Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Still Invisible

Bibliographic Data

ID5791960
AuthorsPatricia De Montfort (University of Glasgow), Roger Calvert (0000-0001-5662-3782, Glasgow School of Art), Robyne Erica Calvert, Joanna Meacock (Glasgow Life), Sophie Hatchwell (University of Birmingham), Hannah C Williamson (0000-0002-4816-3621, Manchester City Council), Hannah Williamson, Pamela Gerrish Nunn, Margaret F Macdonald, Nadia Hebson (Newcastle University), Sally Woodcock (University of Cambridge), Amara Thornton (0000-0001-6227-6481, University College London), Alice Marina Strickland (Imperial College Healthcare Charity), Alice Strickland, Meaghan Clarke (0009-0006-3334-1380, University of Sussex), Jenny Brownrigg (Glasgow School of Art), Jan Marsh (National Portrait Gallery), Anna A Liesching (Ulster Hospital), Peter Trippi, Frankie Drummond Charig, Bas Editorial Group, Alexandra Provo (0000-0001-8108-2025, Yale University), Alice Strang (The National Gallery), Yasmin Shariff, Sacha Llewellyn
Year2016
Issue2
Publication date2016-04-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBritish Art Studies (JOURNAL)
Journal identifiersISSN: 2058-5462
PublisherYale University (PUBLISHER • US)
DOI10.17658/issn.2058-5462/issue-02/still-invisible
OpenAlexW2917158506
LanguageEN

Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors

Public order · Visibility · Cultural Industries and Urban Development

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae