Eduardo Valls Oyarzun
Biographic Data
| ID | 3554741 |
|---|---|
| NAME | Eduardo Valls Oyarzun |
| GIVEN NAMES | Eduardo Valls |
| FAMILY NAME | Oyarzun |
| SIGNATURE | OYARZUN E V |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0001-6626-8921 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
‘Hispanic Conrad’
This bibliographical review will cover a sample of the relatively modest number of scholarly and other commentaries on the Hispanic dimension of Joseph Conrad's work. Some of these are drawn from the range of sources consulted and cited by the authors of the essays that constitute the element of original research in this issue. Since in the essays these sources have been drawn upon selectively for the purposes of illustration or substantiation, a…
The Ladykillers (1955)
Most critical readings of Alexander Mackendrick’s black comedy The Ladykillers (1955) focus either on the political satire it displays, its mythical and dream-like undertones or, chiefly, its appropriate place in the canon of Ealing comedies. This article presents a new critical approach to the film. The essay submits that The Ladykillers can be read as a forerunner of neo-Victorian comedy, as it replicates, through strategies of humour, the tens…
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)
The present article offers a Deleuzian reading of Picnic at Hanging Rock (Joan Lindsay, 1967) that does not start by analysing binary oppositions, but rather construes the space and, more specifically, its synthesis in and through time as processes of “different/ciation” and “becoming”. The article probes into Deleuze’s idea of the first synthesis of time in the novel. Time can be read as a synthesis, a contraction of differences in repetition. T…
El arte por el dolor
Introducción Se presenta aquí una nueva lectura del cuento infantil de Oscar Wilde (1854-1900), “The Birthday of the Infanta” (“El cumpleaños de la Infanta”), aparecido en su segunda colección de cuentos infantiles, A House of Pomegranates (1891). Esta nueva lectura se sostiene sobre la idea común que acerca del dolor y la crueldad, así como su
Políticas del conflicto en El duelo, de Joseph Conrad
El artículo aborda una relectura de la novela breve The Duel (Joseph Conrad, 1908), que se caracteriza como una revisión crítica de las políticas hegemónicas basadas en el conflicto (aquellas que, hoy por hoy, determinan el fenómeno del populismo). Desde un análisis de la principal premisa retórica de la novela, la conceptualización de la guerra como duelo, el autor presenta las premisas ideológicas que explora al texto: la construcción de un ene…
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)
The present article offers a Deleuzian reading of Picnic at Hanging Rock (Joan Lindsay, 1967) that does not start by analysing binary oppositions, but rather construes the space and, more specifically, its synthesis in and through time as processes of “different/ciation” and “becoming”. The article probes into Deleuze’s idea of the first synthesis of time in the novel. Time can be read as a synthesis, a contraction of differences in repetition. T…
El arte por el dolor
Introducción Se presenta aquí una nueva lectura del cuento infantil de Oscar Wilde (1854-1900), “The Birthday of the Infanta” (“El cumpleaños de la Infanta”), aparecido en su segunda colección de cuentos infantiles, A House of Pomegranates (1891). Esta nueva lectura se sostiene sobre la idea común que acerca del dolor y la crueldad, así como su
Políticas del conflicto en El duelo, de Joseph Conrad
El artículo aborda una relectura de la novela breve The Duel (Joseph Conrad, 1908), que se caracteriza como una revisión crítica de las políticas hegemónicas basadas en el conflicto (aquellas que, hoy por hoy, determinan el fenómeno del populismo). Desde un análisis de la principal premisa retórica de la novela, la conceptualización de la guerra como duelo, el autor presenta las premisas ideológicas que explora al texto: la construcción de un ene…
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)
The present article offers a Deleuzian reading of Picnic at Hanging Rock (Joan Lindsay, 1967) that does not start by analysing binary oppositions, but rather construes the space and, more specifically, its synthesis in and through time as processes of “different/ciation” and “becoming”. The article probes into Deleuze’s idea of the first synthesis of time in the novel. Time can be read as a synthesis, a contraction of differences in repetition. T…
The Ladykillers (1955)
Most critical readings of Alexander Mackendrick’s black comedy The Ladykillers (1955) focus either on the political satire it displays, its mythical and dream-like undertones or, chiefly, its appropriate place in the canon of Ealing comedies. This article presents a new critical approach to the film. The essay submits that The Ladykillers can be read as a forerunner of neo-Victorian comedy, as it replicates, through strategies of humour, the tens…
‘Hispanic Conrad’
This bibliographical review will cover a sample of the relatively modest number of scholarly and other commentaries on the Hispanic dimension of Joseph Conrad's work. Some of these are drawn from the range of sources consulted and cited by the authors of the essays that constitute the element of original research in this issue. Since in the essays these sources have been drawn upon selectively for the purposes of illustration or substantiation, a…
Art (4 works) · Contemporary Literature and Criticism (3 works) · Literature (3 works) · Aesthetics (2 works) · Art history (2 works) · History (2 works) · Humanities (2 works) · Joseph Conrad and Literature (2 works) · Modernist Literature and Criticism (2 works) · Philosophy (2 works)