Y‐dang Troeung
Biographic Data
| ID | 3593731 |
|---|---|
| NAME | Y‐dang Troeung |
| GIVEN NAMES | Y‐dang |
| FAMILY NAME | Troeung |
| SIGNATURE | TROEUNG Y D |
| AFFILIATIONS | City University of Hong Kong |
| ORCID | 0000-0002-2864-7215 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Introduction to Y-Dang's Refugee Lifeworlds
This year's Shelley Fisher Fishkin Prize is awarded posthumously to the scholar Y-Dang Troeung for her 2023 book Refugee Lifeworlds: The Afterlife of the Cold War in Cambodia, an excerpt of which we are honoured to reprint in the journal. Professor Troeung's work is introduced by her husband, Christopher B. Patterson
Litorally Speaking
Routed through Canada
The series of reflections are based on a roundtable discussion amongst Canada-based scholars with research interest in transnational, postcolonial, migration and diaspora studies. Their reflections engage with key ideas from Inter-Asia Cultural Studies through the lens of their research practices and personal histories. Y-Dang Troeung revisits generational memories that are shaped by the “Cold War fraternity” of China, Cambodia, and North Korea t…
Organic and Inorganic Chinas
Cold War discourses reconceived of Chinese cultures as two Chinas, one of the People’s Republic of China (PRC), and the other of the “other China” (Taiwan), or “Greater China” (Hong Kong, Singapore). Today, this discourse has extended to reimagine Chineseness as either “inorganic” (signifying one-party rule and social engineering) or as “organic” (signifying colonial hybridity and laissez-faire capitalism). We explore three texts about Hong Kong—…
Refugee Compassion and the Politics of Embodied Storytelling
Y-Dang Troeung: For many who experienced it directly, the Southeast Asian refugee crisis that unfolded throughout the second half of the twentieth century carries not only the legacy of loss, but a
Refugee Crossings on the Fortieth Anniversary of the Vietnam War
Andrew Lam’s Perfume Dreams: Reflections on the Vietnamese Diaspora (2005), East East West: Writing in Two Hemispheres (2010), and Birds of Paradise Lost: Stories (2013) reflect the heterogeneous and ideologically scattered quality of Vietnamese American identities and identifications. Born in Saigon in 1964 to a father who served as a general in the South Vietnamese Army and a mother from a rural village in north Vietnam, Lam grew up with the co…
Iterations of War and Its Literary Counterforces
The works of Cambodian American writers Vaddey Ratner and Kosal Khiev address two different yet continuous wartime contexts in Cambodian American experience that continue to be little understood by the public. While Ratner’s novel In the Shadow of the Banyan (2012) offers a new semi-fictional perspective on the history of the Cambodian genocide (1975-1979), Kosal Khiev’s spoken word video Why I Write (2011) responds to the contemporary Cambodian …
Human rights and the literary self-portrait
This essay examines Vann Nath's memoir A Cambodian Prison Portrait: One Year in the Khmer Rouge's S-21 as a historical genre enjoined to Cambodia's contemporary human rights movement. Exemplifying Tzevetan Todorov's assertions about new genre formation, Nath's text functions as what I term a human rights literary self-portrait. While the literary self-portrait has been associated with a Western tradition of autobiography that chronicles the life …
Postcolonial Intimacies
Energized by cross-disciplinary investigations, the field of intimacy studies generates epistemological sites akin to what Ann Laura Stoler, following Foucault's writing on the instrumentality of s
‘Not Without Ambivalence’
Articulate Silences Revisited
Vietnamese Canadian writer Kim Thuy – whose novel Ru won the prestigious Governor General’s Literary Award, in Canada, in 2010 – recently stated in a CBC Radio-Canada interview that her novel celebrates the women who “held Vietnam together” during those many generations when the country was at war. These stories, Thuy explains, have “rarely been talked about” in books about the Vietnamese diaspora, because women’s labor and sacrifice took place l…
No prominent works on this page.
Articulate Silences Revisited
Vietnamese Canadian writer Kim Thuy – whose novel Ru won the prestigious Governor General’s Literary Award, in Canada, in 2010 – recently stated in a CBC Radio-Canada interview that her novel celebrates the women who “held Vietnam together” during those many generations when the country was at war. These stories, Thuy explains, have “rarely been talked about” in books about the Vietnamese diaspora, because women’s labor and sacrifice took place l…
Postcolonial Intimacies
Energized by cross-disciplinary investigations, the field of intimacy studies generates epistemological sites akin to what Ann Laura Stoler, following Foucault's writing on the instrumentality of s
‘Not Without Ambivalence’
Human rights and the literary self-portrait
This essay examines Vann Nath's memoir A Cambodian Prison Portrait: One Year in the Khmer Rouge's S-21 as a historical genre enjoined to Cambodia's contemporary human rights movement. Exemplifying Tzevetan Todorov's assertions about new genre formation, Nath's text functions as what I term a human rights literary self-portrait. While the literary self-portrait has been associated with a Western tradition of autobiography that chronicles the life …
Iterations of War and Its Literary Counterforces
The works of Cambodian American writers Vaddey Ratner and Kosal Khiev address two different yet continuous wartime contexts in Cambodian American experience that continue to be little understood by the public. While Ratner’s novel In the Shadow of the Banyan (2012) offers a new semi-fictional perspective on the history of the Cambodian genocide (1975-1979), Kosal Khiev’s spoken word video Why I Write (2011) responds to the contemporary Cambodian …
Refugee Crossings on the Fortieth Anniversary of the Vietnam War
Andrew Lam’s Perfume Dreams: Reflections on the Vietnamese Diaspora (2005), East East West: Writing in Two Hemispheres (2010), and Birds of Paradise Lost: Stories (2013) reflect the heterogeneous and ideologically scattered quality of Vietnamese American identities and identifications. Born in Saigon in 1964 to a father who served as a general in the South Vietnamese Army and a mother from a rural village in north Vietnam, Lam grew up with the co…
Refugee Compassion and the Politics of Embodied Storytelling
Y-Dang Troeung: For many who experienced it directly, the Southeast Asian refugee crisis that unfolded throughout the second half of the twentieth century carries not only the legacy of loss, but a
Routed through Canada
The series of reflections are based on a roundtable discussion amongst Canada-based scholars with research interest in transnational, postcolonial, migration and diaspora studies. Their reflections engage with key ideas from Inter-Asia Cultural Studies through the lens of their research practices and personal histories. Y-Dang Troeung revisits generational memories that are shaped by the “Cold War fraternity” of China, Cambodia, and North Korea t…
Organic and Inorganic Chinas
Cold War discourses reconceived of Chinese cultures as two Chinas, one of the People’s Republic of China (PRC), and the other of the “other China” (Taiwan), or “Greater China” (Hong Kong, Singapore). Today, this discourse has extended to reimagine Chineseness as either “inorganic” (signifying one-party rule and social engineering) or as “organic” (signifying colonial hybridity and laissez-faire capitalism). We explore three texts about Hong Kong—…
Introduction to Y-Dang's Refugee Lifeworlds
This year's Shelley Fisher Fishkin Prize is awarded posthumously to the scholar Y-Dang Troeung for her 2023 book Refugee Lifeworlds: The Afterlife of the Cold War in Cambodia, an excerpt of which we are honoured to reprint in the journal. Professor Troeung's work is introduced by her husband, Christopher B. Patterson
Litorally Speaking
Sociology (8 works) · Political science (7 works) · History (6 works) · History (6 works) · Law (5 works) · Art (4 works) · Gender Studies (4 works) · Gender Studies (4 works) · Law (4 works) · Media studies (4 works)