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The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, “Unnatural” or “Monstrous”

Bibliographic Data

ID10272465
AuthorsA M A Van Den Oever (University of Groningen), Annie Van Den Oever (0000-0003-1444-5724, University of Groningen, corresponding author)
Year2013
Volume46
Issue1
Pages88-89
Publication date2013-02-01
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/leon_a_00495
OpenAlexW2163468977
LanguageEN
References cited2

To create the conceptual space to analyze the evident and structural similarities between the art experience, the (new) media experience, and the media art experience, the author approaches the “medium” as “techniques” which “make [the seen] strange.” A disruption of the perceptual process, a destabilization of the cognitive routines, a sudden sensitivity to the medium and an instant emotional response are at the heart of these (art) experiences. The author argues that the (well-studied) experience of the grotesque provides a model for the analysis of these (understudied) medium-sensitive experiences of the “strange” or “unnatural,” for which the grotesque experience is emblematic

Aesthetic experience · Aesthetics · Art · Cognition · Cognitive psychology · Cognitive science · Instant · Linguistics · Perception · Physics · Space (punctuation) · Aesthetic Perception and Analysis · Neuroscience · Philosophy · Psychology · Visual Culture and Art Theory

  • Russian formalist criticism

    Lee T Lemon, Marion J Reis•Russian formalist criticism•1965

  • Steps to an Ecology of Mind

    Gregory Bateson•Steps to an Ecology of Mind•2000

Highly citedNo

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