The Invisible Presence
Cut-In, Close-Up, and Off-Scene in Antonello da Messina's Palermo Annunciate
Bibliographic Data
| ID | 4370879 |
|---|---|
| Authors | Lorenzo Pericolo (corresponding author) |
| Year | 2009 |
| Volume | 107 |
| Issue | 1 |
| Pages | 1-29 |
| Publication date | 2009-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2009.107.1.1 |
| OpenAlex | W2020153720 |
| Language | EN |
| Citations received | 2 |
Antonello da Messina's Palermo Annunciate (c. 1475) is usually construed as the equivalent of an icon. Relying on the iconography of the fifteenth-century Flemish Annunciation, Lorenzo Pericolo demonstrates that Antonello's panel must rather be interpreted as a "truncated" narrative in the form of an icon. From this premise, Pericolo also unveils the experimental charge of some pictorial devices used by Antonello, such as close-up, cut-in, and off-scene
Archaeology · Art · Art history · Fifteenth · Flemish · Icon · Iconography · Linguistics · Literature · Narrative · Premise · Visual arts · Architecture and Art History Studies · Classics · Computer Science · Historical and Religious Studies of Rome · History · Philosophy · Renaissance and Early Modern Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |