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Allison Jablonko

Biographic Data

ID3618111
NAMEAllison Jablonko
GIVEN NAMESAllison
FAMILY NAMEJablonko
SIGNATUREJABLONKO A
AFFILIATIONSUniversity of Perugia
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS45
WORKS AS AUTHOR20
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2021
H-INDEX3
  • The ‘how’ of anthropology

    Allison Jablonko•ARTICLE•Visual Studies•2021

  • First Fieldwork

    Allison Jablonko, David J Boyd et al.•BOOK•First Fieldwork•2018

    First Fieldwork: Pacific Anthropology, 1960 – 1985 explores what a generation of anthropologists experienced during their first visits to the field at a time of momentous political changes in Pacific island countries and societies and in anthropology itself. Answering some of the same how and why questions found in Terence E. Hays’ Ethnographic Presents: Pioneering Anthropologists in the Papua New Guinea Highlands (1993), First Fieldwork begins w…

  • Photogaffes

    Allison Jablonko•ARTICLE•Visual Studies•2013•Cited by: 1

  • The Italian way

    Allison Jablonko•ARTICLE•Visual Studies•2011•Cited by: 1•References: 1

  • Monti Moments

    Open Access•Allison Jablonko•ARTICLE•American Anthropologist•2010•Cited by: 1•References: 3

  • Remembering Papua New Guinea an Eccentric Ethnography William C. Clarke Canberra

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•2004

    William C. Clarke weaves together the layers of experience that confronted him 30 years earlier as he looked back at the slides he had taken in 1964 during his fieldwork as a geographer among the Maring people of Papua New Guinea. Moving between his personal memories and his current disciplinary assessment of Maring horticulture, he creates a work which he calls An Eccentric Ethnography [italics]. Responding to Clarke's juxtaposition of text and …

  • An Intersection of Disciplines

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•2001•Cited by: 1•References: 2

  • Society for Visual Anthropology

    Open Access•Allison Jablonko, Mary Strong•ARTICLE•Anthropology News•2000

  • Structuring visual materials

    Allison Jablonko•ARTICLE•Visual Anthropology•1995•Cited by: 1•References: 6

    As institutions such as the Institute for Scientific Film in Göttingen, Germany, look back on their accomplishments and look forward to what their role may be in the future, it is worthwhile to untangle some of the strands involved in the practice of "visual anthropology" and to clarify our thinking on the shared and distinctive characteristics of ethnographic films and of visual research material

  • The "Memory" Bus

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•1991

  • Patterns of daily life in the dance of the Maring of New Guinea

    Allison Jablonko•ARTICLE•Visual Anthropology•1991•Cited by: 1•References: 1

    Patterns of spatial use and synchrony; as documented in research footage deposited in the Human Studies Film Archives, Smithsonian Institution, are used to characterize the underlying Maring movement style and to relate two basic forms of Maring dance to different spheres of Maring daily life. Maring social organization, as described verbally in written ethnography, is linked to observable movement characteristics. Similarities are found between …

  • Words and Images

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•1990•References: 2

  • Filing and retrieval of visual documentation

    Allison Jablonko•ARTICLE•Visual Sociology•1989

  • Five videotapes on the Waiãpi Indians of Northern Brazil . 1988. Produced by Victor Fuks

    Open Access•Allison Jablonko•ARTICLE•American Anthropologist•1989

  • An Experiment in Looking

    Allison Jablonko, Elizabeth Kagan•ARTICLE•TDR/The Drama Review•1988

    In Autumn I985 Allison Jablonko, an anthropologist, and Elizabeth Kagan, a certified movement analyst and choreographer, set out to explore the possibility of using Laban Movement Analysis (LMA) to derive meaning from archival footage of the Maring people of Papua New Guinea.1 We wished to broaden the analysis of Maring movement style which Jablonko had completed in 1967 (Jablonko 1968a). Because it had been designed for an anthropological audien…

  • Society for Visual Anthroplogy

    Open Access•Allison Jablonko•ARTICLE•Anthropology News•1988

  • Society for Visual Anthropology

    Open Access•Allison Jablonk, Allison Jablonko•ARTICLE•Anthropology News•1986

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Principles of Visual Anthropology

    Timothy Asch, Asen Balikci et al.•BOOK•Principles of Visual Anthropology•1975•Cited by: 15

    This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …

  • Socio-Ecological Change Among the Fore of New Guinea [and Comments and Replies]

    E Richard Sorenson, Henri J M Claessen et al.•ARTICLE•Current Anthropology•1972•Cited by: 17

    Historical reconstruction based on contemporary evidence shows that adoption of the sweet potato by the Fore approximately a century ago set in motion a series of events that transformed their institutions and natural surroundings. As the consequences of this act unraveled, the Fore moved to virgin lands, their population increased, the character of the living space they occupied was altered, and they were confronted with new kinds of social and …

  • Socio-Ecological Change Among the Fore of New Guinea [and Comments and Replies]

    E Richard Sorenson, Henri J M Claessen et al.•ARTICLE•Current Anthropology•1972•Cited by: 17

    Historical reconstruction based on contemporary evidence shows that adoption of the sweet potato by the Fore approximately a century ago set in motion a series of events that transformed their institutions and natural surroundings. As the consequences of this act unraveled, the Fore moved to virgin lands, their population increased, the character of the living space they occupied was altered, and they were confronted with new kinds of social and …

  • Principles of Visual Anthropology

    Timothy Asch, Asen Balikci et al.•BOOK•Principles of Visual Anthropology•1975•Cited by: 15

    This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Photogaffes

    Allison Jablonko•ARTICLE•Visual Studies•2013•Cited by: 1

  • The Italian way

    Allison Jablonko•ARTICLE•Visual Studies•2011•Cited by: 1•References: 1

  • Monti Moments

    Open Access•Allison Jablonko•ARTICLE•American Anthropologist•2010•Cited by: 1•References: 3

  • An Intersection of Disciplines

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•2001•Cited by: 1•References: 2

  • Structuring visual materials

    Allison Jablonko•ARTICLE•Visual Anthropology•1995•Cited by: 1•References: 6

    As institutions such as the Institute for Scientific Film in Göttingen, Germany, look back on their accomplishments and look forward to what their role may be in the future, it is worthwhile to untangle some of the strands involved in the practice of "visual anthropology" and to clarify our thinking on the shared and distinctive characteristics of ethnographic films and of visual research material

  • Patterns of daily life in the dance of the Maring of New Guinea

    Allison Jablonko•ARTICLE•Visual Anthropology•1991•Cited by: 1•References: 1

    Patterns of spatial use and synchrony; as documented in research footage deposited in the Human Studies Film Archives, Smithsonian Institution, are used to characterize the underlying Maring movement style and to relate two basic forms of Maring dance to different spheres of Maring daily life. Maring social organization, as described verbally in written ethnography, is linked to observable movement characteristics. Similarities are found between …

  • Socio-Ecological Change Among the Fore of New Guinea [and Comments and Replies]

    E Richard Sorenson, Henri J M Claessen et al.•ARTICLE•Current Anthropology•1972•Cited by: 17

    Historical reconstruction based on contemporary evidence shows that adoption of the sweet potato by the Fore approximately a century ago set in motion a series of events that transformed their institutions and natural surroundings. As the consequences of this act unraveled, the Fore moved to virgin lands, their population increased, the character of the living space they occupied was altered, and they were confronted with new kinds of social and …

  • Principles of Visual Anthropology

    Timothy Asch, Asen Balikci et al.•BOOK•Principles of Visual Anthropology•1975•Cited by: 15

    This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, …

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Society for Visual Anthropology

    Open Access•Allison Jablonk, Allison Jablonko•ARTICLE•Anthropology News•1986

  • An Experiment in Looking

    Allison Jablonko, Elizabeth Kagan•ARTICLE•TDR/The Drama Review•1988

    In Autumn I985 Allison Jablonko, an anthropologist, and Elizabeth Kagan, a certified movement analyst and choreographer, set out to explore the possibility of using Laban Movement Analysis (LMA) to derive meaning from archival footage of the Maring people of Papua New Guinea.1 We wished to broaden the analysis of Maring movement style which Jablonko had completed in 1967 (Jablonko 1968a). Because it had been designed for an anthropological audien…

  • Society for Visual Anthroplogy

    Open Access•Allison Jablonko•ARTICLE•Anthropology News•1988

  • Filing and retrieval of visual documentation

    Allison Jablonko•ARTICLE•Visual Sociology•1989

  • Five videotapes on the Waiãpi Indians of Northern Brazil . 1988. Produced by Victor Fuks

    Open Access•Allison Jablonko•ARTICLE•American Anthropologist•1989

  • Words and Images

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•1990•References: 2

  • The "Memory" Bus

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•1991

  • Patterns of daily life in the dance of the Maring of New Guinea

    Allison Jablonko•ARTICLE•Visual Anthropology•1991•Cited by: 1•References: 1

    Patterns of spatial use and synchrony; as documented in research footage deposited in the Human Studies Film Archives, Smithsonian Institution, are used to characterize the underlying Maring movement style and to relate two basic forms of Maring dance to different spheres of Maring daily life. Maring social organization, as described verbally in written ethnography, is linked to observable movement characteristics. Similarities are found between …

  • Structuring visual materials

    Allison Jablonko•ARTICLE•Visual Anthropology•1995•Cited by: 1•References: 6

    As institutions such as the Institute for Scientific Film in Göttingen, Germany, look back on their accomplishments and look forward to what their role may be in the future, it is worthwhile to untangle some of the strands involved in the practice of "visual anthropology" and to clarify our thinking on the shared and distinctive characteristics of ethnographic films and of visual research material

  • Society for Visual Anthropology

    Open Access•Allison Jablonko, Mary Strong•ARTICLE•Anthropology News•2000

  • An Intersection of Disciplines

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•2001•Cited by: 1•References: 2

  • Remembering Papua New Guinea an Eccentric Ethnography William C. Clarke Canberra

    Open Access•Allison Jablonko•ARTICLE•Visual Anthropology Review•2004

    William C. Clarke weaves together the layers of experience that confronted him 30 years earlier as he looked back at the slides he had taken in 1964 during his fieldwork as a geographer among the Maring people of Papua New Guinea. Moving between his personal memories and his current disciplinary assessment of Maring horticulture, he creates a work which he calls An Eccentric Ethnography [italics]. Responding to Clarke's juxtaposition of text and …

  • Monti Moments

    Open Access•Allison Jablonko•ARTICLE•American Anthropologist•2010•Cited by: 1•References: 3

  • The Italian way

    Allison Jablonko•ARTICLE•Visual Studies•2011•Cited by: 1•References: 1

  • Photogaffes

    Allison Jablonko•ARTICLE•Visual Studies•2013•Cited by: 1

  • First Fieldwork

    Allison Jablonko, David J Boyd et al.•BOOK•First Fieldwork•2018

    First Fieldwork: Pacific Anthropology, 1960 – 1985 explores what a generation of anthropologists experienced during their first visits to the field at a time of momentous political changes in Pacific island countries and societies and in anthropology itself. Answering some of the same how and why questions found in Terence E. Hays’ Ethnographic Presents: Pioneering Anthropologists in the Papua New Guinea Highlands (1993), First Fieldwork begins w…

  • The ‘how’ of anthropology

    Allison Jablonko•ARTICLE•Visual Studies•2021

Sociology (13 works) · Computer Science (11 works) · Anthropology (10 works) · Ethnography (9 works) · Citation (8 works) · Library science (8 works) · Art (6 works) · Geography (6 works) · Photography and Visual Culture (6 works) · Ethnology (5 works)

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