Feminisms in African Hip Hop
Bibliographic Data
| ID | 4986243 |
|---|---|
| Authors | Msia Kibona Clark (0009-0006-3927-6954, corresponding author) |
| Year | 2018 |
| Volume | 17 |
| Issue | 2 |
| Pages | 383-400 |
| Publication date | 2018-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Meridians (JOURNAL) |
| Journal identifiers | ISSN: 1536-6936 • E-ISSN: 1547-8424 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/15366936-7176538 |
| OpenAlex | W2902635188 |
| Language | EN |
| Citations received | 8 |
| References cited | 10 |
Women hip hop artists in Africa have created spaces for themselves within hip hop's (hyper)masculine culture. They have created these spaces in order to craft their own narratives around gender and sexuality and to challenge existing narratives. This research uses African feminism as a broad lens through which to examine how these women artists present challenges to patriarchy, gender norms, and the politics of respectability that may or may not align with African feminist ideologies. In addition to resistance, this research examines how these artists use their art to construct their own dynamic and multidimensional representations in ways that find parallels within African feminisms. In this study, more than three hundred songs produced by women hip hop artists were surveyed. The study revealed diverse expressions of feminist identities, implicit and explicit rejections of patriarchy, and expressions of sexuality that included agency and nonconformity
Art · Craft · Feminism · Human sexuality · Ideology · Literature · Narrative · Parallels · Patriarchy · Political science · Politics · Social science · Sociology · Visual arts · Caribbean history, culture, and politics · Engineering · Gender Studies · Music History and Culture · Race, History, and American Society
African Women and African Oral Literatures
African Women Hip-Hop Artists Representing Transnational Identities
African Women Hip-Hop Artists Representing Transnational Identities
‘The Vibe is Really Important’
Shifting Marginalities, Decentring Breakdance Masculinities
Unblurring the lines
Out there it’s Yolo”
I Thought She Was Ordinary, I Only Saw Her Body
| Unique citing works | 8 |
|---|---|
| Citations per year | 1,33 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 8 |