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Line Henriksen

Biographic Data

ID356125
NAMELine Henriksen
GIVEN NAMESLine
FAMILY NAMEHenriksen
SIGNATUREHENRIKSEN L
AFFILIATIONSUniversity of Copenhagen
ORCID0000-0002-4902-624X
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS31
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2022
H-INDEX3
  • Hello, Twitter Bot

    Open Access•Line Henriksen, Cancan Wang•ARTICLE•Catalyst Feminism Theory…•2022

    In this paper, we explore the troubles and potentials at stake in the developments and deployments of lively technologies like Twitter bots, and how they challenge traditional ideas of ethical responsibility. We suggest that there is a tendency for bot ethics to revolve around the desire to differentiate between bot and human, which does not address what we understand to be the cultural anxieties at stake in the blurring boundaries between human …

  • Absent Data

    Open Access•Katrine Meldgaard Kjær, M Ojala et al.•ARTICLE•Catalyst Feminism Theory…•2021

    This paper considers the ways in which silences and absences are a central part of research that relies on automated data collection from social media or the internet. In recent years, automated data collection driven or supported research methods have gained popularity within the social sciences and humanities. With this increase in popularity, it becomes ever more pertinent to consider how to engage with digital data, and how both engagement an…

  • Writing bodies and bodies of text

    Open Access•Line Henriksen, Katrine Meldgaard Kjær et al.•ARTICLE•Gender Work and Organization•2021•Cited by: 12•References: 10

    In this article, we suggest approaching writing as a vulnerable practice marked by an unstable boundary between bodies: bodies of text and bodies of writers. We present an exercise‐method that we refer to as Monster Writing, which we have developed in order to engage with these instabilities as well as in order to address experiences of difficulty, anxiety and uncertainty in relation with the text and writing process. Though the writing process c…

  • Promises, Monsters and Methodologies

    Open Access•Ingvil Hellstrand, Line Henriksen et al.•ARTICLE•Somatechnics•2018•Cited by: 6•References: 4

  • Dette nummers samlede anmeldelser

    Open Access•Erika Kvistad, Line Henriksen et al.•ARTICLE•Kvinder Køn & Forskning•2017

    Adam Golub and Heather Richardson Hayton (eds.): "Monsters in the Classroom: Essays on Teaching What Scares Us" (anmeldt af Erika Kvistad). Mark Fisher: "The Wierd and the Eerie" (anmeldt af Line Henriksen).Donna Haraway: "Staying With the Trouble Making Kin in the Chthulucene (anmeldt af Morten Hillgaard Bülow)

  • Monstrous Encounters

    Open Access•Line Henriksen, Morten Hillgaard Bülow et al.•ARTICLE•Kvinder Køn & Forskning•2017•References: 1

    Not hing is closer to home than the monster: you first encounter it as a child, under the bed or in the closet. (Or, in one intense childhood memory from 1980s Norway, in the toilet; the murky depths of outhouses were said to harbour dodraugen, an undead, watery being with inexplicable tastes in habitat.) Maybe this is why the study of monsters tends to have a faint hanging-on sense of the frivolous and unacademic: by being interested in monsters…

  • In the Company of Ghosts

    Open Access•Line Henriksen•BOOK•In the Company of Ghosts•2016•Cited by: 3•References: 2

    5. Voids, flows and the problem of personality 6. "There be dragons on the internet, in the Deep Web ..." 7. hello 8. FRE EZING G. Icebergs and arctic oceans 9. no chance of passing.Freezing flows and the halting of movement 10.Deep and grave

  • Missing Links and Non/Human Queerings

    Open Access•Line Henriksen, Marietta Radomska•ARTICLE•Somatechnics•2015•Cited by: 7•References: 2

    In recent years, questions regarding the ontological status of the human have been raised with renewed interest and imagination within various fields of critical thought. In the face of biotechnolo

  • Come, so that I may Chase you Away!’ On Ghost Hunts and Posthuman Ethics

    Open Access•Line Henriksen•ARTICLE•Somatechnics•2014

    ‘Creepypastas’ are short horror stories that circulate online, spreading through the act of copying and pasting, and often threatening to ‘curse’ the reader in the process. In this article I explore what it might mean to strike up companionship with and show responsibility towards that which is considered non-existent yet, as in the case of creepypasta and its monsters, hauntingly present nonetheless. I do so through the framework of Jacques Derr…

  • Here be monsters

    Line Henriksen•ARTICLE•Women & Performance a journal of…•2013•References: 3

    Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Ha…

  • The song in the booth

    Line Henriksen•ARTICLE•Interpreting International…•2007•Cited by: 3

    This article applies the notion of formulaic language production, crucial to studies of oral cultures and specifically to the composition of the Homeric poems, to simultaneous interpreting. The definition of the Homeric formula presented by Milman Parry is adjusted to fit the SI context. It is argued that formulaic language production enhances the homogeneity of the SI output and, in an EU context, also that of individual booths, as interpreters …

  • Big Poems Burn Women’

    Open Access•Line Henriksen•ARTICLE•Australian Literary Studies•2001

    Analyses Fredy Neptune within the context of the epic tradition and explores similarities and differences between Murrayâ s work and the narratives of Derek Walcott, Seamus Heaney and Ezra Pound

  • First Grammatical Treatise

    Line Henriksen•ARTICLE•Historiographia Linguistica•1975

    Preview this article: First Grammatical Treatise: The earliest Germanic phonology. By Einar Haugen, Page 1 of 1 /docserver/preview/fulltext/hl.2.1.09ein-1.gif

  • Writing bodies and bodies of text

    Open Access•Line Henriksen, Katrine Meldgaard Kjær et al.•ARTICLE•Gender Work and Organization•2021•Cited by: 12•References: 10

    In this article, we suggest approaching writing as a vulnerable practice marked by an unstable boundary between bodies: bodies of text and bodies of writers. We present an exercise‐method that we refer to as Monster Writing, which we have developed in order to engage with these instabilities as well as in order to address experiences of difficulty, anxiety and uncertainty in relation with the text and writing process. Though the writing process c…

  • Missing Links and Non/Human Queerings

    Open Access•Line Henriksen, Marietta Radomska•ARTICLE•Somatechnics•2015•Cited by: 7•References: 2

    In recent years, questions regarding the ontological status of the human have been raised with renewed interest and imagination within various fields of critical thought. In the face of biotechnolo

  • Promises, Monsters and Methodologies

    Open Access•Ingvil Hellstrand, Line Henriksen et al.•ARTICLE•Somatechnics•2018•Cited by: 6•References: 4

  • In the Company of Ghosts

    Open Access•Line Henriksen•BOOK•In the Company of Ghosts•2016•Cited by: 3•References: 2

    5. Voids, flows and the problem of personality 6. "There be dragons on the internet, in the Deep Web ..." 7. hello 8. FRE EZING G. Icebergs and arctic oceans 9. no chance of passing.Freezing flows and the halting of movement 10.Deep and grave

  • The song in the booth

    Line Henriksen•ARTICLE•Interpreting International…•2007•Cited by: 3

    This article applies the notion of formulaic language production, crucial to studies of oral cultures and specifically to the composition of the Homeric poems, to simultaneous interpreting. The definition of the Homeric formula presented by Milman Parry is adjusted to fit the SI context. It is argued that formulaic language production enhances the homogeneity of the SI output and, in an EU context, also that of individual booths, as interpreters …

  • First Grammatical Treatise

    Line Henriksen•ARTICLE•Historiographia Linguistica•1975

    Preview this article: First Grammatical Treatise: The earliest Germanic phonology. By Einar Haugen, Page 1 of 1 /docserver/preview/fulltext/hl.2.1.09ein-1.gif

  • Big Poems Burn Women’

    Open Access•Line Henriksen•ARTICLE•Australian Literary Studies•2001

    Analyses Fredy Neptune within the context of the epic tradition and explores similarities and differences between Murrayâ s work and the narratives of Derek Walcott, Seamus Heaney and Ezra Pound

  • The song in the booth

    Line Henriksen•ARTICLE•Interpreting International…•2007•Cited by: 3

    This article applies the notion of formulaic language production, crucial to studies of oral cultures and specifically to the composition of the Homeric poems, to simultaneous interpreting. The definition of the Homeric formula presented by Milman Parry is adjusted to fit the SI context. It is argued that formulaic language production enhances the homogeneity of the SI output and, in an EU context, also that of individual booths, as interpreters …

  • Here be monsters

    Line Henriksen•ARTICLE•Women & Performance a journal of…•2013•References: 3

    Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Ha…

  • Come, so that I may Chase you Away!’ On Ghost Hunts and Posthuman Ethics

    Open Access•Line Henriksen•ARTICLE•Somatechnics•2014

    ‘Creepypastas’ are short horror stories that circulate online, spreading through the act of copying and pasting, and often threatening to ‘curse’ the reader in the process. In this article I explore what it might mean to strike up companionship with and show responsibility towards that which is considered non-existent yet, as in the case of creepypasta and its monsters, hauntingly present nonetheless. I do so through the framework of Jacques Derr…

  • Missing Links and Non/Human Queerings

    Open Access•Line Henriksen, Marietta Radomska•ARTICLE•Somatechnics•2015•Cited by: 7•References: 2

    In recent years, questions regarding the ontological status of the human have been raised with renewed interest and imagination within various fields of critical thought. In the face of biotechnolo

  • In the Company of Ghosts

    Open Access•Line Henriksen•BOOK•In the Company of Ghosts•2016•Cited by: 3•References: 2

    5. Voids, flows and the problem of personality 6. "There be dragons on the internet, in the Deep Web ..." 7. hello 8. FRE EZING G. Icebergs and arctic oceans 9. no chance of passing.Freezing flows and the halting of movement 10.Deep and grave

  • Dette nummers samlede anmeldelser

    Open Access•Erika Kvistad, Line Henriksen et al.•ARTICLE•Kvinder Køn & Forskning•2017

    Adam Golub and Heather Richardson Hayton (eds.): "Monsters in the Classroom: Essays on Teaching What Scares Us" (anmeldt af Erika Kvistad). Mark Fisher: "The Wierd and the Eerie" (anmeldt af Line Henriksen).Donna Haraway: "Staying With the Trouble Making Kin in the Chthulucene (anmeldt af Morten Hillgaard Bülow)

  • Monstrous Encounters

    Open Access•Line Henriksen, Morten Hillgaard Bülow et al.•ARTICLE•Kvinder Køn & Forskning•2017•References: 1

    Not hing is closer to home than the monster: you first encounter it as a child, under the bed or in the closet. (Or, in one intense childhood memory from 1980s Norway, in the toilet; the murky depths of outhouses were said to harbour dodraugen, an undead, watery being with inexplicable tastes in habitat.) Maybe this is why the study of monsters tends to have a faint hanging-on sense of the frivolous and unacademic: by being interested in monsters…

  • Promises, Monsters and Methodologies

    Open Access•Ingvil Hellstrand, Line Henriksen et al.•ARTICLE•Somatechnics•2018•Cited by: 6•References: 4

  • Absent Data

    Open Access•Katrine Meldgaard Kjær, M Ojala et al.•ARTICLE•Catalyst Feminism Theory…•2021

    This paper considers the ways in which silences and absences are a central part of research that relies on automated data collection from social media or the internet. In recent years, automated data collection driven or supported research methods have gained popularity within the social sciences and humanities. With this increase in popularity, it becomes ever more pertinent to consider how to engage with digital data, and how both engagement an…

  • Writing bodies and bodies of text

    Open Access•Line Henriksen, Katrine Meldgaard Kjær et al.•ARTICLE•Gender Work and Organization•2021•Cited by: 12•References: 10

    In this article, we suggest approaching writing as a vulnerable practice marked by an unstable boundary between bodies: bodies of text and bodies of writers. We present an exercise‐method that we refer to as Monster Writing, which we have developed in order to engage with these instabilities as well as in order to address experiences of difficulty, anxiety and uncertainty in relation with the text and writing process. Though the writing process c…

  • Hello, Twitter Bot

    Open Access•Line Henriksen, Cancan Wang•ARTICLE•Catalyst Feminism Theory…•2022

    In this paper, we explore the troubles and potentials at stake in the developments and deployments of lively technologies like Twitter bots, and how they challenge traditional ideas of ethical responsibility. We suggest that there is a tendency for bot ethics to revolve around the desire to differentiate between bot and human, which does not address what we understand to be the cultural anxieties at stake in the blurring boundaries between human …

Art (9 works) · Sociology (8 works) · Computer Science (5 works) · Literature (5 works) · Philosophy (5 works) · Philosophy (5 works) · Posthumanist Ethics and Activism (5 works) · History (4 works) · History (4 works) · Political science (4 works)

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