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Robyne Erica Calvert

Biographic Data

ID9409517
NAMERobyne Erica Calvert
GIVEN NAMESRobyne Erica
FAMILY NAMECalvert
SIGNATURECALVERT R E
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Still Invisible

    Open Access•Patricia De Montfort, Roger Calvert et al.•ARTICLE•British Art Studies•2016

    Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors

  • Manly Modes: Artistic Dress and the Styling of Masculine Identity

    Roger Calvert, Robyne Erica Calvert•ARTICLE•Visual Culture in Britain•2015

    From roughly the mid-nineteenth century, Artistic Dress was an alternative sartorial style adopted by both men and women who wished to communicate their identification with artistic practices and philosophies that often ran counter to the status quo. For women, this style was expressed through a less structured look and cut of garment, resulting in a radical departure from the mainstream Victorian silhouette. For men, however, Artistic Dress usua…

No prominent works on this page.

  • Manly Modes: Artistic Dress and the Styling of Masculine Identity

    Roger Calvert, Robyne Erica Calvert•ARTICLE•Visual Culture in Britain•2015

    From roughly the mid-nineteenth century, Artistic Dress was an alternative sartorial style adopted by both men and women who wished to communicate their identification with artistic practices and philosophies that often ran counter to the status quo. For women, this style was expressed through a less structured look and cut of garment, resulting in a radical departure from the mainstream Victorian silhouette. For men, however, Artistic Dress usua…

  • Still Invisible

    Open Access•Patricia De Montfort, Roger Calvert et al.•ARTICLE•British Art Studies•2016

    Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors

Aesthetics (1 works) · Art (1 works) · Clothing (1 works) · Conformity (1 works) · Crafts, Textile, and Design (1 works) · Cultural Industries and Urban Development (1 works) · Fashion and Cultural Textiles (1 works) · Gender Studies (1 works) · Historical Gender and Feminism Studies (1 works) · History (1 works)

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