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Jaś Elsner

Biographic Data

ID3622952
NAMEJaś Elsner
GIVEN NAMESJaś
FAMILY NAMEElsner
SIGNATUREELSNER J
AFFILIATIONSCorpus Christi College
ORCID0000-0001-8535-7399
VERIFIEDNo
TOTAL WORKS88
TOTAL CITATIONS107
AUTHOR COUNT75
EDITOR COUNT12
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2026
H-INDEX7
  • Festival athletics in the Imagines of the Elder Philostratus

    Jaś Elsner, Michael Squire•CHAPTER•The Fabric of Hellenism•2026

  • Material Religion in Byzantium and Beyond: Papers from the 54th Spring Symposium of Byzantine Studies

    Ine Jacobs, Jaś Elsner et al.•BOOK•Material Religion in Byzantium…•2025

  • Latin Literature and Material Culture

    Open Access•Michael Squire, Jaś Elsner•CHAPTER•The Cambridge Critical Guide to…•2024

    This chapter introduces the rich intersections between Latin literature and Roman material culture. Why should Latin scholars concern themselves with ancient objects? How might study of Roman physical remains inform an understanding of Latin literature? In what ways do attitudes towards Roman material remains align with disciplinary approaches to interpreting Latin literature? The chapter proceeds in seven interconnected parts. The first examines…

  • The visual culture and the classics: An interview with Jas Elsner

    Open Access•Jaś Elsner, Edjalma Nepomoceno Pina•ARTICLE•Romanitas - Revista de Estudos…•2024

    Interview with Jas Elsner

  • The Cambridge Critical Guide to Latin Literature

    Open Access•Irene Peirano Garrison, Gavin Kelly et al.•BOOK•The Cambridge Critical Guide to…•2024

    The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future developme…

  • Making, replication, and quality in late antique art

    Open Access•Jaś Elsner•ARTICLE•Res: Anthropology and Aesthetics•2024•References: 13

  • Articulating Resistance

    Open Access•Daniel Jolowicz, Jaś Elsner•CHAPTER•Articulating Resistance under the…•2023

    In this introduction, we establish a framework for resistance studies as it relates to the ancient Mediterranean world, and especially to Rome as an imperial power. The first section explores the changing scope of resistance studies over the past century and how the three principal twentieth-century discussions of resistance by Classicists have been framed by Nazi Germany, the French colonial experience in Africa seen from the viewpoint of early …

  • Articulating Resistance under the Roman Empire

    Open Access•Daniel Jolowicz, Jaś Elsner•BOOK•Articulating Resistance under the…•2023

    This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including 'opposition', 'subversion', 'antagonism', 'dissent', and 'criticism' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its imp…

  • Iconoclasm

    Jaś Elsner•ARTICLE•West 86th•2022

  • Figurines. Figuration and The Sense of Scale

    Open Access•Jaś Elsner•ARTICLE•Les Carnets de l ACoSt•2022

    This volume concerns figurines as archaeologically-attested materials from literate cultures with surviving documents that have no direct links of contiguity, appropriation, or influence in relation to each other

  • Landscape and Space: Comparative Perspectives from Chinese, Mesoamerican, Ancient Greek, and Roman Art

    Jaś Elsner•BOOK•Landscape and Space•2021

  • Classicism in Roman Art

    Jaś Elsner•CHAPTER•Classical Pasts•2021

  • Roman Eyes: Visuality and Subjectivity in Art and Text

    Jaś Elsner•BOOK•Roman Eyes•2021

  • Years of Dura Europos

    Open Access•Jaś Elsner•ARTICLE•Journal of Roman Archaeology•2021•Cited by: 1•References: 21

    It was more than 100 years ago, in March 1920, that British troops camping in the ruins of some unknown ancient fort on the Euphrates, named Al-Salihiyah in Arabic, during the skirmishing that followed the collapse of the Ottoman Empire in the aftermath of the First World War, dug a trench and excavated some astonishing wall paintings. The officers in charge, along with the Civil Commissioner, managed to call in an American archaeologist who happ…

  • Other Worlds: Utopias in the Art of Late Ancient Eurasia

    Jaś Elsner•ARTICLE•West 86th•2021

    This article examines a profound contradiction inherent in the idea of utopia as conceptually formulated by Thomas More in the Renaissance and clearly implicit in pre-humanist utopian, Arcadian, or paradisal imagery and descriptions, reaching back via early Christianity to Greco-Roman antiquity and resonating equally within Asian Buddhism. The idea of utopia from Greek antiquity to ancient India has evoked an optimism not unconnected to the convi…

  • The Viennese Invention of Late Antiquity: Between Politics and Religion in the Forms of Late Roman Art

    Open Access•Jaś Elsner•CHAPTER•Empires of Faith in Late Antiquity•2020

    There is a very good case for supposing that not only the idea of late antique art, but indeed of late antiquity itself as a meaningful historical period, was invented in Vienna in the late nineteenth century. The ideological dynamics are significant, and help to explain the usual understanding of a temporal formulation (‘late antiquity’) to determine what is in fact a culturally and geographically specific designation – that is, a European-centr…

  • Empires of Faith in Late Antiquity: Histories of Art and Religion from India to Ireland

    Open Access•Jaś Elsner•BOOK•Empires of Faith in Late Antiquity•2020

    This book reveals the rewards of exploring the relationship between art and religion in the first millennium, and the particular problems of comparing the visual cultures of different emergent and established religions of the period in Eurasia - Buddhism, Hinduism, Zoroastrianism, Islam, Judaism, Christianity and the pagan religions of the Roman world. Most of these became established and remained in play as what are called 'the world religions'.…

  • The Death of the Figurine: Reflections on an Abrahamic Abstention

    Jaś Elsner•CHAPTER•Figurines•2020

    This chapter explores an evidential absence, arising from a striking archaeological fact. In all the ancient cultures of the Mediterranean, including Egypt and north Africa, of the near East at least as far as India, both prehistoric and historic, from the earliest Palaeolithic to the end of pre-Abrahamic pagan polytheism in the western half of this vast geography spanning the Mediterranean and Asia, the figurine is a prime and ubiquitous product…

  • Figurines: Figuration and the Sense of Scale

    Jaś Elsner•BOOK•Figurines•2020

  • The Cross: History, Art and Controversy

    Jaś Elsner•ARTICLE•Material Religion•2019

  • The Embodied Object: Recensions of the Dead on Roman Sarcophagi

    Open Access•Jaś Elsner•ARTICLE•Art History•2018•Cited by: 2•References: 2

    The Roman sarcophagus uses the visual forms of consolatory celebration to frame the actual body of the deceased.Its rhetorics of eulogy are not merely performative but are directly existential, since its form and function are entirely dependent on the act of containing a corpse.In sarcophagi, the frequency of portraiture as a major element of decoration adds a further frisson to the question of embodiment.This paper touches on all forms of portra…

  • Ark of Civilization: Refugee Scholars and Oxford University, 1930-1945

    Sally Crawford, Katharina Ulmschneider et al.•BOOK•Ark of Civilization•2017

  • Comparativism in Art History

    Jaś Elsner•BOOK•Comparativism in Art History•2017

  • Images of Mithra

    Philippa Adrych, Robert Bracey et al.•BOOK•Images of Mithra•2017•Cited by: 7

    Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persi…

  • Homer and the Ekphrasists: Text and Picture in the Elder Philostratus’ ‘Scamander’ (Imagines I.1)

    Open Access•Michael Squire, Jaś Elsner et al.•CHAPTER•The Archaeology of Greece and Rome•2016

    In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…

Next
  • The Itinerarium Burdigalense: Politics and Salvation in the Geography of Constantine's Empire

    Open Access•Jaś Elsner•ARTICLE•The Journal of Roman Studies•2000•Cited by: 22•References: 11

    The shift from a traditional polytheistic dispensation for empire to a Christian-oriented ‘commonwealth’ is unarguably one of the most significant historical processes that took place in the Roman world. Its ramifications were manifold, and not least in the arena of how empire and its territory would come to be conceived within Late Roman and Byzantine culture. In this paper I want to explore the ways one text, written in the lifetime of Constant…

  • From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept ofKunstwollen

    Jas''Elsner, Jaś Elsner et al.•ARTICLE•Critical Inquiry•2006•Cited by: 12•References: 2

  • On the Problem of Describing and Interpreting Works of the Visual Arts

    Erwin Panofsky, Jaś Elsner et al.•ARTICLE•Critical Inquiry•2012•Cited by: 10•References: 2

  • The Genesis of Iconology

    Jaś Elsner, Karl Lorenz et al.•ARTICLE•Critical Inquiry•2012•Cited by: 9•References: 2

  • Art History as Ekphrasis

    Open Access•Jaś Elsner•ARTICLE•Art History•2010•Cited by: 8

    Detail of Michelangelo, Rondanani Pietà, c. 1555-64 (plate 3). View from right hand side of Michelangelo, Rondanani Pietà, c. 1555-64. Marble, 195 cm (height). Milan: Castello Sforzesca. Photo: Author. The history of reflections about what art history is and how it might best be done, about how art works and what art is, is long and distinguished. I do not propose to review it here. Nor do I presume to suggest a definition of what art is or how i…

  • Viewing Ariadne: From Ekphrasis to Wall Painting in the Roman World

    Jaś Elsner•ARTICLE•Classical Philology•2007•Cited by: 8

  • Images of Mithra

    Philippa Adrych, Robert Bracey et al.•BOOK•Images of Mithra•2017•Cited by: 7

    Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persi…

  • Lithic Poetics: Posidippus and His Stones

    Open Access•Jaś Elsner•ARTICLE•Ramus•2014•Cited by: 5•References: 20

    The 20 poems collected together as the lithika of Posidippus, the first surviving poems on a papyrus roll only published in 2001 and dating from the third century BCE, offer a range of spectacular new evidence for a series of issues in Hellenistic history, art and literature. The standard view is that Posidippus was probably author of all the epigrams in the roll known as P. Mil. Vogl. VIII 309, although this has been contested and by no means ne…

  • The Birth of Late Antiquity: Riegl and Strzygowski in 1901

    Open Access•Jaś Elsner, Jas ́ Elsner et al.•ARTICLE•Art History•2002•Cited by: 4

    This paper celebrates the anniversary of the publication of Alois Riegl's Spätrömische Kunstindustrie and Josef Strzygowski's Orient oder Rom in 1901. The significance of these two books and the polemic that developed between their authors and their adherents goes to the heart of the development of late‐antique studies in the history of art. But beyond this, it exemplifies what was best in the characteristic scholarship of the ‘Vienna School’– em…

  • The "New Museology" and Classical Art

    Jaś Elsner•ARTICLE•American Journal of Archaeology•1996•Cited by: 4

  • Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art

    Open Access•Jaś Elsner•ARTICLE•The Journal of Roman Studies•2003•Cited by: 3•References: 10

    There are (at least) two ways to approach the history of religious art in Antiquity. One is to study what was going on in the ancient world, to tell the story as they (the subjects of our inquiry) saw it and as they did it. Another is to ask how we know how they saw it and did it. The first might be called ‘history’, the second ‘critical historiography’. Both are crucial to the historical enterprise, and I in no way intend to demean the first by …

  • The Embodied Object: Recensions of the Dead on Roman Sarcophagi

    Open Access•Jaś Elsner•ARTICLE•Art History•2018•Cited by: 2•References: 2

    The Roman sarcophagus uses the visual forms of consolatory celebration to frame the actual body of the deceased.Its rhetorics of eulogy are not merely performative but are directly existential, since its form and function are entirely dependent on the act of containing a corpse.In sarcophagi, the frequency of portraiture as a major element of decoration adds a further frisson to the question of embodiment.This paper touches on all forms of portra…

  • Beyond Compare: Pagan Saint and Christian God in Late Antiquity

    Jas''Elsner, Jaś Elsner et al.•ARTICLE•Critical Inquiry•2009•Cited by: 2•References: 4

  • Introduction: ‘If You Need an Actual Statue…’

    Open Access•Jennifer Trimble, Jaś Elsner•ARTICLE•Art History•2006•Cited by: 2

  • Sacrifice and narrative on the Arch of the Argentarii at Rome

    Open Access•Jaś Elsner•ARTICLE•Journal of Roman Archaeology•2005•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • From the culture of spolia to the cult of relics: The Arch of Constantine and the genesis of late antique forms

    Open Access•Jaś Elsner•ARTICLE•Papers of the British School at…•2000•Cited by: 2•References: 39

    DALLA CULTURA DEGLI SPOLIA AL CULTO DELLE RELIQUIE: L'ARCO DI COSTANTINO E LA GENESI DELLE FORME TARDO ANTICHE Questo articolo cerca di esaminare il programma dell'arco di Costantino, ed in particolare il suo riuso di spolia di precedenti edifici, alia luce di cosa possa essere ricostruito dei più tardi progetti monumentali di Costantino a Costantinopoli. Viene ipotizzata la spoliazione di statue classiche (usate per decorare gli spazi pubblici d…

  • Years of Dura Europos

    Open Access•Jaś Elsner•ARTICLE•Journal of Roman Archaeology•2021•Cited by: 1•References: 21

    It was more than 100 years ago, in March 1920, that British troops camping in the ruins of some unknown ancient fort on the Euphrates, named Al-Salihiyah in Arabic, during the skirmishing that followed the collapse of the Ottoman Empire in the aftermath of the First World War, dug a trench and excavated some astonishing wall paintings. The officers in charge, along with the Civil Commissioner, managed to call in an American archaeologist who happ…

  • Religion and Iconoclasm

    Open Access•Finbarr Barry Flood, Jaś Elsner•ARTICLE•Religion and Society•2016•Cited by: 1•References: 21

  • Image and site: Castiglione Olona in the early fifteenth century

    Open Access•Jaś Elsner•ARTICLE•Res: Anthropology and Aesthetics•2010•Cited by: 1

  • Introduction: Holy by Special Application

    Françoise Meltzer, Jas''Elsner et al.•ARTICLE•Critical Inquiry•2009•Cited by: 1

  • Translators' Introduction

    Karl Lorenz, Katharina Lorenz et al.•ARTICLE•Critical Inquiry•2008•Cited by: 1

  • Art and the Roman viewer: The transformation of art from the Pagan world to Christianity

    Jaś Elsner•BOOK•Art and the Roman viewer•1995

  • Art and diffusion

    Open Access•Jaś Elsner•ARTICLE•Antiquity•1995

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The "New Museology" and Classical Art

    Jaś Elsner•ARTICLE•American Journal of Archaeology•1996•Cited by: 4

  • Ancient viewing and modern art history

    Jaś Elsner•ARTICLE•Mètis Anthropologie des mondes…•1998

    Ancient Viewing and Modem Art History (pp. 4 17-437) Le présent article examine s'il existe, chez les écrivains grecs du monde romain, une connaissance historique de l'art qui s'intéresse à la définition du style artistique. Il porte en particulier sur Pausanias, pour les notions de «mains» individuelles et pour quelques cas d'identifications d'artistes; et sur Lucien, pour les idées de styles ethnique et/ou régional. Ces deux théories du style s…

  • Hellenism and Empire: Language, Classicism, and Power in the Greek World, A. D. 50-250 . By Simon Swain

    Jaś Elsner•ARTICLE•American Journal of Archaeology•1998

  • Art, Pilgrimage and History

    Open Access•Jaś Elsner•ARTICLE•Cambridge Archaeological Journal•1998

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hugh Last Fellowship: Roman art in late antiquity

    Open Access•Jaś Elsner•ARTICLE•Papers of the British School at…•1999

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Frontality in the column of Marcus Aurelius

    Jaś Elsner•CHAPTER•La colonne Aurélienne•2000

  • From the culture of spolia to the cult of relics: The Arch of Constantine and the genesis of late antique forms

    Open Access•Jaś Elsner•ARTICLE•Papers of the British School at…•2000•Cited by: 2•References: 39

    DALLA CULTURA DEGLI SPOLIA AL CULTO DELLE RELIQUIE: L'ARCO DI COSTANTINO E LA GENESI DELLE FORME TARDO ANTICHE Questo articolo cerca di esaminare il programma dell'arco di Costantino, ed in particolare il suo riuso di spolia di precedenti edifici, alia luce di cosa possa essere ricostruito dei più tardi progetti monumentali di Costantino a Costantinopoli. Viene ipotizzata la spoliazione di statue classiche (usate per decorare gli spazi pubblici d…

  • The Itinerarium Burdigalense: Politics and Salvation in the Geography of Constantine's Empire

    Open Access•Jaś Elsner•ARTICLE•The Journal of Roman Studies•2000•Cited by: 22•References: 11

    The shift from a traditional polytheistic dispensation for empire to a Christian-oriented ‘commonwealth’ is unarguably one of the most significant historical processes that took place in the Roman world. Its ramifications were manifold, and not least in the arena of how empire and its territory would come to be conceived within Late Roman and Byzantine culture. In this paper I want to explore the ways one text, written in the lifetime of Constant…

  • The Colors of Angels: Cosmology, Gender and the Aesthetic Imagination . Constance Classen

    Jaś Elsner•ARTICLE•History of Religions•2000

  • Caught in the Ocular: Visualising Narcissus in the Roman World

    Jaś Elsner, Jas’ Elsner•CHAPTER•Echoes of Narcissus•2001

  • Describing Self in the language of the Other: Pseudo (?) Lucian at the temple of Hierapolis

    Open Access•Jaś Elsner•CHAPTER•Being Greek under Rome•2001

    Arguably, travel writing is always an act of compromise. Usually it comprises a translation of the foreign into terms acceptable or understandable to a home community, by an author whose own identity can hardly be disentangled from the act of writing. The foreign is always transformed under the gaze and representations of its interpreter (framed as a specimen, perhaps, or disunited from the cultural coordinates which give it indigenous meaning, o…

  • Pausanias: Travel and memory in Roman Greece

    Susan E Alcock, John F Cherry et al.•BOOK•Pausanias•2001

  • Caught in the Ocular: Visualising Narcissus in the Roman World

    Jaś Elsner, Jas’ Elsner•CHAPTER•Echoes of Narcissus•2001

  • Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire

    Open Access•John Henderson, Maud W Gleason et al.•BOOK•Being Greek under Rome•2001

    These especially commissioned essays open up a fascinating perspective on a crucial era of western culture. In the second century CE the Roman empire dominated the Mediterranean, but Greek culture maintained its huge prestige. At the same time, Christianity and Judaism were vying for followers against the lures of such an elite cultural life. This book looks at how writers in Greek from all areas of Empire society respond to their political posit…

  • The Birth of Late Antiquity: Riegl and Strzygowski in 1901

    Open Access•Jaś Elsner, Jas ́ Elsner et al.•ARTICLE•Art History•2002•Cited by: 4

    This paper celebrates the anniversary of the publication of Alois Riegl's Spätrömische Kunstindustrie and Josef Strzygowski's Orient oder Rom in 1901. The significance of these two books and the polemic that developed between their authors and their adherents goes to the heart of the development of late‐antique studies in the history of art. But beyond this, it exemplifies what was best in the characteristic scholarship of the ‘Vienna School’– em…

  • A gesture of openness

    Open Access•Jaś Elsner•ARTICLE•Art History•2003

    Book reviewed in this article: Lauren Golden (ed.), Raising the Eyebrow: John Onians and World Art Studies. An Album Amicorum in His Honour

  • Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art

    Open Access•Jaś Elsner•ARTICLE•The Journal of Roman Studies•2003•Cited by: 3•References: 10

    There are (at least) two ways to approach the history of religious art in Antiquity. One is to study what was going on in the ancient world, to tell the story as they (the subjects of our inquiry) saw it and as they did it. Another is to ask how we know how they saw it and did it. The first might be called ‘history’, the second ‘critical historiography’. Both are crucial to the historical enterprise, and I in no way intend to demean the first by …

  • The language of images in Roman art

    Tonio Hölscher, Anthony Snodgrass et al.•BOOK•The language of images in Roman art•2004

    Foreword Preface 1. Introduction 2. The Greek paradigm: example for lifestyle, academic subject, or building block of imperial culture? 3. The monuments: questions, categories, theses 4. Battle-scenes: the tradition of Hellenistic pathos 5. Battle-scenes: their reception in Rome 6. State ceremonial: the tradition of Classical dignity 7. The semantic system: the elements and their use 8. The semantic system: premises and structure 9. The origins o…

  • The Cambridge Companion to the Age of Constantine

    Open Access•Noel Emmanuel Lenski, Bruno Bleckmann et al.•BOOK•The Cambridge companion to the…•2005

    The Cambridge Companion to the Age of Constantine offers students a comprehensive one-volume survey of this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, religion, social and economic h…

  • Des saintes reliques à l'art moderne: Venise– Chicago XIIIe—XXe siècle

    Jaś Elsner•ARTICLE•Journal of the History of…•2005

    K. Pomian, Des saintes reliques à l'art moderne: Venise– Chicago XIIIe—XXe siècle. Paris, Gallimard, 2003. ISBN 2–07–076600–4. 369 pp. €24. No scholar on the Continent of Europe has made a more distinguished contribution to the history of collecting than Krzystof Pomian. This volume, a collection of previously published papers (dating from the mid 1980s to 2001), treats – with the elegant sobriety of not a single pictorial illustration – a series…

  • Grasping the World: The idea of the museum

    Jaś Elsner•ARTICLE•Journal of the History of…•2005

    D. Preziosi and C. Farago (eds.), Grasping the World: The idea of the museum. Aldershot, Ashgate, 2004. ISBN 0–7546–0835–2. 804 pp., 68 b. & w. illus. £35. As teaching compilations go, this one – a real doorstop of a book at over 800 pages – is perhaps the best ever assembled for the theoretics of museum studies. It contains forty-one papers by various authors (all but two previously published and many excerpted from longer pieces) as well as int…

  • Sacrifice and narrative on the Arch of the Argentarii at Rome

    Open Access•Jaś Elsner•ARTICLE•Journal of Roman Archaeology•2005•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Late Antique Art: The Problem of the Concept and the Cumulative Aesthetic

    Jaś Elsner•CHAPTER•Approaching late antiquity•2006

    This chapter explores the category of ‘late antique art’. It considers some of the changes in visual production — which fall basically in the 4th century — and examines how some of the characteristic elements of late antique art that emerged then were developed by the 6th century into a last spectacular synthesis, which was truly antique but nonetheless new by contrast with earlier production.

Art (66 works) · History (53 works) · Classical Antiquity Studies (42 works) · Art history (28 works) · Literature (28 works) · Classics (27 works) · Archaeology (25 works) · Computer Science (25 works) · Philosophy (22 works) · Historical and Religious Studies of Rome (20 works)

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