Laura Monrós-Gaspar
Biographic Data
| ID | 3497267 |
|---|---|
| NAME | Laura Monrós-Gaspar |
| GIVEN NAMES | Laura |
| FAMILY NAME | Monrós-Gaspar |
| SIGNATURE | MONRÓS-GASPAR L |
| AFFILIATIONS | Universitat de València |
| ORCID | 0000-0002-8160-6623 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Truth in the Late Foucault
The first full treatment of truth as a core philosophical concept in the late Foucault, this volume examines his work on the ancient world and the early church. Each essay features a deep examination as to how the topics of truth and sexuality intersect with and focus on Foucault’s engagement with ancient philosophy and thought. Truth in the Late Foucault offers readings on Plato, Artemidorus, Cicero, Sophocles and the Stoics, and pays close atte…
‘¡No quiero!’ Staging Alfonso Reyes’s Ifigenia cruel in Francoist Spain (1958)
Alfonso Reyes's Ifigenia cruel has long been recognized as a personal hymn of liberation, which adapts Euripides’ Iphigenia in Tauris to the convulsed Mexican shore of the early twentieth century. The dramatic poem Ifigenia cruel by Alfonso Reyes was first performed in Mexico in 1934. The next documented performance, by the company Teatro de Ensayo Escena and directed by Aitor Goiricelaya, took place at the Instituto de Cultura Hispánica in April…
Pioneras en escena
Las artes escénicas fueron un ingrediente esencial en la actividad de los clubes femeninos de Londres a partir de la década de 1890, que contribuyó a la renovación del teatro británico del cambio de siglo. Sin embargo, su presencia en estos espacios ha sido sistemáticamente olvidada por la historia teatral del periodo. El objetivo de este artículo es trazar un mapeo de su influencia desde una triple perspectiva: lúdico-formativa; como promotor de…
The Classics in Modernist Translation
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight ‘translation’, a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studi…
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
Like wand’ring gipsy’
This article aims to shed light on the semiotic possibilities of Victorian theatre as well as uncovering hidden substrata of the reception of the Cassandra myth in England. Nineteenth-century refigurations of Cassandra manifested ambivalent contemporary attitudes towards women and knowledge. Thus, Cassandra paralleled prevailing conceptions of social stereotypes on the periphery and was equated with false prophets, fortune-tellers, mendicants, wi…
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
Like wand’ring gipsy’
This article aims to shed light on the semiotic possibilities of Victorian theatre as well as uncovering hidden substrata of the reception of the Cassandra myth in England. Nineteenth-century refigurations of Cassandra manifested ambivalent contemporary attitudes towards women and knowledge. Thus, Cassandra paralleled prevailing conceptions of social stereotypes on the periphery and was equated with false prophets, fortune-tellers, mendicants, wi…
The Classics in Modernist Translation
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight ‘translation’, a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studi…
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
Pioneras en escena
Las artes escénicas fueron un ingrediente esencial en la actividad de los clubes femeninos de Londres a partir de la década de 1890, que contribuyó a la renovación del teatro británico del cambio de siglo. Sin embargo, su presencia en estos espacios ha sido sistemáticamente olvidada por la historia teatral del periodo. El objetivo de este artículo es trazar un mapeo de su influencia desde una triple perspectiva: lúdico-formativa; como promotor de…
‘¡No quiero!’ Staging Alfonso Reyes’s Ifigenia cruel in Francoist Spain (1958)
Alfonso Reyes's Ifigenia cruel has long been recognized as a personal hymn of liberation, which adapts Euripides’ Iphigenia in Tauris to the convulsed Mexican shore of the early twentieth century. The dramatic poem Ifigenia cruel by Alfonso Reyes was first performed in Mexico in 1934. The next documented performance, by the company Teatro de Ensayo Escena and directed by Aitor Goiricelaya, took place at the Instituto de Cultura Hispánica in April…
Truth in the Late Foucault
The first full treatment of truth as a core philosophical concept in the late Foucault, this volume examines his work on the ancient world and the early church. Each essay features a deep examination as to how the topics of truth and sexuality intersect with and focus on Foucault’s engagement with ancient philosophy and thought. Truth in the Late Foucault offers readings on Plato, Artemidorus, Cicero, Sophocles and the Stoics, and pays close atte…
Art (5 works) · History (3 works) · Literature (3 works) · History (2 works) · Humanities (2 works) · Politics (2 works) · Psychology (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Theatre and Performance Studies (2 works) · Adaptation (eye) (1 work)