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‘¡No quiero!’ Staging Alfonso Reyes’s Ifigenia cruel in Francoist Spain (1958)

Bibliographic Data

ID21517065
AuthorsLaura Monrós-Gaspar (0000-0002-8160-6623, corresponding author)
Year2022
Volume47
Issue2
Pages111-125
Publication date2022-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheatre Research International (JOURNAL)
Journal identifiersISSN: 0307-8833 • E-ISSN: 1474-0672
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1017/s0307883322000037
OpenAlexW4283399017
LanguageEN

Alfonso Reyes's Ifigenia cruel has long been recognized as a personal hymn of liberation, which adapts Euripides’ Iphigenia in Tauris to the convulsed Mexican shore of the early twentieth century. The dramatic poem Ifigenia cruel by Alfonso Reyes was first performed in Mexico in 1934. The next documented performance, by the company Teatro de Ensayo Escena and directed by Aitor Goiricelaya, took place at the Instituto de Cultura Hispánica in April 1958 − during Franco's regime. The purpose of this article is to put the 1958 production on the map of performances of Reyes's dramatic poem, and thus to fulfil a research niche regarding the scholarly work on this poem, which has traditionally focused on its historical context and literary legacy. Drawing on the Spanish political history of the period, the article reveals a performance history of Ifigenia cruel , which is essential for its reception

Archaeology · Art · Art history · Cartography · Geography · Humanities · Hymn · Literature · Performance art · Poetry · Political science · Politics · Comparative Literary Analysis and Criticism · History · Law

Citation velocityhistorical
Highly citedNo

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