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Sophie Hatchwell

Biographic Data

ID3442882
NAMESophie Hatchwell
GIVEN NAMESSophie
FAMILY NAMEHatchwell
SIGNATUREHATCHWELL S
AFFILIATIONSUniversity of Birmingham
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Civic art galleries and interwar exhibition cultures in Britain

    Sophie Hatchwell•ARTICLE•Museum History Journal•2024

    Exploring the interwar exhibition histories of four civic art galleries in the East Midlands, this article demonstrates how such institutions in Britain became active agents in the production of interwar art exhibition cultures. It argues that networked curators were instrumental in moulding the practices and structures that fed civic exhibition production, and that their active involvement in wide-reaching professional networks such as the Museu…

  • Still Invisible

    Open Access•Patricia De Montfort, Roger Calvert et al.•ARTICLE•British Art Studies•2016

    Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors

No prominent works on this page.

  • Still Invisible

    Open Access•Patricia De Montfort, Roger Calvert et al.•ARTICLE•British Art Studies•2016

    Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors

  • Civic art galleries and interwar exhibition cultures in Britain

    Sophie Hatchwell•ARTICLE•Museum History Journal•2024

    Exploring the interwar exhibition histories of four civic art galleries in the East Midlands, this article demonstrates how such institutions in Britain became active agents in the production of interwar art exhibition cultures. It argues that networked curators were instrumental in moulding the practices and structures that fed civic exhibition production, and that their active involvement in wide-reaching professional networks such as the Museu…

Art (1 works) · Art History and Market Analysis (1 works) · Centralisation (1 works) · Cultural Industries and Urban Development (1 works) · Exhibition (1 works) · Fine art (1 works) · First world war (1 works) · French Historical and Cultural Studies (1 works) · Humanities (1 works) · Interwar period (1 works)

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