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Armida De La Garza

Biographic Data

ID3599216
NAMEArmida De La Garza
GIVEN NAMESArmida
FAMILY NAMEDe La Garza
SIGNATUREDE LA GARZA A
AFFILIATIONSUniversity College Cork
ORCID0000-0001-7720-6275
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS5
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Two Fridas, Three Dresses

    Armida De La Garza•ARTICLE•Feminist Media Histories•2026

    The Two Fridas (1939) is considered the most ambitious work by Mexican painter and feminist icon Frida Kahlo, and dress is central to it. It famously depicts two versions of the painter sitting side by side with hearts visible and a vein bleeding, one wearing a traditional Tehuana costume, taken to stand for her Mexican identity, the other a white dress often described as “Victorian,” regarded as alluding to her European heritage. Based on McLuha…

  • Visual Thinking Strategies (VTS) for global learning in partnership

    Armida De La Garza, Carolina Sacristán Ramírez et al.•ARTICLE•Compare A Journal of Comparative…•2025

  • Controversy and Construction in Contemporary Aesthetics

    Jie Wang, Zheng Shen et al.•BOOK•Controversy and Construction in…•2024

  • Introduction

    Armida De La Garza, Wang Jie et al.•ARTICLE•TEXTILE•2022

    Taking the concept of intersemiotic translation as its point of departure, this introduction to the special issue presents an overview of the various ways in which translation, cloth and textile intersect, as well as a brief outline of how the articles included here address these intersections. An inter-semiotic translation is that in which a verbal sign is interpreted into a non-verbal system of symbols, in this case cloth and textile. Indeed, c…

  • Embroidery as Activist Translation in Latin America

    Armida De La Garza, Claudia Hernández-Espinosa et al.•ARTICLE•TEXTILE•2022

    Craftivists have long held that embroidery is a language and that it can be used to communicate. Moreover, they have also argued that it is similar to a translation since craft has a unique ability to help transcend linguistic barriers, as it can be a way to transmit messages and emotions around the world when we cannot communicate with words, either due to censorship, a lack of resources or other reasons. In addition, this type of language is sa…

  • STEAM at Work

    Armida De La Garza•ARTICLE•TEXTILE•2022

    Translation is considered a highly effective means for introducing new ways of thinking and inducing significant cultural change. At a time in which collaborations between STEM and the Arts are perceived as a necessary cultural change, this article employs the concept of inter-semiotic translation to explore the role that textile art in the form of dress and accessories can have translating, metaphorically, scientific concepts and ideas into a ma…

  • Gendering Irish History on Film

    Open Access•Armida De La Garza•ARTICLE•Gender & History•2018

  • Film policy under globalization

    Armida De La Garza•ARTICLE•International Journal of Cultural…•2016•References: 1

    The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including film policy. In this paper, I discuss the main changes in film policy there have been in Mexico, comparing the time when the welfare state regarded cinema as crucial to the construction of national identity, and actively sup…

  • The Education of the Filmmaker in Africa, the Middle East, and the Americas

    Open Access•Armida De La Garza, Mette Hjort•BOOK•Education of the Filmmaker in…•2013•Cited by: 4

    Practice-oriented film education aimed at children has been hailed for various reasons: at a personal level, as a means of providing tools for self-expression, for developing creativity and communication skills. And at a social level, it is argued that children must now become competent producers, in addition to critical consumers, of audiovisual content so they can take part in the global public sphere that is arguably emerging. This chapter dis…

  • Diversity, difference and nation

    Armida De La Garza•ARTICLE•National Identities•2010•Cited by: 1•References: 6

    This article draws on constructivist theories of identity that regard the self as coming into existence through interaction with the other. It investigates the discursive formation of Indigenous people in the forging of Mexican national identity. The aim of this article is to show how difference has been managed and deployed in the establishment of national Mexican identities from independence until the present. This is done with reference to vis…

  • Reading' the Cinema of Zhang Yimou

    Open Access•Armida De La Garza•ARTICLE•Ícone•2009•References: 4

    How are national identities transformed? If they are mostly narratives of belonging to a community of history and destiny to which people subscribe, those boundarymaking procedures that constitute the political field by instituting difference can provide a tentative answer to this question. This paper is concerned with one such cultural practice, namely film viewing. Globalisation, a boundary-blurring practice, has been the backdrop against which…

  • The Education of the Filmmaker in Africa, the Middle East, and the Americas

    Open Access•Armida De La Garza, Mette Hjort•BOOK•Education of the Filmmaker in…•2013•Cited by: 4

    Practice-oriented film education aimed at children has been hailed for various reasons: at a personal level, as a means of providing tools for self-expression, for developing creativity and communication skills. And at a social level, it is argued that children must now become competent producers, in addition to critical consumers, of audiovisual content so they can take part in the global public sphere that is arguably emerging. This chapter dis…

  • Diversity, difference and nation

    Armida De La Garza•ARTICLE•National Identities•2010•Cited by: 1•References: 6

    This article draws on constructivist theories of identity that regard the self as coming into existence through interaction with the other. It investigates the discursive formation of Indigenous people in the forging of Mexican national identity. The aim of this article is to show how difference has been managed and deployed in the establishment of national Mexican identities from independence until the present. This is done with reference to vis…

  • Reading' the Cinema of Zhang Yimou

    Open Access•Armida De La Garza•ARTICLE•Ícone•2009•References: 4

    How are national identities transformed? If they are mostly narratives of belonging to a community of history and destiny to which people subscribe, those boundarymaking procedures that constitute the political field by instituting difference can provide a tentative answer to this question. This paper is concerned with one such cultural practice, namely film viewing. Globalisation, a boundary-blurring practice, has been the backdrop against which…

  • Diversity, difference and nation

    Armida De La Garza•ARTICLE•National Identities•2010•Cited by: 1•References: 6

    This article draws on constructivist theories of identity that regard the self as coming into existence through interaction with the other. It investigates the discursive formation of Indigenous people in the forging of Mexican national identity. The aim of this article is to show how difference has been managed and deployed in the establishment of national Mexican identities from independence until the present. This is done with reference to vis…

  • The Education of the Filmmaker in Africa, the Middle East, and the Americas

    Open Access•Armida De La Garza, Mette Hjort•BOOK•Education of the Filmmaker in…•2013•Cited by: 4

    Practice-oriented film education aimed at children has been hailed for various reasons: at a personal level, as a means of providing tools for self-expression, for developing creativity and communication skills. And at a social level, it is argued that children must now become competent producers, in addition to critical consumers, of audiovisual content so they can take part in the global public sphere that is arguably emerging. This chapter dis…

  • Film policy under globalization

    Armida De La Garza•ARTICLE•International Journal of Cultural…•2016•References: 1

    The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including film policy. In this paper, I discuss the main changes in film policy there have been in Mexico, comparing the time when the welfare state regarded cinema as crucial to the construction of national identity, and actively sup…

  • Gendering Irish History on Film

    Open Access•Armida De La Garza•ARTICLE•Gender & History•2018

  • Introduction

    Armida De La Garza, Wang Jie et al.•ARTICLE•TEXTILE•2022

    Taking the concept of intersemiotic translation as its point of departure, this introduction to the special issue presents an overview of the various ways in which translation, cloth and textile intersect, as well as a brief outline of how the articles included here address these intersections. An inter-semiotic translation is that in which a verbal sign is interpreted into a non-verbal system of symbols, in this case cloth and textile. Indeed, c…

  • Embroidery as Activist Translation in Latin America

    Armida De La Garza, Claudia Hernández-Espinosa et al.•ARTICLE•TEXTILE•2022

    Craftivists have long held that embroidery is a language and that it can be used to communicate. Moreover, they have also argued that it is similar to a translation since craft has a unique ability to help transcend linguistic barriers, as it can be a way to transmit messages and emotions around the world when we cannot communicate with words, either due to censorship, a lack of resources or other reasons. In addition, this type of language is sa…

  • STEAM at Work

    Armida De La Garza•ARTICLE•TEXTILE•2022

    Translation is considered a highly effective means for introducing new ways of thinking and inducing significant cultural change. At a time in which collaborations between STEM and the Arts are perceived as a necessary cultural change, this article employs the concept of inter-semiotic translation to explore the role that textile art in the form of dress and accessories can have translating, metaphorically, scientific concepts and ideas into a ma…

  • Controversy and Construction in Contemporary Aesthetics

    Jie Wang, Zheng Shen et al.•BOOK•Controversy and Construction in…•2024

  • Visual Thinking Strategies (VTS) for global learning in partnership

    Armida De La Garza, Carolina Sacristán Ramírez et al.•ARTICLE•Compare A Journal of Comparative…•2025

  • Two Fridas, Three Dresses

    Armida De La Garza•ARTICLE•Feminist Media Histories•2026

    The Two Fridas (1939) is considered the most ambitious work by Mexican painter and feminist icon Frida Kahlo, and dress is central to it. It famously depicts two versions of the painter sitting side by side with hearts visible and a vein bleeding, one wearing a traditional Tehuana costume, taken to stand for her Mexican identity, the other a white dress often described as “Victorian,” regarded as alluding to her European heritage. Based on McLuha…

Political science (7 works) · Sociology (7 works) · Art (6 works) · Law (6 works) · Law (6 works) · Aesthetics (5 works) · Media studies (4 works) · Politics (4 works) · Visual arts (4 works) · Computer Science (3 works)

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