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G R Thompson

Biographic Data

ID3584190
NAMEG R Thompson
GIVEN NAMESG R
FAMILY NAMEThompson
SIGNATURETHOMPSON G R
AFFILIATIONSUniversity of Nottingham
ORCID0000-0001-8344-3488
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Through consumptive pallors of this blank, raggy life”

    Open Access•G R Thompson, Graham Thompson•ARTICLE•Leviathan•2012

    Response to Readers Please note: The publisher is not responsible for the content or functionality of any supporting information supplied by the authors. Any queries (other than missing content) should be directed to the corresponding author for the article

  • The "Plain Facts" of Fine Paper in "The Paradise of Bachelors and the Tartarus of Maids

    G R Thompson, Graham Thompson•ARTICLE•American Literature•2012•Cited by: 1

    Thompson's essay intervenes in conversations about mid-nineteenth-century authorship and print culture by distinguishing between the economy of paper and the economy of print. He argues that critical treatments of Melville's work, and particularly "The Paradise of Bachelors and the Tartarus of Maids" (1855), have not adequately attended to the material economy of paper that existed for Melville before the cycle of literary publication, distributi…

  • The Introductory Reader in Human Geography

    Open Access•G R Thompson•ARTICLE•Geographical Research•2009

  • American Culture in the 1980s

    G R Thompson, Graham Thompson•BOOK•American Culture in The 1980s•2007

    GBS_insertPreviewButtonPopup('ISBN:9780748619108); This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provides an insightful account of the major cultural forms of 1980s America - literature and drama; film and television; music and performance; art and photography - and influential texts and trends of the decade: from White Noise to Wall Street , from Si…

  • Books Reviewed

    Open Access•G R Thompson, Graham Thompson•ARTICLE•Sociology•2001

  • Frank Lloyd Oop”

    G R Thompson, Graham Thompson•ARTICLE•Canadian Review of American Studies•2001

    I If the early development of the computing industry in America was marked by a preoccupation with hardware, as companies like UNIVAC, DEC, and IBM filled the nation’s corporate and government offices with mainframes, then a similar pre­occupation has so far marked the response of cultural criticism to contemporary technology. For Michael Menser and Stanley Aronowitz, American technoculture is founded on the way that hardware permeates all sectio…

  • Neutral Ground

    Rebecca Saulsbury, G R Thompson et al.•ARTICLE•South Atlantic Review•2000

  • The Art of Authorial Presence

    James C Keil, G R Thompson•ARTICLE•The New England Quarterly•1994

    The critical literary world has spent a wealth of thought and words on the of himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the Hawthorne question to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his e…

  • The Art of Authorial Presence

    Margaret B Moore, G R Thompson•ARTICLE•American Literature•1994

  • Poe's Fiction

    David H Hirsch, G R Thompson•ARTICLE•American Literature•1973

  • The "Plain Facts" of Fine Paper in "The Paradise of Bachelors and the Tartarus of Maids

    G R Thompson, Graham Thompson•ARTICLE•American Literature•2012•Cited by: 1

    Thompson's essay intervenes in conversations about mid-nineteenth-century authorship and print culture by distinguishing between the economy of paper and the economy of print. He argues that critical treatments of Melville's work, and particularly "The Paradise of Bachelors and the Tartarus of Maids" (1855), have not adequately attended to the material economy of paper that existed for Melville before the cycle of literary publication, distributi…

  • Poe's Fiction

    David H Hirsch, G R Thompson•ARTICLE•American Literature•1973

  • The Art of Authorial Presence

    James C Keil, G R Thompson•ARTICLE•The New England Quarterly•1994

    The critical literary world has spent a wealth of thought and words on the of himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the Hawthorne question to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his e…

  • The Art of Authorial Presence

    Margaret B Moore, G R Thompson•ARTICLE•American Literature•1994

  • Neutral Ground

    Rebecca Saulsbury, G R Thompson et al.•ARTICLE•South Atlantic Review•2000

  • Books Reviewed

    Open Access•G R Thompson, Graham Thompson•ARTICLE•Sociology•2001

  • Frank Lloyd Oop”

    G R Thompson, Graham Thompson•ARTICLE•Canadian Review of American Studies•2001

    I If the early development of the computing industry in America was marked by a preoccupation with hardware, as companies like UNIVAC, DEC, and IBM filled the nation’s corporate and government offices with mainframes, then a similar pre­occupation has so far marked the response of cultural criticism to contemporary technology. For Michael Menser and Stanley Aronowitz, American technoculture is founded on the way that hardware permeates all sectio…

  • American Culture in the 1980s

    G R Thompson, Graham Thompson•BOOK•American Culture in The 1980s•2007

    GBS_insertPreviewButtonPopup('ISBN:9780748619108); This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provides an insightful account of the major cultural forms of 1980s America - literature and drama; film and television; music and performance; art and photography - and influential texts and trends of the decade: from White Noise to Wall Street , from Si…

  • The Introductory Reader in Human Geography

    Open Access•G R Thompson•ARTICLE•Geographical Research•2009

  • Through consumptive pallors of this blank, raggy life”

    Open Access•G R Thompson, Graham Thompson•ARTICLE•Leviathan•2012

    Response to Readers Please note: The publisher is not responsible for the content or functionality of any supporting information supplied by the authors. Any queries (other than missing content) should be directed to the corresponding author for the article

  • The "Plain Facts" of Fine Paper in "The Paradise of Bachelors and the Tartarus of Maids

    G R Thompson, Graham Thompson•ARTICLE•American Literature•2012•Cited by: 1

    Thompson's essay intervenes in conversations about mid-nineteenth-century authorship and print culture by distinguishing between the economy of paper and the economy of print. He argues that critical treatments of Melville's work, and particularly "The Paradise of Bachelors and the Tartarus of Maids" (1855), have not adequately attended to the material economy of paper that existed for Melville before the cycle of literary publication, distributi…

Art (8 works) · History (7 works) · Literature (7 works) · American and British Literature Analysis (5 works) · Art history (4 works) · Sociology (4 works) · Archaeology (3 works) · Computer Science (3 works) · History (3 works) · Hawthorne effect (2 works)

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