Jan Marsh
Biographic Data
| ID | 3950717 |
|---|---|
| NAME | Jan Marsh |
| GIVEN NAMES | Jan |
| FAMILY NAME | Marsh |
| SIGNATURE | MARSH J |
| AFFILIATIONS | National Portrait Gallery |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Of Sesame and Lilies: Education in a Humane Society
Still Invisible
Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors
Pictured at Work: Employment in Art (1800–1900)
This paper was first presented as an illustrated talk following the exhibition of pictures and sculptures featuring figures of African ancestry in art in the nineteenth century, entitled Black Victorians: Black People in Art 1800–1900, curated by the author and shown in Manchester and Birmingham in 2005–6. Amongst other things, this added to our increasing knowledge of the part played by models of African ancestry in the creation of historical ar…
Great Britain
Pre-Raphaelite Women Artists
Women and art 1850-1900, Jan Marsh a Pre-Raphaelite sisterhood?, Pamela Gerrish Nunn artist's biographies and catalogue of individual works
Resolve to be a great paintress”: Women artists in relation to John Ruskin as critic and patron
The Legend of Elizabeth Siddal
Jane and May Morris: A Biographical Story 1839-1938
Imagining Elizabeth Siddal
Journal Article Imagining Elizabeth Siddal Get access Jan Marsh Jan Marsh Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 25, Issue 1, SPRING 1988, Pages 64–82, https://doi.org/10.1093/hwj/25.1.64 Published: 01 March 1988
The Pre-Raphaelite Sisterhood
The Pre-Raphaelite Sisterhood
Jane and May Morris: A Biographical Story 1839-1938
Imagining Elizabeth Siddal
Journal Article Imagining Elizabeth Siddal Get access Jan Marsh Jan Marsh Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 25, Issue 1, SPRING 1988, Pages 64–82, https://doi.org/10.1093/hwj/25.1.64 Published: 01 March 1988
The Legend of Elizabeth Siddal
Resolve to be a great paintress”: Women artists in relation to John Ruskin as critic and patron
Pre-Raphaelite Women Artists
Women and art 1850-1900, Jan Marsh a Pre-Raphaelite sisterhood?, Pamela Gerrish Nunn artist's biographies and catalogue of individual works
Great Britain
Pictured at Work: Employment in Art (1800–1900)
This paper was first presented as an illustrated talk following the exhibition of pictures and sculptures featuring figures of African ancestry in art in the nineteenth century, entitled Black Victorians: Black People in Art 1800–1900, curated by the author and shown in Manchester and Birmingham in 2005–6. Amongst other things, this added to our increasing knowledge of the part played by models of African ancestry in the creation of historical ar…
Still Invisible
Provocation piece that queries the visibility of women artists in public UK collections, and problematises practices such as women-only exhibitions in order to open a dialogue on this subject. This essay launches subsequent discussion carried out by several other authors
Of Sesame and Lilies: Education in a Humane Society
Art (7 works) · Art history (4 works) · History (4 works) · Historical Gender and Feminism Studies (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Australian History and Society (2 works) · Canadian Identity and History (2 works) · Computer Science (2 works) · Historical Art and Culture Studies (2 works)