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Seymour Howard

Biographic Data

ID3623342
NAMESeymour Howard
GIVEN NAMESSeymour
FAMILY NAMEHoward
SIGNATUREHOWARD S
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS9
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1954
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Visconti family (ii)

    Seymour Howard•CHAPTER•2003

  • Pius VI, Pope

    Seymour Howard•CHAPTER•2003

  • Visconti, Giovanni Battista

    Seymour Howard•CHAPTER•2003

  • L'enquête de terrain: Quelques ficelles du métier

    Seymour Howard, Howard S•ARTICLE•Sociétés contemporaines•2000

    L’article présente quatre démarches de recherche utilisables dans des enquêtes de terrain, mais aussi avec d’autres sources documentaires. La première, inspirée par l’analyse des préjugés de races de Hughes, vise à rendre explicite la proposition majeure d’un syllogisme qui n’est pas formulé car tenu pour une évidence dans la société considérée. La seconde, une forme d’induction analytique, repose sur la recherche de contre-exemples qui permetten…

  • La prise en compte de cas inhabituels dans l'analyse sociologique: Les conseils de Hughes

    Seymour Howard, Howard S•ARTICLE•Sociétés contemporaines•1997

    L’article examine un problème fondamental rencontré par les chercheurs en sciences sociales: comment construire des catégories d’analyse indépendantes des catégories conventionnelles de la vie sociale? Il dégage les modes de raisonnement originaux utilisés par E. C. Hughes en la matière à partir de Bastard Institutions (1951), un article portant sur les institutions qui satisfont des besoins illégitimes ou qui satisfont illégitimement des besoins…

  • Freedom, Neoclassicism, and Republican Nationalism

    Open Access•Seymour Howard•CHAPTER•Klassik im Vergleich Normativität…•1993

    A powerful new myth of freedom thrived among artists and their patrons in Europe and America at the outset of the modern Age of Revolutions. For many reasons, ideals of liberty and constitutional government were coupled with good judgment and taste as reflected in the art, politics, and life style of Classical antiquity — a period then studied with unprecedented archaeological and philological intensity. Simply put, Neoclassic style presented the…

  • Albani, Winckelmann, and Cavaceppi: The transition from amateur to professional antiquarianism

    Seymour Howard•ARTICLE•Journal of the History of…•1992

    The patron-collector Cardinal Albani, the scholar-historian, J. J. Winckelmann, and the sculptor-restorer Bartolomeo Cavaceppi, though schooled in late-Baroque amateur traditions of rhetorical exploitation of and ‘quarrels’ with antiquity, helped to found a zealous and moralizing new antiquarianism, expressing ideals of scholarship and patriotism developing in mid-eighteenth-century Roman Enlightenment. As leaders and spokesmen in their callings,…

  • Ancient Busts and the Cavaceppi and Albacini Casts

    Seymour Howard•ARTICLE•Journal of the History of…•1991

    ANCIENT BUSTS AND THE CAVACEPPI AND ALBACINI CASTS Get access SEYMOUR HOWARD SEYMOUR HOWARD Address for correspondence Professor Seymour Howard, Department of Art and Art History, University of California, Davis, California 95616, USA. Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, Volume 3, Issue 2, 1991, Pages 199–217, https://doi.org/10.1093/jhc/3.2.199 Published: 01 December 199…

  • Laocoon Rerestored

    Seymour Howard•ARTICLE•American Journal of Archaeology•1989

    On the basis of new observations of breaks, cuttings, and intact surfaces of dismantled and reassembled portions of the Vatican Laocoon group, it is suggested that a more compact diagonally set pyramidal design of greater power was contemplated or used before subsequent ancient and modern planigraphic restorations were made

  • Thomas Jefferson and His Copying Machines

    Seymour Howard, Silvio A Bedini•ARTICLE•Technology and Culture•1987

  • The Steel Pen and the Modern Line of Beauty

    Seymour Howard•ARTICLE•Technology and Culture•1985•Cited by: 1

    The steel pen, made commonplace by mass production during the last century, clearly influenced the graphic arts. Although aspects of the history of the pen itself have been documented here and there, the significance of its use has scarcely been discussed. This article argues that its introduction and development after 1800 responded to, supported, and helped to shape the first modern style, neoclassicism, and successive idioms or styles. Its his…

  • The Dying Gaul, Aigina Warriors, and Pergamene Academicism

    Seymour Howard•ARTICLE•American Journal of Archaeology•1983

    The Dying Gaul generally resembles the fallen Aigina warriors by reason of shared traditions of fatal combat in life and art, but apparently the then-recent associations of Attalos I with Aigina, Classical Athens, and art collecting more directly influenced its appearance. The sculptor of this masterpiece, Epigonos, belonged to a learned international coterie of artists and scholars whose rhetorical and art historical exploitation of venerated pr…

  • Taste and the Antique: The Lure of Classical Sculpture 1500-1900. Francis Haskell , Nicholas Penny

    Seymour Howard•ARTICLE•The Journal of Modern History•1983

  • Definitions and Values of Archaism and the Archaic Style

    Seymour Howard•ARTICLE•Leonardo•1981•Cited by: 1

    1. Like writing, image-making in the archaic style is, generally speaking, an invention of the Bronze Age (5000 to 6000 years ago). Both writing and images presented in the archaic style are evidence of the new mental organization achieved at that time, which is commonly termed analytical thinking. Typically, archaic art defines and combines the most readily observable aspects of things, using elementary configurations or gestalts. Formulas of th…

  • An Antiquarian Handlist and Beginnings of the Pio-Clementino

    Seymour Howard•ARTICLE•Eighteenth-Century Studies•1973

  • Winckelmann

    Seymour Howard, Wolfgang Leppman•ARTICLE•Eighteenth-Century Studies•1972

  • Another Prototype for the Gigantomachy of Pergamon

    Seymour Howard•ARTICLE•American Journal of Archaeology•1964•References: 2

  • Some Eighteenth-Century Restorations of Myron's 'Discobolos

    Seymour Howard•ARTICLE•Journal of the Warburg and…•1962•Cited by: 4•References: 1

  • On the Reconstruction of the Vatican Laocoon Group

    Seymour Howard•ARTICLE•American Journal of Archaeology•1959

  • The Saint-Valentin Vases

    Seymour Howard, Franklin P Johnson et al.•ARTICLE•American Journal of Archaeology•1954•Cited by: 3

  • Some Eighteenth-Century Restorations of Myron's 'Discobolos

    Seymour Howard•ARTICLE•Journal of the Warburg and…•1962•Cited by: 4•References: 1

  • The Saint-Valentin Vases

    Seymour Howard, Franklin P Johnson et al.•ARTICLE•American Journal of Archaeology•1954•Cited by: 3

  • The Steel Pen and the Modern Line of Beauty

    Seymour Howard•ARTICLE•Technology and Culture•1985•Cited by: 1

    The steel pen, made commonplace by mass production during the last century, clearly influenced the graphic arts. Although aspects of the history of the pen itself have been documented here and there, the significance of its use has scarcely been discussed. This article argues that its introduction and development after 1800 responded to, supported, and helped to shape the first modern style, neoclassicism, and successive idioms or styles. Its his…

  • Definitions and Values of Archaism and the Archaic Style

    Seymour Howard•ARTICLE•Leonardo•1981•Cited by: 1

    1. Like writing, image-making in the archaic style is, generally speaking, an invention of the Bronze Age (5000 to 6000 years ago). Both writing and images presented in the archaic style are evidence of the new mental organization achieved at that time, which is commonly termed analytical thinking. Typically, archaic art defines and combines the most readily observable aspects of things, using elementary configurations or gestalts. Formulas of th…

  • The Saint-Valentin Vases

    Seymour Howard, Franklin P Johnson et al.•ARTICLE•American Journal of Archaeology•1954•Cited by: 3

  • On the Reconstruction of the Vatican Laocoon Group

    Seymour Howard•ARTICLE•American Journal of Archaeology•1959

  • Some Eighteenth-Century Restorations of Myron's 'Discobolos

    Seymour Howard•ARTICLE•Journal of the Warburg and…•1962•Cited by: 4•References: 1

  • Another Prototype for the Gigantomachy of Pergamon

    Seymour Howard•ARTICLE•American Journal of Archaeology•1964•References: 2

  • Winckelmann

    Seymour Howard, Wolfgang Leppman•ARTICLE•Eighteenth-Century Studies•1972

  • An Antiquarian Handlist and Beginnings of the Pio-Clementino

    Seymour Howard•ARTICLE•Eighteenth-Century Studies•1973

  • Definitions and Values of Archaism and the Archaic Style

    Seymour Howard•ARTICLE•Leonardo•1981•Cited by: 1

    1. Like writing, image-making in the archaic style is, generally speaking, an invention of the Bronze Age (5000 to 6000 years ago). Both writing and images presented in the archaic style are evidence of the new mental organization achieved at that time, which is commonly termed analytical thinking. Typically, archaic art defines and combines the most readily observable aspects of things, using elementary configurations or gestalts. Formulas of th…

  • The Dying Gaul, Aigina Warriors, and Pergamene Academicism

    Seymour Howard•ARTICLE•American Journal of Archaeology•1983

    The Dying Gaul generally resembles the fallen Aigina warriors by reason of shared traditions of fatal combat in life and art, but apparently the then-recent associations of Attalos I with Aigina, Classical Athens, and art collecting more directly influenced its appearance. The sculptor of this masterpiece, Epigonos, belonged to a learned international coterie of artists and scholars whose rhetorical and art historical exploitation of venerated pr…

  • Taste and the Antique: The Lure of Classical Sculpture 1500-1900. Francis Haskell , Nicholas Penny

    Seymour Howard•ARTICLE•The Journal of Modern History•1983

  • The Steel Pen and the Modern Line of Beauty

    Seymour Howard•ARTICLE•Technology and Culture•1985•Cited by: 1

    The steel pen, made commonplace by mass production during the last century, clearly influenced the graphic arts. Although aspects of the history of the pen itself have been documented here and there, the significance of its use has scarcely been discussed. This article argues that its introduction and development after 1800 responded to, supported, and helped to shape the first modern style, neoclassicism, and successive idioms or styles. Its his…

  • Thomas Jefferson and His Copying Machines

    Seymour Howard, Silvio A Bedini•ARTICLE•Technology and Culture•1987

  • Laocoon Rerestored

    Seymour Howard•ARTICLE•American Journal of Archaeology•1989

    On the basis of new observations of breaks, cuttings, and intact surfaces of dismantled and reassembled portions of the Vatican Laocoon group, it is suggested that a more compact diagonally set pyramidal design of greater power was contemplated or used before subsequent ancient and modern planigraphic restorations were made

  • Ancient Busts and the Cavaceppi and Albacini Casts

    Seymour Howard•ARTICLE•Journal of the History of…•1991

    ANCIENT BUSTS AND THE CAVACEPPI AND ALBACINI CASTS Get access SEYMOUR HOWARD SEYMOUR HOWARD Address for correspondence Professor Seymour Howard, Department of Art and Art History, University of California, Davis, California 95616, USA. Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, Volume 3, Issue 2, 1991, Pages 199–217, https://doi.org/10.1093/jhc/3.2.199 Published: 01 December 199…

  • Albani, Winckelmann, and Cavaceppi: The transition from amateur to professional antiquarianism

    Seymour Howard•ARTICLE•Journal of the History of…•1992

    The patron-collector Cardinal Albani, the scholar-historian, J. J. Winckelmann, and the sculptor-restorer Bartolomeo Cavaceppi, though schooled in late-Baroque amateur traditions of rhetorical exploitation of and ‘quarrels’ with antiquity, helped to found a zealous and moralizing new antiquarianism, expressing ideals of scholarship and patriotism developing in mid-eighteenth-century Roman Enlightenment. As leaders and spokesmen in their callings,…

  • Freedom, Neoclassicism, and Republican Nationalism

    Open Access•Seymour Howard•CHAPTER•Klassik im Vergleich Normativität…•1993

    A powerful new myth of freedom thrived among artists and their patrons in Europe and America at the outset of the modern Age of Revolutions. For many reasons, ideals of liberty and constitutional government were coupled with good judgment and taste as reflected in the art, politics, and life style of Classical antiquity — a period then studied with unprecedented archaeological and philological intensity. Simply put, Neoclassic style presented the…

  • La prise en compte de cas inhabituels dans l'analyse sociologique: Les conseils de Hughes

    Seymour Howard, Howard S•ARTICLE•Sociétés contemporaines•1997

    L’article examine un problème fondamental rencontré par les chercheurs en sciences sociales: comment construire des catégories d’analyse indépendantes des catégories conventionnelles de la vie sociale? Il dégage les modes de raisonnement originaux utilisés par E. C. Hughes en la matière à partir de Bastard Institutions (1951), un article portant sur les institutions qui satisfont des besoins illégitimes ou qui satisfont illégitimement des besoins…

  • L'enquête de terrain: Quelques ficelles du métier

    Seymour Howard, Howard S•ARTICLE•Sociétés contemporaines•2000

    L’article présente quatre démarches de recherche utilisables dans des enquêtes de terrain, mais aussi avec d’autres sources documentaires. La première, inspirée par l’analyse des préjugés de races de Hughes, vise à rendre explicite la proposition majeure d’un syllogisme qui n’est pas formulé car tenu pour une évidence dans la société considérée. La seconde, une forme d’induction analytique, repose sur la recherche de contre-exemples qui permetten…

  • Visconti family (ii)

    Seymour Howard•CHAPTER•2003

  • Pius VI, Pope

    Seymour Howard•CHAPTER•2003

  • Visconti, Giovanni Battista

    Seymour Howard•CHAPTER•2003

Art (14 works) · Computer Science (9 works) · History (9 works) · Art history (7 works) · Political science (6 works) · Archaeology (5 works) · Classics (4 works) · Download (4 works) · Law (4 works) · Philosophy (4 works)

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