio . New Haven, Conn
The liver, the heart, and the brain
In the introduction to Leviathan (1651), Thomas Hobbes notes that man succeeds so well in imitating nature that, unknowingly, he is able to “make an artificial animal.” “Why may we not say,” he wonders, “that all automata (engines that move themselves by springs and wheels as doth a watch) have an artificial life?” Indeed, man’s heart is “but a spring,” the nerves “so many strings,” and the joints “so many wheels giving motion to the whole body.”…
"Lorenzo Pericolo. Review of "Redefining Eclecticism in Early Modern Bolognese Painting
Art (8 works) · Art history (7 works) · Philosophy (5 works) · Computer Science (4 works) · History (4 works) · Literature (3 works) · Renaissance and Early Modern Studies (3 works) · Visual arts (3 works) · Architecture and Art History Studies (2 works) · Baroque (2 works)