Exposing Something to Someone While Exposing Someone to Something
BlaxTarlines Exhibition Cultures There-Then-And-Hereafter
Bibliographic Data
| ID | 9024067 |
|---|---|
| Authors | kąrî’kạchä seid'où, kąrîʼkạchä seid’ou, George Ampratwum (0000-0002-3981-5157), Kwaku Boafo Kissiedu, Edwin K Bodjawah (0000-0002-2830-2495), Edwin Bodjawah, Bernard Akoi-Jackson, Kwasi Ohene-Ayeh (0009-0007-7077-326X), Robin Riskin, Patrick Nii Okantah Ankrah, Mavis Tetteh-Ocloo, Selorm Kudjie, Adjo Kisser, Kezia Owusu-Ankomah, Frank Gyabeng, Michael Adashie (0000-0002-5262-3416), Kelvin Haizel |
| Year | 2021 |
| Volume | 54 |
| Issue | 2 |
| Pages | 36-51 |
| Publication date | 2021-05-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/afar_a_00582 |
| OpenAlex | W3158681320 |
| Language | EN |
| References cited | 3 |
May 03 2021 Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter kąrî’kạchä seid'ou, kąrî’kạchä seid'ou Search for other works by this author on: This Site Google Scholar George Ampratwum (Buma), George Ampratwum (Buma) Search for other works by this author on: This Site Google Scholar Kwaku Boafo Kissiedu (Castro), Kwaku Boafo Kissiedu (Castro) Search for other works by this author on: This Site Google Scholar Edwin Bodjawah, Edwin Bodjawah Search for other works by this author on: This Site Google Scholar Bernard Akoi-Jackson, Bernard Akoi-Jackson Search for other works by this author on: This Site Google Scholar Kwasi Ohene-Ayeh, Kwasi Ohene-Ayeh Search for other works by this author on: This Site Google Scholar Robin Riskin, Robin Riskin Search for other works by this author on: This Site Google Scholar Patrick Nii Okantah Ankrah, Patrick Nii Okantah Ankrah Search for other works by this author on: This Site Google Scholar Mavis Tetteh-Ocloo, Mavis Tetteh-Ocloo Search for other works by this author on: This Site Google Scholar Selorm Kudjie, Selorm Kudjie Search for other works by this author on: This Site Google Scholar Adjo Kisser, Adjo Kisser Search for other works by this author on: This Site Google Scholar Kezia Owusu-Ankomah, Kezia Owusu-Ankomah Search for other works by this author on: This Site Google Scholar Frank Gyabeng, Frank Gyabeng Search for other works by this author on: This Site Google Scholar Michael Adashie, Michael Adashie Search for other works by this author on: This Site Google Scholar Kelvin Haizel Kelvin Haizel Search for other works by this author on: This Site Google Scholar Author and Article Information kąrî’kạchä seid'ou George Ampratwum (Buma) Kwaku Boafo Kissiedu (Castro) Edwin Bodjawah Bernard Akoi-Jackson Kwasi Ohene-Ayeh Robin Riskin Patrick Nii Okantah Ankrah Mavis Tetteh-Ocloo Selorm Kudjie Adjo Kisser Kezia Owusu-Ankomah Frank Gyabeng Michael Adashie Kelvin Haizel Online Issn: 1937-2108 Print Issn: 0001-9933 © 2021 by the Regents of the University of California2021Regents of the University of California African Arts (2021) 54 (2): 36–51. https://doi.org/10.1162/afar_a_00582 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Search Site Citation kąrî’kạchä seid'ou, George Ampratwum (Buma), Kwaku Boafo Kissiedu (Castro), Edwin Bodjawah, Bernard Akoi-Jackson, Kwasi Ohene-Ayeh, Robin Riskin, Patrick Nii Okantah Ankrah, Mavis Tetteh-Ocloo, Selorm Kudjie, Adjo Kisser, Kezia Owusu-Ankomah, Frank Gyabeng, Michael Adashie, Kelvin Haizel; Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter. African Arts 2021; 54 (2): 36–51. doi: https://doi.org/10.1162/afar_a_00582 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsAfrican Arts Search Advanced Search all photos courtesy blaxTARLINES except where otherwise noted Amyriad of curatorial strategies, such as collective curating, interspecies and intergenerational conversations, accessibility programming, exhibition-as-experimental site, class-sensitive audiencing, and the symbolic participation of the Unknown Artist—the “surplus population” of exhibition makers—have marked the blaxTARLINES KUMASI network of expanded-exhibition practice for the past decade and more. As a cross-generational and transcultural community, blaxTARLINES KUMASI operates through affirmative politics but also thrives on a propagative model of social organization responsive to its integral crisis points, gaps, and other manifestations of negativity (seid'ou and Bouwhuis 2014: 113). Thus, the network mobilizes different struggles, sometimes antagonistic ones, for common political action through collaborative projects.1 Many of the transformations that the blaxTARLINES coalition has brought to Ghana's contemporary exhibition cultures have grown out of the Emancipatory Art... © 2021 by the Regents of the University of California2021Regents of the University of California You do not currently have access to this content
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| Citation velocity | historical |
|---|---|
| Highly cited | No |