Edwin K Bodjawah
Biographic Data
| ID | 3475451 |
|---|---|
| NAME | Edwin K Bodjawah |
| GIVEN NAMES | Edwin K |
| FAMILY NAME | Bodjawah |
| SIGNATURE | BODJAWAH E K |
| AFFILIATIONS | Kwame Nkrumah University of Science and Technology |
| ORCID | 0000-0002-2830-2495 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Gauging the dynamics of spectatorship and material agency in public art through studio-based creation and analysis of “Observers Are Worried”
This study investigates spectatorship dynamics and material agency in public art through the creation and analysis of "Observers Are Worried", a two-fold sculptural installation of latex foam figures in a draft (dame) game and a parade scenario. The project explores how material fragility and spatial ambiguity influence audience participation and interpretation. Employing a practice-led methodology, it draws on expressionism, relational aesthetic…
Morphing Identity and Style in Contemporary Ghanaian Painting: Two Artists From Sekondi-Takoradi
The term “morphing” is used in animation to describe the process of gradually transforming a sourced image, appearance, or form into another. This term amply reflects the state of contemporary painting in Ghana since her independence in 1957. The few published texts on modern and contemporary Ghanaian artistic developments have established at least three generations of contemporary Ghanaian artists and the periodization of their works. The notion…
Museums in Ghana: Visitor Education, Experiences and Satisfaction
Patronage and visitor education has been of great concern to the management of museums in Ghana. The need to assess visitors' experience, education, and satisfaction to inform policy is expedient. This study looked at visitor experience and satisfaction with museum education in Ghana. Visiting and studying nine museums under the Ghana Museums and Monument Board (GMMB) and using both qualitative and quantitative approaches, the study revealed that…
Historical and Socio-Cultural Significance of the Ahenemma Mpaboa in the Asante Royal Regalia
The Ahenemma Mpaboa or royal sandals are the second most valuable artifact in the Asante royal regalia that define the authority of a chief in the Asante Kingdom of Ghana. Unfortunately, little is known of the Ahenemma Mpaboa as an important cultural symbol that defines royalty in the Asante Kingdom. Therefore, this ethnographic study under the qualitative research approach was carried out to investigate the history, philosophy, purpose, types an…
Transforming Art from Commodity to Gift: Kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art
May 03 2021 Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art Edwin Bodjawah, Edwin Bodjawah Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Go…
Exposing Something to Someone While Exposing Someone to Something: BlaxTarlines Exhibition Cultures There-Then-And-Hereafter
May 03 2021 Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter kąrî’kạchä seid'ou, kąrî’kạchä seid'ou Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this…
African Masking Systems: An Archive Of Social Commentary
October 21 2021 African Masking Systems: An Archive Of Social Commentary Samuel Nortey, Samuel Nortey Samuel Nortey is an artist and an associate professor in the Department of Industrial Art (Ceramics Section), Kwame Nkrumah University of Science and Technology (KNUST), Ghana. He holds a PhD in African Art and Culture. He is a multicultural fellow of the National Council for Education of the Ceramic Arts (NCECA) and has worked with several art c…
Transforming Art from Commodity to Gift: Kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art
May 03 2021 Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art Edwin Bodjawah, Edwin Bodjawah Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Go…
Transforming Art from Commodity to Gift: Kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art
May 03 2021 Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art Edwin Bodjawah, Edwin Bodjawah Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Go…
Exposing Something to Someone While Exposing Someone to Something: BlaxTarlines Exhibition Cultures There-Then-And-Hereafter
May 03 2021 Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter kąrî’kạchä seid'ou, kąrî’kạchä seid'ou Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this…
African Masking Systems: An Archive Of Social Commentary
October 21 2021 African Masking Systems: An Archive Of Social Commentary Samuel Nortey, Samuel Nortey Samuel Nortey is an artist and an associate professor in the Department of Industrial Art (Ceramics Section), Kwame Nkrumah University of Science and Technology (KNUST), Ghana. He holds a PhD in African Art and Culture. He is a multicultural fellow of the National Council for Education of the Ceramic Arts (NCECA) and has worked with several art c…
Museums in Ghana: Visitor Education, Experiences and Satisfaction
Patronage and visitor education has been of great concern to the management of museums in Ghana. The need to assess visitors' experience, education, and satisfaction to inform policy is expedient. This study looked at visitor experience and satisfaction with museum education in Ghana. Visiting and studying nine museums under the Ghana Museums and Monument Board (GMMB) and using both qualitative and quantitative approaches, the study revealed that…
Historical and Socio-Cultural Significance of the Ahenemma Mpaboa in the Asante Royal Regalia
The Ahenemma Mpaboa or royal sandals are the second most valuable artifact in the Asante royal regalia that define the authority of a chief in the Asante Kingdom of Ghana. Unfortunately, little is known of the Ahenemma Mpaboa as an important cultural symbol that defines royalty in the Asante Kingdom. Therefore, this ethnographic study under the qualitative research approach was carried out to investigate the history, philosophy, purpose, types an…
Morphing Identity and Style in Contemporary Ghanaian Painting: Two Artists From Sekondi-Takoradi
The term “morphing” is used in animation to describe the process of gradually transforming a sourced image, appearance, or form into another. This term amply reflects the state of contemporary painting in Ghana since her independence in 1957. The few published texts on modern and contemporary Ghanaian artistic developments have established at least three generations of contemporary Ghanaian artists and the periodization of their works. The notion…
Gauging the dynamics of spectatorship and material agency in public art through studio-based creation and analysis of “Observers Are Worried”
This study investigates spectatorship dynamics and material agency in public art through the creation and analysis of "Observers Are Worried", a two-fold sculptural installation of latex foam figures in a draft (dame) game and a parade scenario. The project explores how material fragility and spatial ambiguity influence audience participation and interpretation. Employing a practice-led methodology, it draws on expressionism, relational aesthetic…
Art (5 works) · Art history (4 works) · Computer Science (4 works) · Exhibition (3 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Contemporary art (2 works) · Painting (2 works) · The arts (2 works)