Rita De Cássia Eleutério De Moraes
Biographic Data
| ID | 3554841 |
|---|---|
| NAME | Rita De Cássia Eleutério De Moraes |
| GIVEN NAMES | Rita De Cássia Eleutério |
| FAMILY NAME | De Moraes |
| SIGNATURE | DE MORAES R C E |
| AFFILIATIONS | Universidade Estadual Paulista (Unesp) |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Femmes fatales
In this essay, I aim at analyzing the popular reception of the femme fatale in the 1920’s, relating the emergence and presence of this figure to the modernist period by analyzing the female characters namely Lulu, in Pandora’s Box by G.W. Pabst (1928-9), The Woman from the City in Sunrise by F.W. Murnau (1927), and Maria the Robot in Metropolis by Fritz Lang (1926-7), as well as to verify how they fit the concept and can be addressed as “femme fa…
A portrait of Lady Macbeth
In this essay, I aim at analyzing the characterization of Lady Macbeth, from Shakespeare’s play Macbeth, in two different productions, namely: Roman Polanski’s filmic version (1971), and Trevor Nunn’s stage version (1976) performed at the Royal Shakespeare Company in Stratford. I am particularly interested in close analyzing Act V, scene I (1-80), when Lady Macbeth, in her sleepwalking (compounded by guilt and insomnia), plays out the washing the…
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A portrait of Lady Macbeth
In this essay, I aim at analyzing the characterization of Lady Macbeth, from Shakespeare’s play Macbeth, in two different productions, namely: Roman Polanski’s filmic version (1971), and Trevor Nunn’s stage version (1976) performed at the Royal Shakespeare Company in Stratford. I am particularly interested in close analyzing Act V, scene I (1-80), when Lady Macbeth, in her sleepwalking (compounded by guilt and insomnia), plays out the washing the…
Femmes fatales
In this essay, I aim at analyzing the popular reception of the femme fatale in the 1920’s, relating the emergence and presence of this figure to the modernist period by analyzing the female characters namely Lulu, in Pandora’s Box by G.W. Pabst (1928-9), The Woman from the City in Sunrise by F.W. Murnau (1927), and Maria the Robot in Metropolis by Fritz Lang (1926-7), as well as to verify how they fit the concept and can be addressed as “femme fa…
Art (2 works) · Art history (2 works) · Literature (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Aesthetics (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · History (1 work) · History (1 work) · Media, Gender, and Advertising (1 work)