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Narrative Identity in a Solo Performance

Craig Gingrich-Philbrook’s “The First Time”

Bibliographic Data

ID12625537
AuthorsEric E Peterson (0000-0002-5006-3865, University of Maine, corresponding author)
Year2000
Volume10
Issue1
Pages229-251
Publication date2000-10-17
Open AccessNo
TypeARTICLE
VenueNarrative Inquiry (JOURNAL)
Journal identifiersISSN: 1387-6740 • E-ISSN: 1569-9935
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/ni.10.1.17pet
OpenAlexW2049112065
LanguageEN
Citations received3

In the solo performance of autobiographical narrative, the performer’s body is the primary site for the construction of narrative identity. Autobiographical performance emphasizes the tensions between conventionalized forms of representation and the contingent and relational forms of presentation. That is, presenting “a story about myself” both constitutes and performs identity in a narrative that represents this performative accomplishment as having already taken place. The tensions between the presentation and representation of narrative identity are productive opportunities for queer solo performers who seek to make visible and disrupt the power relations and structures of heterosexist discourse. Analysis of a solo performance, “The First Time” by Craig Gingrich-Philbrook, illustrates how the critical reiteration of conventions can be used to make explicit the operation of narrative identity

Aesthetics · Art · Identity (music · Identity formation · Literature · Narrative · Narrative criticism · Narrative identity · Narrative inquiry · Performative utterance · Political science · Politics · Power (physics · Presentation (obstetrics · Queer · Representation (politics · Self-concept · Sociology · Diversity and Impact of Dance · Gender Studies · Law · Musicology and Musical Analysis · Psychology · Social Psychology · Theatre and Performance Studies

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Citations per year0.13
Citation span2003 - 2006 (4)
Highly citedNo

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