Contraband Cinema
Piracy, Titanic, and Central Asia
Bibliographic Data
| ID | 5798181 |
|---|---|
| Authors | Barbara Klinger (Indiana University Bloomington, corresponding author) |
| Year | 2010 |
| Volume | 49 |
| Issue | 2 |
| Pages | 106-124 |
| Publication date | 2010-03-07 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/cj.0.0180 |
| OpenAlex | W2044499530 |
| Language | EN |
| Citations received | 2 |
| References cited | 8 |
This essay examines piracy as a powerful means of circulating films transnationally. Titanic 's worldwide success, and in particular its underground popularity in Afghanistan, prompts consideration both of the impact of unlawful distribution on Hollywood cinema's global reception and of theoretical issues raised by discourses that invariably surround cases of media piracy
Ancient history · Art · Art history · Humanities · Movie theater · Political science · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Philippine History and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2011 - 2013 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |