Barbara Klinger
Biographic Data
| ID | 3448406 |
|---|---|
| NAME | Barbara Klinger |
| GIVEN NAMES | Barbara |
| FAMILY NAME | Klinger |
| SIGNATURE | KLINGER B |
| AFFILIATIONS | Indiana University Bloomington |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 33 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 4 |
Gateway Bodies
In this article, I study transnational crime TV through a key recurring textual element—serial narrative—to understand how it creates terms of transnational legibility in a major import market, the United States. These programs’ serial form both suits the ecology of the U.S. post-network era and articulates aesthetic and ideological norms recognizable to U.S. audiences. Imported serial crime TV is tied to multiple genres and familiar tropes of ge…
Broken Bodies/Inquiring Minds
This special issue concentrates on a dominant trend in contemporary transnational crime television: quality dramas featuring serial criminals who break the bodies/psyches of young women or children, thereby attracting the inquiries of female detectives who have suffered trauma themselves. This trend has generated resources, industrial partnerships, avid viewers, and, importantly for the authors here, feminist commentary across continents. We refr…
Contraband Cinema
This essay examines piracy as a powerful means of circulating films transnationally. Titanic 's worldwide success, and in particular its underground popularity in Afghanistan, prompts consideration both of the impact of unlawful distribution on Hollywood cinema's global reception and of theoretical issues raised by discourses that invariably surround cases of media piracy
Digressions at the Cinema
Cinema/Ideology/Crititicism’ Revisited
Journal Article 'Cinema/Ideology/Crititicism' Revisited: The Progressive Text Get access Barbara Klinger Barbara Klinger Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 30–44, https://doi.org/10.1093/screen/25.1.30 Published: 01 January 1984
Ohio university conference on political cinema April 25‐29, 1979
Digressions at the Cinema
Cinema/Ideology/Crititicism’ Revisited
Journal Article 'Cinema/Ideology/Crititicism' Revisited: The Progressive Text Get access Barbara Klinger Barbara Klinger Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 30–44, https://doi.org/10.1093/screen/25.1.30 Published: 01 January 1984
Gateway Bodies
In this article, I study transnational crime TV through a key recurring textual element—serial narrative—to understand how it creates terms of transnational legibility in a major import market, the United States. These programs’ serial form both suits the ecology of the U.S. post-network era and articulates aesthetic and ideological norms recognizable to U.S. audiences. Imported serial crime TV is tied to multiple genres and familiar tropes of ge…
Broken Bodies/Inquiring Minds
This special issue concentrates on a dominant trend in contemporary transnational crime television: quality dramas featuring serial criminals who break the bodies/psyches of young women or children, thereby attracting the inquiries of female detectives who have suffered trauma themselves. This trend has generated resources, industrial partnerships, avid viewers, and, importantly for the authors here, feminist commentary across continents. We refr…
Contraband Cinema
This essay examines piracy as a powerful means of circulating films transnationally. Titanic 's worldwide success, and in particular its underground popularity in Afghanistan, prompts consideration both of the impact of unlawful distribution on Hollywood cinema's global reception and of theoretical issues raised by discourses that invariably surround cases of media piracy
Ohio university conference on political cinema April 25‐29, 1979
Cinema/Ideology/Crititicism’ Revisited
Journal Article 'Cinema/Ideology/Crititicism' Revisited: The Progressive Text Get access Barbara Klinger Barbara Klinger Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 30–44, https://doi.org/10.1093/screen/25.1.30 Published: 01 January 1984
Digressions at the Cinema
Contraband Cinema
This essay examines piracy as a powerful means of circulating films transnationally. Titanic 's worldwide success, and in particular its underground popularity in Afghanistan, prompts consideration both of the impact of unlawful distribution on Hollywood cinema's global reception and of theoretical issues raised by discourses that invariably surround cases of media piracy
Gateway Bodies
In this article, I study transnational crime TV through a key recurring textual element—serial narrative—to understand how it creates terms of transnational legibility in a major import market, the United States. These programs’ serial form both suits the ecology of the U.S. post-network era and articulates aesthetic and ideological norms recognizable to U.S. audiences. Imported serial crime TV is tied to multiple genres and familiar tropes of ge…
Broken Bodies/Inquiring Minds
This special issue concentrates on a dominant trend in contemporary transnational crime television: quality dramas featuring serial criminals who break the bodies/psyches of young women or children, thereby attracting the inquiries of female detectives who have suffered trauma themselves. This trend has generated resources, industrial partnerships, avid viewers, and, importantly for the authors here, feminist commentary across continents. We refr…
Art (5 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works) · Movie theater (4 works) · History (3 works) · History (3 works)