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Msia Kibona Clark

Biographic Data

ID358957
NAMEMsia Kibona Clark
GIVEN NAMESMsia Kibona
FAMILY NAMEClark
SIGNATURECLARK M K
AFFILIATIONSHoward University
ORCID0009-0006-3927-6954
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS12
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Vernacular Verses: Language, Identity and African Hip-Hop

    Msia Kibona Clark•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 1•References: 13

  • Contemporary Conversations: Meet the Practitioners

    Msia Kibona Clark•ARTICLE•Journal of African Cultural Studies•2024

  • African Women Hip-Hop Artists Representing Transnational Identities: Y3 Fr3 Me Rebel

    Open Access•Msia Kibona Clark•CHAPTER•The Palgrave Handbook of African…•2021

  • African Women Hip-Hop Artists Representing Transnational Identities: Y3 Fr3 Me Rebel

    Open Access•Msia Kibona Clark•CHAPTER•The Palgrave Handbook of African…•2020

  • Feminisms in African Hip Hop

    Msia Kibona Clark•ARTICLE•Meridians•2018•Cited by: 1•References: 8

    Women hip hop artists in Africa have created spaces for themselves within hip hop's (hyper)masculine culture. They have created these spaces in order to craft their own narratives around gender and sexuality and to challenge existing narratives. This research uses African feminism as a broad lens through which to examine how these women artists present challenges to patriarchy, gender norms, and the politics of respectability that may or may not …

  • The Role of New and Social Media in Tanzanian Hip-Hop Production

    Open Access•Msia Kibona Clark•ARTICLE•Cahiers d études africaines•2014•Cited by: 1•References: 11

    Tanzanian hip-hop artists are finding ways to use social media and technology to both participate in social discourse and to disseminate their music. The increased reliance on alternatives to traditional media tests the power of new technology and social media to allow artists to successfully bypass established institutions and barriers. Likewise, it tests the importance of social media in creating a space for Pan African dialogues to occur, via …

  • Identity among first and second generation African immigrants in the United States

    Msia Kibona Clark•ARTICLE•African Identities•2008•Cited by: 9•References: 4

    This article explores the increasing waves of Africans migrating to the United States and the ways in which complex and multi‐layered notions of identity have surfaced. Issues of identity include self‐identification as well identities imposed on African immigrants. Factors such as location, accent, and socialization are especially important in determining how Africans in America self‐identify and which identities are placed upon them. Special att…

  • Identity among first and second generation African immigrants in the United States

    Msia Kibona Clark•ARTICLE•African Identities•2008•Cited by: 9•References: 4

    This article explores the increasing waves of Africans migrating to the United States and the ways in which complex and multi‐layered notions of identity have surfaced. Issues of identity include self‐identification as well identities imposed on African immigrants. Factors such as location, accent, and socialization are especially important in determining how Africans in America self‐identify and which identities are placed upon them. Special att…

  • Vernacular Verses: Language, Identity and African Hip-Hop

    Msia Kibona Clark•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 1•References: 13

  • Feminisms in African Hip Hop

    Msia Kibona Clark•ARTICLE•Meridians•2018•Cited by: 1•References: 8

    Women hip hop artists in Africa have created spaces for themselves within hip hop's (hyper)masculine culture. They have created these spaces in order to craft their own narratives around gender and sexuality and to challenge existing narratives. This research uses African feminism as a broad lens through which to examine how these women artists present challenges to patriarchy, gender norms, and the politics of respectability that may or may not …

  • The Role of New and Social Media in Tanzanian Hip-Hop Production

    Open Access•Msia Kibona Clark•ARTICLE•Cahiers d études africaines•2014•Cited by: 1•References: 11

    Tanzanian hip-hop artists are finding ways to use social media and technology to both participate in social discourse and to disseminate their music. The increased reliance on alternatives to traditional media tests the power of new technology and social media to allow artists to successfully bypass established institutions and barriers. Likewise, it tests the importance of social media in creating a space for Pan African dialogues to occur, via …

  • Identity among first and second generation African immigrants in the United States

    Msia Kibona Clark•ARTICLE•African Identities•2008•Cited by: 9•References: 4

    This article explores the increasing waves of Africans migrating to the United States and the ways in which complex and multi‐layered notions of identity have surfaced. Issues of identity include self‐identification as well identities imposed on African immigrants. Factors such as location, accent, and socialization are especially important in determining how Africans in America self‐identify and which identities are placed upon them. Special att…

  • The Role of New and Social Media in Tanzanian Hip-Hop Production

    Open Access•Msia Kibona Clark•ARTICLE•Cahiers d études africaines•2014•Cited by: 1•References: 11

    Tanzanian hip-hop artists are finding ways to use social media and technology to both participate in social discourse and to disseminate their music. The increased reliance on alternatives to traditional media tests the power of new technology and social media to allow artists to successfully bypass established institutions and barriers. Likewise, it tests the importance of social media in creating a space for Pan African dialogues to occur, via …

  • Feminisms in African Hip Hop

    Msia Kibona Clark•ARTICLE•Meridians•2018•Cited by: 1•References: 8

    Women hip hop artists in Africa have created spaces for themselves within hip hop's (hyper)masculine culture. They have created these spaces in order to craft their own narratives around gender and sexuality and to challenge existing narratives. This research uses African feminism as a broad lens through which to examine how these women artists present challenges to patriarchy, gender norms, and the politics of respectability that may or may not …

  • African Women Hip-Hop Artists Representing Transnational Identities: Y3 Fr3 Me Rebel

    Open Access•Msia Kibona Clark•CHAPTER•The Palgrave Handbook of African…•2020

  • African Women Hip-Hop Artists Representing Transnational Identities: Y3 Fr3 Me Rebel

    Open Access•Msia Kibona Clark•CHAPTER•The Palgrave Handbook of African…•2021

  • Vernacular Verses: Language, Identity and African Hip-Hop

    Msia Kibona Clark•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 1•References: 13

  • Contemporary Conversations: Meet the Practitioners

    Msia Kibona Clark•ARTICLE•Journal of African Cultural Studies•2024

Sociology (6 works) · Gender Studies (5 works) · Music History and Culture (5 works) · Political science (3 works) · Art (2 works) · Asian Culture and Media Studies (2 works) · Caribbean history, culture, and politics (2 works) · Diaspora (2 works) · History (2 works) · History (2 works)

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