Jaś Elsner
Biographic Data
| ID | 3622952 |
|---|---|
| NAME | Jaś Elsner |
| GIVEN NAMES | Jaś |
| FAMILY NAME | Elsner |
| SIGNATURE | ELSNER J |
| AFFILIATIONS | Corpus Christi College |
| ORCID | 0000-0001-8535-7399 |
| VERIFIED | No |
| TOTAL WORKS | 88 |
| TOTAL CITATIONS | 107 |
| AUTHOR COUNT | 75 |
| EDITOR COUNT | 12 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 7 |
Festival athletics in the Imagines of the Elder Philostratus
Material Religion in Byzantium and Beyond: Papers from the 54th Spring Symposium of Byzantine Studies
Latin Literature and Material Culture
This chapter introduces the rich intersections between Latin literature and Roman material culture. Why should Latin scholars concern themselves with ancient objects? How might study of Roman physical remains inform an understanding of Latin literature? In what ways do attitudes towards Roman material remains align with disciplinary approaches to interpreting Latin literature? The chapter proceeds in seven interconnected parts. The first examines…
The visual culture and the classics: An interview with Jas Elsner
Interview with Jas Elsner
The Cambridge Critical Guide to Latin Literature
The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future developme…
Making, replication, and quality in late antique art
Articulating Resistance
In this introduction, we establish a framework for resistance studies as it relates to the ancient Mediterranean world, and especially to Rome as an imperial power. The first section explores the changing scope of resistance studies over the past century and how the three principal twentieth-century discussions of resistance by Classicists have been framed by Nazi Germany, the French colonial experience in Africa seen from the viewpoint of early …
Articulating Resistance under the Roman Empire
This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including 'opposition', 'subversion', 'antagonism', 'dissent', and 'criticism' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its imp…
Iconoclasm
Figurines. Figuration and The Sense of Scale
This volume concerns figurines as archaeologically-attested materials from literate cultures with surviving documents that have no direct links of contiguity, appropriation, or influence in relation to each other
Landscape and Space: Comparative Perspectives from Chinese, Mesoamerican, Ancient Greek, and Roman Art
Classicism in Roman Art
Roman Eyes: Visuality and Subjectivity in Art and Text
Years of Dura Europos
It was more than 100 years ago, in March 1920, that British troops camping in the ruins of some unknown ancient fort on the Euphrates, named Al-Salihiyah in Arabic, during the skirmishing that followed the collapse of the Ottoman Empire in the aftermath of the First World War, dug a trench and excavated some astonishing wall paintings. The officers in charge, along with the Civil Commissioner, managed to call in an American archaeologist who happ…
Other Worlds: Utopias in the Art of Late Ancient Eurasia
This article examines a profound contradiction inherent in the idea of utopia as conceptually formulated by Thomas More in the Renaissance and clearly implicit in pre-humanist utopian, Arcadian, or paradisal imagery and descriptions, reaching back via early Christianity to Greco-Roman antiquity and resonating equally within Asian Buddhism. The idea of utopia from Greek antiquity to ancient India has evoked an optimism not unconnected to the convi…
The Viennese Invention of Late Antiquity: Between Politics and Religion in the Forms of Late Roman Art
There is a very good case for supposing that not only the idea of late antique art, but indeed of late antiquity itself as a meaningful historical period, was invented in Vienna in the late nineteenth century. The ideological dynamics are significant, and help to explain the usual understanding of a temporal formulation (‘late antiquity’) to determine what is in fact a culturally and geographically specific designation – that is, a European-centr…
Empires of Faith in Late Antiquity: Histories of Art and Religion from India to Ireland
This book reveals the rewards of exploring the relationship between art and religion in the first millennium, and the particular problems of comparing the visual cultures of different emergent and established religions of the period in Eurasia - Buddhism, Hinduism, Zoroastrianism, Islam, Judaism, Christianity and the pagan religions of the Roman world. Most of these became established and remained in play as what are called 'the world religions'.…
The Death of the Figurine: Reflections on an Abrahamic Abstention
This chapter explores an evidential absence, arising from a striking archaeological fact. In all the ancient cultures of the Mediterranean, including Egypt and north Africa, of the near East at least as far as India, both prehistoric and historic, from the earliest Palaeolithic to the end of pre-Abrahamic pagan polytheism in the western half of this vast geography spanning the Mediterranean and Asia, the figurine is a prime and ubiquitous product…
Figurines: Figuration and the Sense of Scale
The Cross: History, Art and Controversy
The Embodied Object: Recensions of the Dead on Roman Sarcophagi
The Roman sarcophagus uses the visual forms of consolatory celebration to frame the actual body of the deceased.Its rhetorics of eulogy are not merely performative but are directly existential, since its form and function are entirely dependent on the act of containing a corpse.In sarcophagi, the frequency of portraiture as a major element of decoration adds a further frisson to the question of embodiment.This paper touches on all forms of portra…
Ark of Civilization: Refugee Scholars and Oxford University, 1930-1945
Comparativism in Art History
Images of Mithra
Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persi…
Homer and the Ekphrasists: Text and Picture in the Elder Philostratus’ ‘Scamander’ (Imagines I.1)
In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…
The Itinerarium Burdigalense: Politics and Salvation in the Geography of Constantine's Empire
The shift from a traditional polytheistic dispensation for empire to a Christian-oriented ‘commonwealth’ is unarguably one of the most significant historical processes that took place in the Roman world. Its ramifications were manifold, and not least in the arena of how empire and its territory would come to be conceived within Late Roman and Byzantine culture. In this paper I want to explore the ways one text, written in the lifetime of Constant…
From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept ofKunstwollen
On the Problem of Describing and Interpreting Works of the Visual Arts
The Genesis of Iconology
Art History as Ekphrasis
Detail of Michelangelo, Rondanani Pietà, c. 1555-64 (plate 3). View from right hand side of Michelangelo, Rondanani Pietà, c. 1555-64. Marble, 195 cm (height). Milan: Castello Sforzesca. Photo: Author. The history of reflections about what art history is and how it might best be done, about how art works and what art is, is long and distinguished. I do not propose to review it here. Nor do I presume to suggest a definition of what art is or how i…
Viewing Ariadne: From Ekphrasis to Wall Painting in the Roman World
Images of Mithra
Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persi…
Lithic Poetics: Posidippus and His Stones
The 20 poems collected together as the lithika of Posidippus, the first surviving poems on a papyrus roll only published in 2001 and dating from the third century BCE, offer a range of spectacular new evidence for a series of issues in Hellenistic history, art and literature. The standard view is that Posidippus was probably author of all the epigrams in the roll known as P. Mil. Vogl. VIII 309, although this has been contested and by no means ne…
The Birth of Late Antiquity: Riegl and Strzygowski in 1901
This paper celebrates the anniversary of the publication of Alois Riegl's Spätrömische Kunstindustrie and Josef Strzygowski's Orient oder Rom in 1901. The significance of these two books and the polemic that developed between their authors and their adherents goes to the heart of the development of late‐antique studies in the history of art. But beyond this, it exemplifies what was best in the characteristic scholarship of the ‘Vienna School’– em…
The "New Museology" and Classical Art
Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art
There are (at least) two ways to approach the history of religious art in Antiquity. One is to study what was going on in the ancient world, to tell the story as they (the subjects of our inquiry) saw it and as they did it. Another is to ask how we know how they saw it and did it. The first might be called ‘history’, the second ‘critical historiography’. Both are crucial to the historical enterprise, and I in no way intend to demean the first by …
The Embodied Object: Recensions of the Dead on Roman Sarcophagi
The Roman sarcophagus uses the visual forms of consolatory celebration to frame the actual body of the deceased.Its rhetorics of eulogy are not merely performative but are directly existential, since its form and function are entirely dependent on the act of containing a corpse.In sarcophagi, the frequency of portraiture as a major element of decoration adds a further frisson to the question of embodiment.This paper touches on all forms of portra…
Beyond Compare: Pagan Saint and Christian God in Late Antiquity
Introduction: ‘If You Need an Actual Statue…’
Sacrifice and narrative on the Arch of the Argentarii at Rome
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From the culture of spolia to the cult of relics: The Arch of Constantine and the genesis of late antique forms
DALLA CULTURA DEGLI SPOLIA AL CULTO DELLE RELIQUIE: L'ARCO DI COSTANTINO E LA GENESI DELLE FORME TARDO ANTICHE Questo articolo cerca di esaminare il programma dell'arco di Costantino, ed in particolare il suo riuso di spolia di precedenti edifici, alia luce di cosa possa essere ricostruito dei più tardi progetti monumentali di Costantino a Costantinopoli. Viene ipotizzata la spoliazione di statue classiche (usate per decorare gli spazi pubblici d…
Years of Dura Europos
It was more than 100 years ago, in March 1920, that British troops camping in the ruins of some unknown ancient fort on the Euphrates, named Al-Salihiyah in Arabic, during the skirmishing that followed the collapse of the Ottoman Empire in the aftermath of the First World War, dug a trench and excavated some astonishing wall paintings. The officers in charge, along with the Civil Commissioner, managed to call in an American archaeologist who happ…
Religion and Iconoclasm
Image and site: Castiglione Olona in the early fifteenth century
Introduction: Holy by Special Application
Translators' Introduction
Art and the Roman viewer: The transformation of art from the Pagan world to Christianity
Art and diffusion
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The "New Museology" and Classical Art
Ancient viewing and modern art history
Ancient Viewing and Modem Art History (pp. 4 17-437) Le présent article examine s'il existe, chez les écrivains grecs du monde romain, une connaissance historique de l'art qui s'intéresse à la définition du style artistique. Il porte en particulier sur Pausanias, pour les notions de «mains» individuelles et pour quelques cas d'identifications d'artistes; et sur Lucien, pour les idées de styles ethnique et/ou régional. Ces deux théories du style s…
Hellenism and Empire: Language, Classicism, and Power in the Greek World, A. D. 50-250 . By Simon Swain
Art, Pilgrimage and History
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Hugh Last Fellowship: Roman art in late antiquity
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Frontality in the column of Marcus Aurelius
From the culture of spolia to the cult of relics: The Arch of Constantine and the genesis of late antique forms
DALLA CULTURA DEGLI SPOLIA AL CULTO DELLE RELIQUIE: L'ARCO DI COSTANTINO E LA GENESI DELLE FORME TARDO ANTICHE Questo articolo cerca di esaminare il programma dell'arco di Costantino, ed in particolare il suo riuso di spolia di precedenti edifici, alia luce di cosa possa essere ricostruito dei più tardi progetti monumentali di Costantino a Costantinopoli. Viene ipotizzata la spoliazione di statue classiche (usate per decorare gli spazi pubblici d…
The Itinerarium Burdigalense: Politics and Salvation in the Geography of Constantine's Empire
The shift from a traditional polytheistic dispensation for empire to a Christian-oriented ‘commonwealth’ is unarguably one of the most significant historical processes that took place in the Roman world. Its ramifications were manifold, and not least in the arena of how empire and its territory would come to be conceived within Late Roman and Byzantine culture. In this paper I want to explore the ways one text, written in the lifetime of Constant…
The Colors of Angels: Cosmology, Gender and the Aesthetic Imagination . Constance Classen
Caught in the Ocular: Visualising Narcissus in the Roman World
Describing Self in the language of the Other: Pseudo (?) Lucian at the temple of Hierapolis
Arguably, travel writing is always an act of compromise. Usually it comprises a translation of the foreign into terms acceptable or understandable to a home community, by an author whose own identity can hardly be disentangled from the act of writing. The foreign is always transformed under the gaze and representations of its interpreter (framed as a specimen, perhaps, or disunited from the cultural coordinates which give it indigenous meaning, o…
Pausanias: Travel and memory in Roman Greece
Caught in the Ocular: Visualising Narcissus in the Roman World
Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire
These especially commissioned essays open up a fascinating perspective on a crucial era of western culture. In the second century CE the Roman empire dominated the Mediterranean, but Greek culture maintained its huge prestige. At the same time, Christianity and Judaism were vying for followers against the lures of such an elite cultural life. This book looks at how writers in Greek from all areas of Empire society respond to their political posit…
The Birth of Late Antiquity: Riegl and Strzygowski in 1901
This paper celebrates the anniversary of the publication of Alois Riegl's Spätrömische Kunstindustrie and Josef Strzygowski's Orient oder Rom in 1901. The significance of these two books and the polemic that developed between their authors and their adherents goes to the heart of the development of late‐antique studies in the history of art. But beyond this, it exemplifies what was best in the characteristic scholarship of the ‘Vienna School’– em…
A gesture of openness
Book reviewed in this article: Lauren Golden (ed.), Raising the Eyebrow: John Onians and World Art Studies. An Album Amicorum in His Honour
Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art
There are (at least) two ways to approach the history of religious art in Antiquity. One is to study what was going on in the ancient world, to tell the story as they (the subjects of our inquiry) saw it and as they did it. Another is to ask how we know how they saw it and did it. The first might be called ‘history’, the second ‘critical historiography’. Both are crucial to the historical enterprise, and I in no way intend to demean the first by …
The language of images in Roman art
Foreword Preface 1. Introduction 2. The Greek paradigm: example for lifestyle, academic subject, or building block of imperial culture? 3. The monuments: questions, categories, theses 4. Battle-scenes: the tradition of Hellenistic pathos 5. Battle-scenes: their reception in Rome 6. State ceremonial: the tradition of Classical dignity 7. The semantic system: the elements and their use 8. The semantic system: premises and structure 9. The origins o…
The Cambridge Companion to the Age of Constantine
The Cambridge Companion to the Age of Constantine offers students a comprehensive one-volume survey of this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, religion, social and economic h…
Des saintes reliques à l'art moderne: Venise– Chicago XIIIe—XXe siècle
K. Pomian, Des saintes reliques à l'art moderne: Venise– Chicago XIIIe—XXe siècle. Paris, Gallimard, 2003. ISBN 2–07–076600–4. 369 pp. €24. No scholar on the Continent of Europe has made a more distinguished contribution to the history of collecting than Krzystof Pomian. This volume, a collection of previously published papers (dating from the mid 1980s to 2001), treats – with the elegant sobriety of not a single pictorial illustration – a series…
Grasping the World: The idea of the museum
D. Preziosi and C. Farago (eds.), Grasping the World: The idea of the museum. Aldershot, Ashgate, 2004. ISBN 0–7546–0835–2. 804 pp., 68 b. & w. illus. £35. As teaching compilations go, this one – a real doorstop of a book at over 800 pages – is perhaps the best ever assembled for the theoretics of museum studies. It contains forty-one papers by various authors (all but two previously published and many excerpted from longer pieces) as well as int…
Sacrifice and narrative on the Arch of the Argentarii at Rome
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Late Antique Art: The Problem of the Concept and the Cumulative Aesthetic
This chapter explores the category of ‘late antique art’. It considers some of the changes in visual production — which fall basically in the 4th century — and examines how some of the characteristic elements of late antique art that emerged then were developed by the 6th century into a last spectacular synthesis, which was truly antique but nonetheless new by contrast with earlier production.
Art (66 works) · History (53 works) · Classical Antiquity Studies (42 works) · Art history (28 works) · Literature (28 works) · Classics (27 works) · Archaeology (25 works) · Computer Science (25 works) · Philosophy (22 works) · Historical and Religious Studies of Rome (20 works)