Emilie De Brigard
Biographic Data
| ID | 3616482 |
|---|---|
| NAME | Emilie De Brigard |
| GIVEN NAMES | Emilie |
| FAMILY NAME | De Brigard |
| SIGNATURE | DE BRIGARD E |
| AFFILIATIONS | Coastal Connecticut Research (United States) |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Indian Summer School
In 1977, Jean Rouch visited New York to show his films at the first Margaret Mead Film Festival. Later, he returned to the United States to make his ciné-portrait of Mead, and he was invited to teach film workshops in the Boston area. He coined the term “Indian Summer School” for these programs. I taught visual anthropology with Rouch at Harvard Summer School from 1980 to 1986. America fascinated Rouch; he, meanwhile, bewildered his students. In …
Taafe Fanga
Taafe Fanga (Skirt Power). 1997. 95 minutes. Written and directed by Adama Drabo. Mali. In Kaado and Bambara. Distributed by California Newsreel, 149 Ninth Street, San Francisco, CA 94103
Hollywood
Hollywood: Mecca of the Movies Blaise Cendrars Translated and with an introduction by Garrett White. Berkeley: University of California Press, 1995. liv. 197 pp. No One Knows Their Names: Screenwriters in Hollywood Jorja Prover Bowling Green (Ohio): Bowling Green State University Popular Press,1994. 170 pp
West of the Thirties
West of the Thirties: Discoveries among the Navajo and Hopi. Edward T. Hall 1994 190 pp. New York: Doubleday
The Land Where the Blues Began
The Land Where the Blues Began. Alan Lomax. New York: Pantheon. 1993. xv. 540 pp. $24.95
The Architectural Uncanny/ The Surreptitious Speech/ The Cinematic Grtot / Ethnographic Film Aesthetics & Narrative Traditions / Deer Camp / Magic Eyes / Partial Recall / Waucoma Twilight
The Architectural Uncanny. 1992. By Anthony Vidler. Cambridge: Mit Press The Surreptitious Speech: Presence Africaine and The Politics of Otherness, 1947—1987. Ed. V. Y. Mudimbe. Chicago and London: The university of Chicago Press, 1992. The Cinematic Griot: the Ethnography of Jean Rouch. 1992. By Paul Stoller. xvii. 247 pp. Chicago: Chicago University Press. Emilie De Brigard Anthropological film research institute Ethnographic Film Aesthetics a…
Biological Anthropology
Candidates for General Board Members-at-large
Margaret Mead
The Problem of the Ethnographic Real [and Comments and Reply]
Inductivism, romanticism, and the hope of bettering the world, the founding philosophies of anthropology, also inspire documentary film making. The necessity of selection and the inescapability of theory, however, require a different philosophical basis than inductivism. In anthropology the required philosophy is the solving of intellectual problems by improving theories; in film making the better philosophy is to see film as expressing a vision …
Principles of Visual Anthropology
This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …
Principles of Visual Anthropology
This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …
Taafe Fanga
Taafe Fanga (Skirt Power). 1997. 95 minutes. Written and directed by Adama Drabo. Mali. In Kaado and Bambara. Distributed by California Newsreel, 149 Ninth Street, San Francisco, CA 94103
West of the Thirties
West of the Thirties: Discoveries among the Navajo and Hopi. Edward T. Hall 1994 190 pp. New York: Doubleday
The Architectural Uncanny/ The Surreptitious Speech/ The Cinematic Grtot / Ethnographic Film Aesthetics & Narrative Traditions / Deer Camp / Magic Eyes / Partial Recall / Waucoma Twilight
The Architectural Uncanny. 1992. By Anthony Vidler. Cambridge: Mit Press The Surreptitious Speech: Presence Africaine and The Politics of Otherness, 1947—1987. Ed. V. Y. Mudimbe. Chicago and London: The university of Chicago Press, 1992. The Cinematic Griot: the Ethnography of Jean Rouch. 1992. By Paul Stoller. xvii. 247 pp. Chicago: Chicago University Press. Emilie De Brigard Anthropological film research institute Ethnographic Film Aesthetics a…
Margaret Mead
The Problem of the Ethnographic Real [and Comments and Reply]
Inductivism, romanticism, and the hope of bettering the world, the founding philosophies of anthropology, also inspire documentary film making. The necessity of selection and the inescapability of theory, however, require a different philosophical basis than inductivism. In anthropology the required philosophy is the solving of intellectual problems by improving theories; in film making the better philosophy is to see film as expressing a vision …
Principles of Visual Anthropology
This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …
Margaret Mead
The Problem of the Ethnographic Real [and Comments and Reply]
Inductivism, romanticism, and the hope of bettering the world, the founding philosophies of anthropology, also inspire documentary film making. The necessity of selection and the inescapability of theory, however, require a different philosophical basis than inductivism. In anthropology the required philosophy is the solving of intellectual problems by improving theories; in film making the better philosophy is to see film as expressing a vision …
Candidates for General Board Members-at-large
The Architectural Uncanny/ The Surreptitious Speech/ The Cinematic Grtot / Ethnographic Film Aesthetics & Narrative Traditions / Deer Camp / Magic Eyes / Partial Recall / Waucoma Twilight
The Architectural Uncanny. 1992. By Anthony Vidler. Cambridge: Mit Press The Surreptitious Speech: Presence Africaine and The Politics of Otherness, 1947—1987. Ed. V. Y. Mudimbe. Chicago and London: The university of Chicago Press, 1992. The Cinematic Griot: the Ethnography of Jean Rouch. 1992. By Paul Stoller. xvii. 247 pp. Chicago: Chicago University Press. Emilie De Brigard Anthropological film research institute Ethnographic Film Aesthetics a…
Biological Anthropology
The Land Where the Blues Began
The Land Where the Blues Began. Alan Lomax. New York: Pantheon. 1993. xv. 540 pp. $24.95
Hollywood
Hollywood: Mecca of the Movies Blaise Cendrars Translated and with an introduction by Garrett White. Berkeley: University of California Press, 1995. liv. 197 pp. No One Knows Their Names: Screenwriters in Hollywood Jorja Prover Bowling Green (Ohio): Bowling Green State University Popular Press,1994. 170 pp
West of the Thirties
West of the Thirties: Discoveries among the Navajo and Hopi. Edward T. Hall 1994 190 pp. New York: Doubleday
Taafe Fanga
Taafe Fanga (Skirt Power). 1997. 95 minutes. Written and directed by Adama Drabo. Mali. In Kaado and Bambara. Distributed by California Newsreel, 149 Ninth Street, San Francisco, CA 94103
Indian Summer School
In 1977, Jean Rouch visited New York to show his films at the first Margaret Mead Film Festival. Later, he returned to the United States to make his ciné-portrait of Mead, and he was invited to teach film workshops in the Boston area. He coined the term “Indian Summer School” for these programs. I taught visual anthropology with Rouch at Harvard Summer School from 1980 to 1986. America fascinated Rouch; he, meanwhile, bewildered his students. In …
Art (7 works) · Art history (6 works) · History (6 works) · History (6 works) · Sociology (6 works) · Anthropology (5 works) · Computer Science (4 works) · Citation (3 works) · Ethnography (3 works) · Library science (3 works)