Julika Griem
Biographic Data
| ID | 3440284 |
|---|---|
| NAME | Julika Griem |
| GIVEN NAMES | Julika |
| FAMILY NAME | Griem |
| SIGNATURE | GRIEM J |
| AFFILIATIONS | Technische Universität Darmstadt |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Geistesarbeit als Moderationskunst
Szenen des Lesens
Viele beschwören das Lesen als unverzichtbare Kulturtechnik – aber was wissen wir eigentlich über diese soziale Praxis? In der Gegenwart kann man das Lesen in vielen Kontexten beobachten, die dieser Essay zu exemplarischen »Szenen« arrangiert: Wird schnell oder langsam, einsam oder gemeinsam gelesen? Suchen wir in Lektüren Neues oder Bekanntes; füllen wir Wissensspeicher oder überlassen uns dem Eigensinn von Textwelten? Und worin besteht für wen …
From Product Placement to Boundary Work
This essay aims at integrating conceptions of literary markets, marketing, and marketability into the study of literature. To combine textual and sociological analysis I look at spatial and spatializing strategies on various levels of literary communication: as fictional settings, as authorial placements, as reading situations, and publishing platforms. My contribution draws on Bourdieu’s interest in the economic side of literature as well as on …
The trick lies in repetitions”
Focussing on Z. Wicomb's The One That Got Away this paper aims to reconsider the work of genre in a postcolonial and cosmopolitan context. It will be argued that the form of interrelated stories provides an opportunity to link the aesthetic and political dimension of Wicomb's writing: as her self-reflexive use of modes of repetition can be related to S. Benhabib's conceptualization of repetition as a strategy of cosmopolitan participation The One…
The trick lies in repetitions”
Focussing on Z. Wicomb's The One That Got Away this paper aims to reconsider the work of genre in a postcolonial and cosmopolitan context. It will be argued that the form of interrelated stories provides an opportunity to link the aesthetic and political dimension of Wicomb's writing: as her self-reflexive use of modes of repetition can be related to S. Benhabib's conceptualization of repetition as a strategy of cosmopolitan participation The One…
The trick lies in repetitions”
Focussing on Z. Wicomb's The One That Got Away this paper aims to reconsider the work of genre in a postcolonial and cosmopolitan context. It will be argued that the form of interrelated stories provides an opportunity to link the aesthetic and political dimension of Wicomb's writing: as her self-reflexive use of modes of repetition can be related to S. Benhabib's conceptualization of repetition as a strategy of cosmopolitan participation The One…
Szenen des Lesens
Viele beschwören das Lesen als unverzichtbare Kulturtechnik – aber was wissen wir eigentlich über diese soziale Praxis? In der Gegenwart kann man das Lesen in vielen Kontexten beobachten, die dieser Essay zu exemplarischen »Szenen« arrangiert: Wird schnell oder langsam, einsam oder gemeinsam gelesen? Suchen wir in Lektüren Neues oder Bekanntes; füllen wir Wissensspeicher oder überlassen uns dem Eigensinn von Textwelten? Und worin besteht für wen …
From Product Placement to Boundary Work
This essay aims at integrating conceptions of literary markets, marketing, and marketability into the study of literature. To combine textual and sociological analysis I look at spatial and spatializing strategies on various levels of literary communication: as fictional settings, as authorial placements, as reading situations, and publishing platforms. My contribution draws on Bourdieu’s interest in the economic side of literature as well as on …
Geistesarbeit als Moderationskunst
Art (3 works) · Literature (2 works) · Philosophy (2 works) · Sociology (2 works) · Advertising (1 work) · Aesthetics (1 work) · Affordance (1 work) · Business (1 work) · Computer Science (1 work) · Digital Games and Media (1 work)