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A portrait of Lady Macbeth

Bibliographic Data

ID5928622
AuthorsRita De Cássia Eleutério De Moraes (Universidade Estadual Paulista (Unesp), corresponding author)
Year2016
Volume18
Issue22
Publication date2016-10-26
Open AccessYes
TypeARTICLE
VenueRevista de Letras (JOURNAL)
Journal identifiersISSN: 0104-9992 • E-ISSN: 2179-5282
PublisherUniversidade Tecnologica Federal do Parana (UTFPR) (PUBLISHER)
DOI10.3895/rl.v18n22.2894
OpenAlexW2564030572
LanguageEN
References cited1

In this essay, I aim at analyzing the characterization of Lady Macbeth, from Shakespeare’s play Macbeth, in two different productions, namely: Roman Polanski’s filmic version (1971), and Trevor Nunn’s stage version (1976) performed at the Royal Shakespeare Company in Stratford. I am particularly interested in close analyzing Act V, scene I (1-80), when Lady Macbeth, in her sleepwalking (compounded by guilt and insomnia), plays out the washing theme that runs throughout the play

Art · Art history · Literature · Portrait · Sleepwalking · Theme (computing · Computer Science · History · Psychology · Shakespeare, Adaptation, and Literary Criticism

  • Theatre at the Crossroads of Culture

    Michael Quinn, Michael J Quinn et al.•Theatre Journal•1992

Highly citedNo

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