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Eric E Peterson

Biographic Data

ID3620654
NAMEEric E Peterson
GIVEN NAMESEric E
FAMILY NAMEPeterson
SIGNATUREPETERSON E E
AFFILIATIONSUniversity of Maine
ORCID0000-0002-5006-3865
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS61
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2019
H-INDEX3
  • Compositional analysis and cross-cultural examination of blue and blue-green post-fire colorants on Tolita-Tumaco ceramics

    Open Access•Breanna F Reiss, M Spilde et al.•ARTICLE•Boletín de Arqueología PUCP•2019•Cited by: 1•References: 4

    Este estudio explora los colorantes azules y azul-verdoso utilizados por la cultura Tolita-Tumaco de las costas antiguas de Ecuador y Colombia. Utilizando la difracción de Rayos X (DRX) y la microscopía electrónica de barrido (SEM) con la espectroscopía de energía dispersiva (EDS), se analizaron muestras de cada uno de los colorantes azul y azul-verdoso para identificar las composicións mineral. La muestra azul verdosa de una cerámica encontrada …

  • Public Broadcasting and the Public Interest

    B Lee Artz, Michael P Mccauley et al.•BOOK•Public Broadcasting and the…•2016•Cited by: 1

    As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting's role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering ever…

  • The performance turn in narrative studies

    Eric E Peterson, Kristin M Langellier•ARTICLE•Narrative Inquiry•2006•Cited by: 18

    The turn to performance re-situates narrative as an object of study: narrative is both a making and a doing. The performance turn emphasizes narrative embodied in communication practices, constrained by situational and material conditions, embedded in fields of discourse, and strategically distributed to reproduce and critique existing relations of power and knowledge

  • Somebody's got to pick eggs”

    Kristin M Langellier, Eric E Peterson•ARTICLE•Communication Monographs•2006•Cited by: 9

    Additional informationNotes on contributorsKristin M. LangellierKristin M. Langellier (PhD, Southern Illinois University) is Mark and Marcia Bailey Professor at the University of MaineEric E. PetersonEric E. Peterson (PhD, Southern Illinois University) is a Professor, at the University of Maine

  • Narrative Identity in a Solo Performance

    Eric E Peterson•ARTICLE•Narrative Inquiry•2000•Cited by: 2

    In the solo performance of autobiographical narrative, the performer’s body is the primary site for the construction of narrative identity. Autobiographical performance emphasizes the tensions between conventionalized forms of representation and the contingent and relational forms of presentation. That is, presenting “a story about myself” both constitutes and performs identity in a narrative that represents this performative accomplishment as ha…

  • One More First Time

    Eric E Peterson•ARTICLE•Narrative Inquiry•2000

    Preview this article: One More First Time: A Response to Commentary by Katz and Shotter, Page 1 of 1 /docserver/preview/fulltext/ni.10.2.09pet-1.gif

  • The politics of personal narrative methodology

    Eric E Peterson, Kristin M Langellier•ARTICLE•Text and Performance Quarterly•1997•Cited by: 29•References: 14

    Any study of personal narrative involves researchers and performers in contested, hence political, concerns of context and power. These concerns tend to be obscured methodologically by three commonplace assumptions: personal narrative is a text, personal narrative can be fully transcribed and analyzed, and personal narrative is not performance. This essay examines these assumptions and illustrates their methodological implications with an excerpt…

  • On the boundaries of postmodern aesthetics

    Eric E Peterson•ARTICLE•Text and Performance Quarterly•1989

    ALTARITY. By Mark C. Taylor. Chicago: University of Chicago Press, 1987; pp. xxxiv‐371. $39.95; paper $14.95. PARAESTHETICS: FOUCAULT, LYOTARD, DERRIDA. By David Carroll. New York & London: Methuen, 1987; pp. xvii‐219. $35.00; paper $12.95. SOCIOLOGICAL POETICS AND AESTHETIC THEORY. By Alan Swingewood. New York: St. Martin's Press, 1987; pp. vii‐163. $29.95; paper $11.95

  • The Technology of Media Consumption

    Open Access•Eric E Peterson•ARTICLE•American Behavioral Scientist•1988•Cited by: 1•References: 9

  • Media consumption and girls who want to have fun

    Eric E Peterson•ARTICLE•Critical Studies in Mass…•1987

    This essay explores the nature and function of listening to music from the perspective of semiotic phenomenology. Listening to music is a form of media consumption, a habitual practice that inscribes social meanings and organizes pleasure. The analysis of listening to music occurs in the three stages of description, definition, and interpretation. The description specifies the lived reality of listening to music in a postmodern world. The definit…

  • The politics of personal narrative methodology

    Eric E Peterson, Kristin M Langellier•ARTICLE•Text and Performance Quarterly•1997•Cited by: 29•References: 14

    Any study of personal narrative involves researchers and performers in contested, hence political, concerns of context and power. These concerns tend to be obscured methodologically by three commonplace assumptions: personal narrative is a text, personal narrative can be fully transcribed and analyzed, and personal narrative is not performance. This essay examines these assumptions and illustrates their methodological implications with an excerpt…

  • The performance turn in narrative studies

    Eric E Peterson, Kristin M Langellier•ARTICLE•Narrative Inquiry•2006•Cited by: 18

    The turn to performance re-situates narrative as an object of study: narrative is both a making and a doing. The performance turn emphasizes narrative embodied in communication practices, constrained by situational and material conditions, embedded in fields of discourse, and strategically distributed to reproduce and critique existing relations of power and knowledge

  • Somebody's got to pick eggs”

    Kristin M Langellier, Eric E Peterson•ARTICLE•Communication Monographs•2006•Cited by: 9

    Additional informationNotes on contributorsKristin M. LangellierKristin M. Langellier (PhD, Southern Illinois University) is Mark and Marcia Bailey Professor at the University of MaineEric E. PetersonEric E. Peterson (PhD, Southern Illinois University) is a Professor, at the University of Maine

  • Narrative Identity in a Solo Performance

    Eric E Peterson•ARTICLE•Narrative Inquiry•2000•Cited by: 2

    In the solo performance of autobiographical narrative, the performer’s body is the primary site for the construction of narrative identity. Autobiographical performance emphasizes the tensions between conventionalized forms of representation and the contingent and relational forms of presentation. That is, presenting “a story about myself” both constitutes and performs identity in a narrative that represents this performative accomplishment as ha…

  • Compositional analysis and cross-cultural examination of blue and blue-green post-fire colorants on Tolita-Tumaco ceramics

    Open Access•Breanna F Reiss, M Spilde et al.•ARTICLE•Boletín de Arqueología PUCP•2019•Cited by: 1•References: 4

    Este estudio explora los colorantes azules y azul-verdoso utilizados por la cultura Tolita-Tumaco de las costas antiguas de Ecuador y Colombia. Utilizando la difracción de Rayos X (DRX) y la microscopía electrónica de barrido (SEM) con la espectroscopía de energía dispersiva (EDS), se analizaron muestras de cada uno de los colorantes azul y azul-verdoso para identificar las composicións mineral. La muestra azul verdosa de una cerámica encontrada …

  • Public Broadcasting and the Public Interest

    B Lee Artz, Michael P Mccauley et al.•BOOK•Public Broadcasting and the…•2016•Cited by: 1

    As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting's role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering ever…

  • The Technology of Media Consumption

    Open Access•Eric E Peterson•ARTICLE•American Behavioral Scientist•1988•Cited by: 1•References: 9

  • Media consumption and girls who want to have fun

    Eric E Peterson•ARTICLE•Critical Studies in Mass…•1987

    This essay explores the nature and function of listening to music from the perspective of semiotic phenomenology. Listening to music is a form of media consumption, a habitual practice that inscribes social meanings and organizes pleasure. The analysis of listening to music occurs in the three stages of description, definition, and interpretation. The description specifies the lived reality of listening to music in a postmodern world. The definit…

  • The Technology of Media Consumption

    Open Access•Eric E Peterson•ARTICLE•American Behavioral Scientist•1988•Cited by: 1•References: 9

  • On the boundaries of postmodern aesthetics

    Eric E Peterson•ARTICLE•Text and Performance Quarterly•1989

    ALTARITY. By Mark C. Taylor. Chicago: University of Chicago Press, 1987; pp. xxxiv‐371. $39.95; paper $14.95. PARAESTHETICS: FOUCAULT, LYOTARD, DERRIDA. By David Carroll. New York & London: Methuen, 1987; pp. xvii‐219. $35.00; paper $12.95. SOCIOLOGICAL POETICS AND AESTHETIC THEORY. By Alan Swingewood. New York: St. Martin's Press, 1987; pp. vii‐163. $29.95; paper $11.95

  • The politics of personal narrative methodology

    Eric E Peterson, Kristin M Langellier•ARTICLE•Text and Performance Quarterly•1997•Cited by: 29•References: 14

    Any study of personal narrative involves researchers and performers in contested, hence political, concerns of context and power. These concerns tend to be obscured methodologically by three commonplace assumptions: personal narrative is a text, personal narrative can be fully transcribed and analyzed, and personal narrative is not performance. This essay examines these assumptions and illustrates their methodological implications with an excerpt…

  • Narrative Identity in a Solo Performance

    Eric E Peterson•ARTICLE•Narrative Inquiry•2000•Cited by: 2

    In the solo performance of autobiographical narrative, the performer’s body is the primary site for the construction of narrative identity. Autobiographical performance emphasizes the tensions between conventionalized forms of representation and the contingent and relational forms of presentation. That is, presenting “a story about myself” both constitutes and performs identity in a narrative that represents this performative accomplishment as ha…

  • One More First Time

    Eric E Peterson•ARTICLE•Narrative Inquiry•2000

    Preview this article: One More First Time: A Response to Commentary by Katz and Shotter, Page 1 of 1 /docserver/preview/fulltext/ni.10.2.09pet-1.gif

  • The performance turn in narrative studies

    Eric E Peterson, Kristin M Langellier•ARTICLE•Narrative Inquiry•2006•Cited by: 18

    The turn to performance re-situates narrative as an object of study: narrative is both a making and a doing. The performance turn emphasizes narrative embodied in communication practices, constrained by situational and material conditions, embedded in fields of discourse, and strategically distributed to reproduce and critique existing relations of power and knowledge

  • Somebody's got to pick eggs”

    Kristin M Langellier, Eric E Peterson•ARTICLE•Communication Monographs•2006•Cited by: 9

    Additional informationNotes on contributorsKristin M. LangellierKristin M. Langellier (PhD, Southern Illinois University) is Mark and Marcia Bailey Professor at the University of MaineEric E. PetersonEric E. Peterson (PhD, Southern Illinois University) is a Professor, at the University of Maine

  • Public Broadcasting and the Public Interest

    B Lee Artz, Michael P Mccauley et al.•BOOK•Public Broadcasting and the…•2016•Cited by: 1

    As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting's role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering ever…

  • Compositional analysis and cross-cultural examination of blue and blue-green post-fire colorants on Tolita-Tumaco ceramics

    Open Access•Breanna F Reiss, M Spilde et al.•ARTICLE•Boletín de Arqueología PUCP•2019•Cited by: 1•References: 4

    Este estudio explora los colorantes azules y azul-verdoso utilizados por la cultura Tolita-Tumaco de las costas antiguas de Ecuador y Colombia. Utilizando la difracción de Rayos X (DRX) y la microscopía electrónica de barrido (SEM) con la espectroscopía de energía dispersiva (EDS), se analizaron muestras de cada uno de los colorantes azul y azul-verdoso para identificar las composicións mineral. La muestra azul verdosa de una cerámica encontrada …

Art (7 works) · Psychology (7 works) · Sociology (6 works) · Aesthetics (5 works) · Literature (4 works) · Narrative (4 works) · Computer Science (3 works) · Epistemology (3 works) · Law (3 works) · Philosophy (3 works)

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