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Rika Wirandi

Biographic Data

ID3422441
NAMERika Wirandi
GIVEN NAMESRika
FAMILY NAMEWirandi
SIGNATUREWIRANDI R
AFFILIATIONSInstitut Seni Budaya Indonesia Bandung
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Haro Hara Song

    Open Access•Rika Wirandi, Rico Gusmanto et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2026

    The song Haro Hara is one of the protest songs whose lyrics contain four bloody events during the 1998 conflict or after the revocation of the Military Operations Area (DOM) status in Aceh. This study aims to examine the development, social and political influences, and the phases of the ban on the protest song Haro Hara during the armed social conflict in Aceh. This study uses a qualitative approach based on archives, employing netnography techn…

  • Nada-Nada Persatuan

    Open Access•Rico Gusmanto, Dwindy Putri Cufara et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experim…

  • A Study of Listeners of the Song Haro Hara Songs from the Nyawöung Album (2000)

    Open Access•Rika Wirandi, Rizki Mona Dwi Putra et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    The research of Listeners' Study of Haro Hara Songs on Nyawöung 2000 Album aims to observe how listeners' experiences and interpretations of protest songs that emerged and developed during the armed conflict in Aceh in 2000-2003. The protest music that is the topic of this research refers to the category of songs created by local Acehnese musicians in the genre of regional pop and pop-authentic music with themes and lyrics inspired by several ser…

  • Tari Guel Identitas Masyarakat Gayo Kabupaten Aceh Tengah- Bener Meriah

    Open Access•Magfhirah Murni Bintang, Rika Wirandi•ARTICLE•Gondang Jurnal Seni dan Budaya•2022

    Tari Guel Salah satu Tarian Yang berasal dari Masyarakat Gayo Tari Guel sendiri merupakan simbol yang mewakili identitas masyarakat Gayo. Dalam setiap perpaduan gerak tari ini memiliki simbol yang memuat makna sikap masyarakat Gayo saat menjalin hubungan dengan orang lain dengan rasa hormat dan rukun. Terciptanya sebuah tari tidak pernah lepas dari sebuah aktifitas yang ada di dalam masyarakatnya. Aktifitas yang terus menurus yang dilakukan menja…

  • Power Perempuan Dalam Tradisi Musik Becanang Di Bener Meriah

    Open Access•Rika Wirandi, Fifie Febryanti Sukman•ARTICLE•Gorga Jurnal Seni Rupa•2022

    This study aims to identify and examine the existence and role of women in the bronze musical tradition: becanang in Bener Meriah. The extent of the role of men in Aceh, including various forms of performing arts activities known as Islamic – the becanang music culture has survived for a long time until now with supporters and performers of the culture being women. The importance of this research to be carried out for several reasons and consider…

  • Dramaturgi Kesenian Tradisional Dalupa Produksi Sanggar Seni Datok Rimba Di Woyla Aceh Barat

    Open Access•Susandro Susandro, Rika Wirandi et al.•ARTICLE•Gorga Jurnal Seni Rupa•2021

    Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence i…

  • Fungsi Musik Dalam Upacara Perayaan Ritual Thaipusam Etnis Hindu Tamil Di Banda Aceh

    Open Access•Rika Wirandi, Magfhirah Murni B P•ARTICLE•Gorga Jurnal Seni Rupa•2021

    Thaipusam is a celebration ceremony held sacredly in the form of a prayer ritual procession and the procession of the Lord Murugan statues which is held annually by the Tamil Hindu ethnic community in Banda Aceh. This ritual is held in the Thai month according to the Hindu Tamil calendar, as a form of respect for Lord Murugan for his victory in fighting evil. This celebration ceremony is also a place to fulfill vows and purify themselves for ritu…

  • Sistem Tatakelola Grup Rapa’i Daboh Bungong Jeumpa Bantimoh Di Kawasa Pemukiman Pasca Tsunami Aceh, Care, Kota Jantho

    Open Access•Rika Wirandi, Magfhirah Murni Bintang Permata et al.•ARTICLE•Gorga Jurnal Seni Rupa•2020

    AbstrakPenelitian ini berjudul “Sistem Tatakelola Grup Rapa’i Daboh Bungong Jeumpa Bantimoh di Kawasan Pengungsian Pasca Tsunami, CARE, Kota Jantho”. Penelitian ini bertujuan untuk mengetahui sistem tatakelola yang diterapkan dalam Grup Rapa’i Daboh Bungong Jeumpa Bantimoh (GRDBJB), yang dikaitkan dengan bagaimana suatu kelompok kesenian tradisional mampu bertahan dan berkembang oleh suatu masyarakat di tengah perubahan sosio-geografis dan ekonom…

  • Nilai Filosofi Gerak Tari Guel pada Masyarakat Gayo di Kota Takengon Kabupaten Aceh Tengah

    Open Access•Maghfhirah Murni Bintang Permata, Indra Setiawan et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2020

    Guel dance was a traditional dance based on the history narrative of Gayo, District- inspired by the legend of the siblings Sengedaand BenerMerie who were looking for white elephants that to be presented to a princess. Therefore, some elements of the dance movements reflected the character of the elephant. Besides the aspect of form, every element of Guel dance movements also contained the philosophical values that contain moral messages and soci…

  • Inventarisasi Ragam Hias Aceh Pada Iluminasi Mushaf Al-Quran Kuno Koleksi Pedir Museum Di Banda Aceh

    Open Access•Niko Andeska, Indra Setiawan et al.•ARTICLE•Gorga Jurnal Seni Rupa•2019

    AbstrakIluminasi atau seni naskah (the art of the book), dapat diartikan sebagai garapan visual yang bersifat dekoratif yang terdapat pada naskah yang berfungsi sebagai penghias. Pada dasarnya digunakan untuk memperindah bagian tertentu, terutama pada halaman depan naskah (frontispiece). Dalam naskah kuno karya ulama Aceh diketemukan berbagai bentuk iluminasi yang mengadopsi gaya ragam hias lokal Aceh. Keindahan iluminasi dalam khazanah naskah ku…

No prominent works on this page.

  • Inventarisasi Ragam Hias Aceh Pada Iluminasi Mushaf Al-Quran Kuno Koleksi Pedir Museum Di Banda Aceh

    Open Access•Niko Andeska, Indra Setiawan et al.•ARTICLE•Gorga Jurnal Seni Rupa•2019

    AbstrakIluminasi atau seni naskah (the art of the book), dapat diartikan sebagai garapan visual yang bersifat dekoratif yang terdapat pada naskah yang berfungsi sebagai penghias. Pada dasarnya digunakan untuk memperindah bagian tertentu, terutama pada halaman depan naskah (frontispiece). Dalam naskah kuno karya ulama Aceh diketemukan berbagai bentuk iluminasi yang mengadopsi gaya ragam hias lokal Aceh. Keindahan iluminasi dalam khazanah naskah ku…

  • Sistem Tatakelola Grup Rapa’i Daboh Bungong Jeumpa Bantimoh Di Kawasa Pemukiman Pasca Tsunami Aceh, Care, Kota Jantho

    Open Access•Rika Wirandi, Magfhirah Murni Bintang Permata et al.•ARTICLE•Gorga Jurnal Seni Rupa•2020

    AbstrakPenelitian ini berjudul “Sistem Tatakelola Grup Rapa’i Daboh Bungong Jeumpa Bantimoh di Kawasan Pengungsian Pasca Tsunami, CARE, Kota Jantho”. Penelitian ini bertujuan untuk mengetahui sistem tatakelola yang diterapkan dalam Grup Rapa’i Daboh Bungong Jeumpa Bantimoh (GRDBJB), yang dikaitkan dengan bagaimana suatu kelompok kesenian tradisional mampu bertahan dan berkembang oleh suatu masyarakat di tengah perubahan sosio-geografis dan ekonom…

  • Nilai Filosofi Gerak Tari Guel pada Masyarakat Gayo di Kota Takengon Kabupaten Aceh Tengah

    Open Access•Maghfhirah Murni Bintang Permata, Indra Setiawan et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2020

    Guel dance was a traditional dance based on the history narrative of Gayo, District- inspired by the legend of the siblings Sengedaand BenerMerie who were looking for white elephants that to be presented to a princess. Therefore, some elements of the dance movements reflected the character of the elephant. Besides the aspect of form, every element of Guel dance movements also contained the philosophical values that contain moral messages and soci…

  • Dramaturgi Kesenian Tradisional Dalupa Produksi Sanggar Seni Datok Rimba Di Woyla Aceh Barat

    Open Access•Susandro Susandro, Rika Wirandi et al.•ARTICLE•Gorga Jurnal Seni Rupa•2021

    Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence i…

  • Fungsi Musik Dalam Upacara Perayaan Ritual Thaipusam Etnis Hindu Tamil Di Banda Aceh

    Open Access•Rika Wirandi, Magfhirah Murni B P•ARTICLE•Gorga Jurnal Seni Rupa•2021

    Thaipusam is a celebration ceremony held sacredly in the form of a prayer ritual procession and the procession of the Lord Murugan statues which is held annually by the Tamil Hindu ethnic community in Banda Aceh. This ritual is held in the Thai month according to the Hindu Tamil calendar, as a form of respect for Lord Murugan for his victory in fighting evil. This celebration ceremony is also a place to fulfill vows and purify themselves for ritu…

  • Tari Guel Identitas Masyarakat Gayo Kabupaten Aceh Tengah- Bener Meriah

    Open Access•Magfhirah Murni Bintang, Rika Wirandi•ARTICLE•Gondang Jurnal Seni dan Budaya•2022

    Tari Guel Salah satu Tarian Yang berasal dari Masyarakat Gayo Tari Guel sendiri merupakan simbol yang mewakili identitas masyarakat Gayo. Dalam setiap perpaduan gerak tari ini memiliki simbol yang memuat makna sikap masyarakat Gayo saat menjalin hubungan dengan orang lain dengan rasa hormat dan rukun. Terciptanya sebuah tari tidak pernah lepas dari sebuah aktifitas yang ada di dalam masyarakatnya. Aktifitas yang terus menurus yang dilakukan menja…

  • Power Perempuan Dalam Tradisi Musik Becanang Di Bener Meriah

    Open Access•Rika Wirandi, Fifie Febryanti Sukman•ARTICLE•Gorga Jurnal Seni Rupa•2022

    This study aims to identify and examine the existence and role of women in the bronze musical tradition: becanang in Bener Meriah. The extent of the role of men in Aceh, including various forms of performing arts activities known as Islamic – the becanang music culture has survived for a long time until now with supporters and performers of the culture being women. The importance of this research to be carried out for several reasons and consider…

  • Nada-Nada Persatuan

    Open Access•Rico Gusmanto, Dwindy Putri Cufara et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experim…

  • A Study of Listeners of the Song Haro Hara Songs from the Nyawöung Album (2000)

    Open Access•Rika Wirandi, Rizki Mona Dwi Putra et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    The research of Listeners' Study of Haro Hara Songs on Nyawöung 2000 Album aims to observe how listeners' experiences and interpretations of protest songs that emerged and developed during the armed conflict in Aceh in 2000-2003. The protest music that is the topic of this research refers to the category of songs created by local Acehnese musicians in the genre of regional pop and pop-authentic music with themes and lyrics inspired by several ser…

  • Haro Hara Song

    Open Access•Rika Wirandi, Rico Gusmanto et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2026

    The song Haro Hara is one of the protest songs whose lyrics contain four bloody events during the 1998 conflict or after the revocation of the Military Operations Area (DOM) status in Aceh. This study aims to examine the development, social and political influences, and the phases of the ban on the protest song Haro Hara during the armed social conflict in Aceh. This study uses a qualitative approach based on archives, employing netnography techn…

Art (7 works) · Cultural and Artistic Studies (7 works) · Cultural and Religious Practices in Indonesia (7 works) · Humanities (4 works) · Popular music (4 works) · Visual arts (4 works) · Child Development and Education (3 works) · Community-based Tourism Development and Sustainability (3 works) · Literature (3 works) · Musical (3 works)

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