Mary B Moore
Biographic Data
| ID | 3599733 |
|---|---|
| NAME | Mary B Moore |
| GIVEN NAMES | Mary B |
| FAMILY NAME | Moore |
| SIGNATURE | MOORE M B |
| AFFILIATIONS | Loyola University Chicago |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 67 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 4 |
"Where's Mimicry" and "Broodings"
How can academic health science centers help to increase diversity in the STEM professions
In the United States, great inequities exist within the science, technology, engineering, and math (STEM) fields in individuals who self-identify as belonging to underrepresented groups (e.g., from socioeconomically disadvantaged backgrounds, people with disabilities, and Black/African American, Hispanic/Latino, American Indian, Alaska Native, Native Hawaiian, or Pacific Islander). Underrepresentation in STEM careers has been documented to be due…
Corpus Vasorum Antiquorum. Deutschland 78. München 14: Attisch-schwarzfigurige Halsamphoren . By Erika Kunze-Götte. Corpus Vasorum Antiquorum. The Netherlands 9. Amsterdam 3. Allard Pierson Museum of …
Vase painters
The Athenian Agora, XXX: Attic Red-Figured and White-Ground Pottery
The Central Group in the Gigantomachy of the Old Athena Temple on the Acropolis
Recent examination of the preserved sculpture from the Gigantomachy pediment of the Old Athena Temple on the Athenian Acropolis has shown that a frontal chariot team occupied the center. Two fragmentary horses belong to the team and, judging from what remains, they are a pole horse and a trace horse, thus proving that the team was a quadriga, not a biga. Stähler suggested that Zeus stood in the chariot, but did not speculate upon the presence of …
Attic Black-Figured Pottery
This volume is the first of the Athenian Agora reports to deal specifically with figured wares; it is concerned with the black-figured pottery found in the excavations in the Athenian Agora between 1931 and 1967, most of it in dumped fill especially in wells and cisterns. These deposits have been published separately in previous reports; by presenting them as a body, the authors are able to show how it complements and supplements the existing chr…
The Development of Attic Black-Figure
The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations
Athena and Herakles on Exekias' Calyx-Krater
Recent examination by the author of the calyx-krater by Exekias found in the North Slope Excavations of the Athenian Agora in 1937 revealed that, in the scene of the Introduction of Herakles to Olympos, the hero did not stand on the ground beside the chariot as previously thought, but in the vehicle beside Athena. At the very top of the breastwork there is part of a hand holding onto it, and since the hand is glazed black, not painted white, it c…
The West Frieze of the Siphnian Treasury: A new Reconstruction
Une fois montré que le sujet de la frise est bien le Jugement de Pâris, on propose la restitution suivante des parties manquantes : il y avait un palmier sur le bloc de raccord entre les plaques Ρ et Q ; sur la 3e plaque, qui a disparu, il y avait un deuxième palmier, Paris assis sur un rocher, puis Héra remontant sur son char et, fermant la composition, un valet. Cette reconstruction montre combien le sculpteur avait pris soin d'adapter sa compo…
Corpus Vasorum Antiquorum: Deutschland 48, Munich 9 . By E. Kunze-Götte. Corpus Vasorum Antiquorum: Deutschland 50, Frankfurt am Main 3 . By Karl Deppert
The Death of Pedasos
Exekias and Telamonian Ajax
Homer tells us that next to Achilles, among all the Greeks at Troy, Telamonian Ajax ranks second. Given Ajax's key role in some of the most significant episodes in the Trojan War, it is odd that he appears so seldom in Attic vase painting. Among all the vase painters, only Exekias takes a special interest in Ajax. This article examines the Ajax scenes by Exekias, compares them with others of the period, and attempts to explain Exekias' interest i…
Lydos and the Gigantomachy
Among the many painted representations of the Gigantomachy, the most comprehensive black-figured example is the one painted on the dinos signed by Lydos and dedicated on the Akropolis. But, because this vase is so fragmentary, the composition of the Gigantomachy has not received the attention it deserves. Examination of the fragments and comparison with other Gigantomachies, particularly some on Akropolis vases, allow us to make reconstruction dr…
Attic Black Figure from Samothrace
A Neck-amphora in the Collection of Walter Bareiss
Horses by Exekias
The Development of Attic Black-Figure
The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations
Lydos and the Gigantomachy
Among the many painted representations of the Gigantomachy, the most comprehensive black-figured example is the one painted on the dinos signed by Lydos and dedicated on the Akropolis. But, because this vase is so fragmentary, the composition of the Gigantomachy has not received the attention it deserves. Examination of the fragments and comparison with other Gigantomachies, particularly some on Akropolis vases, allow us to make reconstruction dr…
Attic Black-Figured Pottery
This volume is the first of the Athenian Agora reports to deal specifically with figured wares; it is concerned with the black-figured pottery found in the excavations in the Athenian Agora between 1931 and 1967, most of it in dumped fill especially in wells and cisterns. These deposits have been published separately in previous reports; by presenting them as a body, the authors are able to show how it complements and supplements the existing chr…
Attic Black Figure from Samothrace
The Central Group in the Gigantomachy of the Old Athena Temple on the Acropolis
Recent examination of the preserved sculpture from the Gigantomachy pediment of the Old Athena Temple on the Athenian Acropolis has shown that a frontal chariot team occupied the center. Two fragmentary horses belong to the team and, judging from what remains, they are a pole horse and a trace horse, thus proving that the team was a quadriga, not a biga. Stähler suggested that Zeus stood in the chariot, but did not speculate upon the presence of …
Exekias and Telamonian Ajax
Homer tells us that next to Achilles, among all the Greeks at Troy, Telamonian Ajax ranks second. Given Ajax's key role in some of the most significant episodes in the Trojan War, it is odd that he appears so seldom in Attic vase painting. Among all the vase painters, only Exekias takes a special interest in Ajax. This article examines the Ajax scenes by Exekias, compares them with others of the period, and attempts to explain Exekias' interest i…
Horses by Exekias
A Neck-amphora in the Collection of Walter Bareiss
Attic Black Figure from Samothrace
Lydos and the Gigantomachy
Among the many painted representations of the Gigantomachy, the most comprehensive black-figured example is the one painted on the dinos signed by Lydos and dedicated on the Akropolis. But, because this vase is so fragmentary, the composition of the Gigantomachy has not received the attention it deserves. Examination of the fragments and comparison with other Gigantomachies, particularly some on Akropolis vases, allow us to make reconstruction dr…
Exekias and Telamonian Ajax
Homer tells us that next to Achilles, among all the Greeks at Troy, Telamonian Ajax ranks second. Given Ajax's key role in some of the most significant episodes in the Trojan War, it is odd that he appears so seldom in Attic vase painting. Among all the vase painters, only Exekias takes a special interest in Ajax. This article examines the Ajax scenes by Exekias, compares them with others of the period, and attempts to explain Exekias' interest i…
The Death of Pedasos
The West Frieze of the Siphnian Treasury: A new Reconstruction
Une fois montré que le sujet de la frise est bien le Jugement de Pâris, on propose la restitution suivante des parties manquantes : il y avait un palmier sur le bloc de raccord entre les plaques Ρ et Q ; sur la 3e plaque, qui a disparu, il y avait un deuxième palmier, Paris assis sur un rocher, puis Héra remontant sur son char et, fermant la composition, un valet. Cette reconstruction montre combien le sculpteur avait pris soin d'adapter sa compo…
Corpus Vasorum Antiquorum: Deutschland 48, Munich 9 . By E. Kunze-Götte. Corpus Vasorum Antiquorum: Deutschland 50, Frankfurt am Main 3 . By Karl Deppert
The Development of Attic Black-Figure
The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations
Athena and Herakles on Exekias' Calyx-Krater
Recent examination by the author of the calyx-krater by Exekias found in the North Slope Excavations of the Athenian Agora in 1937 revealed that, in the scene of the Introduction of Herakles to Olympos, the hero did not stand on the ground beside the chariot as previously thought, but in the vehicle beside Athena. At the very top of the breastwork there is part of a hand holding onto it, and since the hand is glazed black, not painted white, it c…
Attic Black-Figured Pottery
This volume is the first of the Athenian Agora reports to deal specifically with figured wares; it is concerned with the black-figured pottery found in the excavations in the Athenian Agora between 1931 and 1967, most of it in dumped fill especially in wells and cisterns. These deposits have been published separately in previous reports; by presenting them as a body, the authors are able to show how it complements and supplements the existing chr…
The Central Group in the Gigantomachy of the Old Athena Temple on the Acropolis
Recent examination of the preserved sculpture from the Gigantomachy pediment of the Old Athena Temple on the Athenian Acropolis has shown that a frontal chariot team occupied the center. Two fragmentary horses belong to the team and, judging from what remains, they are a pole horse and a trace horse, thus proving that the team was a quadriga, not a biga. Stähler suggested that Zeus stood in the chariot, but did not speculate upon the presence of …
The Athenian Agora, XXX: Attic Red-Figured and White-Ground Pottery
Vase painters
Corpus Vasorum Antiquorum. Deutschland 78. München 14: Attisch-schwarzfigurige Halsamphoren . By Erika Kunze-Götte. Corpus Vasorum Antiquorum. The Netherlands 9. Amsterdam 3. Allard Pierson Museum of …
How can academic health science centers help to increase diversity in the STEM professions
In the United States, great inequities exist within the science, technology, engineering, and math (STEM) fields in individuals who self-identify as belonging to underrepresented groups (e.g., from socioeconomically disadvantaged backgrounds, people with disabilities, and Black/African American, Hispanic/Latino, American Indian, Alaska Native, Native Hawaiian, or Pacific Islander). Underrepresentation in STEM careers has been documented to be due…
"Where's Mimicry" and "Broodings"
Art (14 works) · History (11 works) · Classical Antiquity Studies (10 works) · Ancient Mediterranean Archaeology and History (9 works) · Archaeology (9 works) · Computer Science (8 works) · History (8 works) · Art history (7 works) · Attic (4 works) · Historical, Religious, and Philosophical Studies (4 works)