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Jordi Mckenzie

Biographic Data

ID3594180
NAMEJordi Mckenzie
GIVEN NAMESJordi
FAMILY NAMEMckenzie
SIGNATUREMCKENZIE J
AFFILIATIONSMacquarie University
ORCID0000-0003-4081-6189
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS7
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Art Appreciation

    Open Access•W David Walls, Jordi Mckenzie•ARTICLE•Journal of Cultural Economics•2026

    To those who knew

  • The unsung

    Open Access•Paul Crosby, R D Davies et al.•ARTICLE•International Journal of Cultural…•2026•References: 30

    Australian session musicians are typically only remunerated for their work with one-off fixed fee payments, without entitlement to ongoing royalties that are often paid to session musicians in other countries such as the United States, the United Kingdom, and Germany. Defining session work related to either (1) non-featured performances on sound recordings, or (2) soundtrack recordings, this study examines session remuneration based on a survey o…

  • No such thing as a free movie? Cross-country evidence on the potential impact of Avod streaming services

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Journal of Cultural Economics•2025

    This study investigates potential disruption from advertising-based video-on-demand (AVOD) streaming for new-release in-home films. Using stated-preference discrete choice experiments on representative samples from four major countries, we model demand and examine substitution patterns between AVOD and the incumbent transactional video-on-demand (TVOD) model. In addition, we consider illegal streaming alternatives, including the possibility of us…

  • The reel deal? An experimental analysis of perception bias and AI film pitches

    Open Access•Paul Crosby, Jordi Mckenzie•ARTICLE•Journal of Cultural Economics•2025

    Artificial intelligence (AI) is creating significant disruption in many creative industries, including the film industry. With increase in levels of investment in sophisticated AI technologies, film studios can potentially replace, or at least reduce, traditional roles of film professionals. Not surprisingly, such moves have been met with vocal opposition from industry associations and labor unions. In the discourse of such debate, however, limit…

  • Coagents as intermediaries in the book industry

    Open Access•Paul Crosby, Jordi Mckenzie•ARTICLE•Poetics•2024•References: 10

    This study investigates the use of coagents in the book industry. To reach international markets, domestic publishers typically license a title's rights to third-party international publishers, a practice known as 'selling rights'. Rights sellers can either choose to work directly in a local market or with intermediaries known as coagents. Using a data set of over 2000 international rights sales for Australian-authored titles of a major publisher…

  • Netflix chills and revamps its viewing metrics

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Poetics•2023•References: 19

  • Technological change and managerial challenges in the movie theater industry

    Open Access•Charles B Weinberg, Cord Otten et al.•ARTICLE•Journal of Cultural Economics•2021

  • It takes two, baby! Feature artist collaborations and streaming demand for music

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Journal of Cultural Economics•2021

  • Survey evidence on the impact of Covid-19 on Australian musicians and implications for policy

    Paul Crosby, Jordi Mckenzie•ARTICLE•International Journal of Cultural…•2021•Cited by: 7•References: 1

    This study provides survey evidence concerning how COVID-19 has impacted Australian musicians. Between June and July 2020, we surveyed 203 musicians about the effects of the pandemic on their employment and income. Using a Seemingly Unrelated Regression (SUR) model, we investigate sentiment concerning future employment and income opportunities. We find evidence that this sentiment correlates most strongly with general sentiment about industry dem…

  • For love or money? Assessing outcomes from direct public investment in film

    Jordi Mckenzie, Craig Rossiter et al.•ARTICLE•International Journal of Cultural…•2018•References: 2

    This study examines Australian domestic film performance under two distinct policy regimes with respect to direct investment strategy. In particular, we contrast film performance under two public funding agencies with noted differences in (i) the number of films financed annually, (ii) the average (and maximum) funding per film, and (iii) the involvement of an expert review panel in funding decisions. In addition to box office returns, we conside…

  • Survey evidence on the impact of Covid-19 on Australian musicians and implications for policy

    Paul Crosby, Jordi Mckenzie•ARTICLE•International Journal of Cultural…•2021•Cited by: 7•References: 1

    This study provides survey evidence concerning how COVID-19 has impacted Australian musicians. Between June and July 2020, we surveyed 203 musicians about the effects of the pandemic on their employment and income. Using a Seemingly Unrelated Regression (SUR) model, we investigate sentiment concerning future employment and income opportunities. We find evidence that this sentiment correlates most strongly with general sentiment about industry dem…

  • For love or money? Assessing outcomes from direct public investment in film

    Jordi Mckenzie, Craig Rossiter et al.•ARTICLE•International Journal of Cultural…•2018•References: 2

    This study examines Australian domestic film performance under two distinct policy regimes with respect to direct investment strategy. In particular, we contrast film performance under two public funding agencies with noted differences in (i) the number of films financed annually, (ii) the average (and maximum) funding per film, and (iii) the involvement of an expert review panel in funding decisions. In addition to box office returns, we conside…

  • Technological change and managerial challenges in the movie theater industry

    Open Access•Charles B Weinberg, Cord Otten et al.•ARTICLE•Journal of Cultural Economics•2021

  • It takes two, baby! Feature artist collaborations and streaming demand for music

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Journal of Cultural Economics•2021

  • Survey evidence on the impact of Covid-19 on Australian musicians and implications for policy

    Paul Crosby, Jordi Mckenzie•ARTICLE•International Journal of Cultural…•2021•Cited by: 7•References: 1

    This study provides survey evidence concerning how COVID-19 has impacted Australian musicians. Between June and July 2020, we surveyed 203 musicians about the effects of the pandemic on their employment and income. Using a Seemingly Unrelated Regression (SUR) model, we investigate sentiment concerning future employment and income opportunities. We find evidence that this sentiment correlates most strongly with general sentiment about industry dem…

  • Netflix chills and revamps its viewing metrics

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Poetics•2023•References: 19

  • Coagents as intermediaries in the book industry

    Open Access•Paul Crosby, Jordi Mckenzie•ARTICLE•Poetics•2024•References: 10

    This study investigates the use of coagents in the book industry. To reach international markets, domestic publishers typically license a title's rights to third-party international publishers, a practice known as 'selling rights'. Rights sellers can either choose to work directly in a local market or with intermediaries known as coagents. Using a data set of over 2000 international rights sales for Australian-authored titles of a major publisher…

  • No such thing as a free movie? Cross-country evidence on the potential impact of Avod streaming services

    Open Access•Jordi Mckenzie, Paul Crosby et al.•ARTICLE•Journal of Cultural Economics•2025

    This study investigates potential disruption from advertising-based video-on-demand (AVOD) streaming for new-release in-home films. Using stated-preference discrete choice experiments on representative samples from four major countries, we model demand and examine substitution patterns between AVOD and the incumbent transactional video-on-demand (TVOD) model. In addition, we consider illegal streaming alternatives, including the possibility of us…

  • The reel deal? An experimental analysis of perception bias and AI film pitches

    Open Access•Paul Crosby, Jordi Mckenzie•ARTICLE•Journal of Cultural Economics•2025

    Artificial intelligence (AI) is creating significant disruption in many creative industries, including the film industry. With increase in levels of investment in sophisticated AI technologies, film studios can potentially replace, or at least reduce, traditional roles of film professionals. Not surprisingly, such moves have been met with vocal opposition from industry associations and labor unions. In the discourse of such debate, however, limit…

  • Art Appreciation

    Open Access•W David Walls, Jordi Mckenzie•ARTICLE•Journal of Cultural Economics•2026

    To those who knew

  • The unsung

    Open Access•Paul Crosby, R D Davies et al.•ARTICLE•International Journal of Cultural…•2026•References: 30

    Australian session musicians are typically only remunerated for their work with one-off fixed fee payments, without entitlement to ongoing royalties that are often paid to session musicians in other countries such as the United States, the United Kingdom, and Germany. Defining session work related to either (1) non-featured performances on sound recordings, or (2) soundtrack recordings, this study examines session remuneration based on a survey o…

Business (6 works) · Economics (6 works) · Cultural Industries and Urban Development (5 works) · Advertising (4 works) · Art (4 works) · Cinema and Media Studies (4 works) · Cultural economics (4 works) · The arts (4 works) · Computer Science (3 works) · Copyright and Intellectual Property (3 works)

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