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Frank Lloyd Oop”

Microserfs, Modern Migration, and the Architecture of the Nineties

Bibliographic Data

ID8895191
AuthorsG R Thompson (0000-0001-8344-3488, corresponding author), Graham Thompson (0000-0002-5340-7467)
Year2001
Volume31
Issue3
Pages119-136
Publication date2001-12-01
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras-s031-03-02
OpenAlexW2039644379
LanguageEN
References cited1

I If the early development of the computing industry in America was marked by a preoccupation with hardware, as companies like UNIVAC, DEC, and IBM filled the nation’s corporate and government offices with mainframes, then a similar pre­occupation has so far marked the response of cultural criticism to contemporary technology. For Michael Menser and Stanley Aronowitz, American technoculture is founded on the way that hardware permeates all sections of society: “The Amish have their wagons and farm equipment, the hippies their Volkswagen buses. The rap DJ has his or her turntable ... the cyberpunk has a computer complete with modem” (10). Even in a recent article about the interaction between people and computers, Kevin J. Porter treats the computer, without exception, as a piece of machinery (43-83). Software – the medium through which human-computer inter­action takes place – is nowhere to be found in either of these accounts

Action (physics · Archaeology · Art · Art history · Criticism · Government (linguistics · IBM · Linguistics · Literature · Management · Operating system · Sociology · Architecture · Computer Science · Cybernetics and Technology in Society · History · History of Computing Technologies · Information Systems Theories and Implementation · Philosophy · Software

  • Terror and Emancipation

    Kevin J Porter•Cultural Critique•2000

Highly citedNo

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