Annie Van Den Oever

Biographic Data

ID3435329
NAMEAnnie Van Den Oever
GIVEN NAMESAnnie Van Den
FAMILY NAMEOever
SIGNATUREVAN DEN OEVER A
AFFILIATIONSUniversity of Groningen
ORCID0000-0003-1444-5724
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX0

  • Exposing the Film Apparatus

    Annie Van Den Oever, Fossati Van Den Oever et al.BOOKExposing the Film Apparatus2025

  • Technics

    Anna Rogers, Iain Christie et al.EDITORBOOKTechnics2024References: 28

    The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…

  • Doing Experimental Media Archaeology

    Open AccessAndreas Fickers, Annie Van Den OeverBOOKDoing Experimental Media…2022

    This book offers a plea to take the materiality of media technologies and the sensorial and tacit dimensions of media use into account in the writing of the histories of media and technology. In short, it is a bold attempt to question media history from the perspective of an experimental media archaeology approach. It offers a systematic reflection on the value and function of hands-on experimentation in research and teaching. Doing Experimental …

  • Viktor Shklovsky’s Ostrannenie and the ‘Hermeneutics of wonder’

    Open AccessAnnie Van Den Oever, Tom GunningARTICLEEarly Popular Visual Culture2020References: 3

    In this conversation, Tom Gunning and Annie van den Oever return to Viktor Shklovsky’s notion of ostrannenie (making strange), a neologism coined in what turned out to become a modern art theory that was developed by the young Shklovsky in the midst of the great popularity of film shows in Russia in 1913. Tom Gunning is a film historian and a theorist who wrote a series of foundational texts about early cinema that helped establish the ‘hermeneut…

  • New Media Archaeologies

    Wanda Strauven, Andreas Fickers et al.BOOKNew Media Archaeologies2019

  • Stories

    Open AccessIain Christie, Ian Christie et al.EDITORBOOKStories2018

    Stories are central to modern media today. Not only narrative entertainment media, such as television, cinema, theater, but also in social media. Telling and having ‘a story’ are widely deemed essential, in advertising and commerce as well as in social life. Does this represent an intensification of what has always been part of culture or has it reached a new universality? The collection Stories identifies new phenomena in the fields of complex n…

  • Screen Narrative in the Digital Era

    Iain Christie, Ian Christie et al.CHAPTERStories2018

    the assertion that stories are a major concern for film and media scholars, whether approached in terms of philosophy, aesthetics, narrative theory, cognitive studies, transmedia storytelling and convergence theory, complex narration, historical poetics, metahermeneutics, or the industry's or the practitioner's perspective on storytelling.Throughout this book, there is an emphasis on critical concepts, methods, and debates.Stories deliberately in…

  • Stories

    Open AccessIain Christie, Ian Christie et al.BOOKStories2018References: 13

    Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priorit…

  • Louis Paul Boon in the New Era of Television in the 1960s

    Open AccessA M A Van Den Oever, Annie Van Den OeverARTICLEDutch Crossing2017

    Belgium’s Nobel Prize candidate for Literature, Louis Paul Boon (1912–1979), regularly appeared on prime time television in the early and mid-sixties. His national fame reached a peak in the 1960s and 1970s. His funeral in 1979 was a national event. This article investigates the turn in appreciation for Boon in the 1960s and the impact television has had on it. The approach draws on literary studies as well as television and media studies in that…

  • Gestures of healing

    Suzanne Human, Suzanne De Villiers Human et al.ARTICLEde arte2015References: 2

  • The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, “Unnatural” or “Monstrous”

    A M A Van Den Oever, Annie Van Den OeverARTICLELeonardo2013

    To create the conceptual space to analyze the evident and structural similarities between the art experience, the (new) media experience, and the media art experience, the author approaches the “medium” as “techniques” which “make [the seen] strange.” A disruption of the perceptual process, a destabilization of the cognitive routines, a sudden sensitivity to the medium and an instant emotional response are at the heart of these (art) experiences.…