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Jonathan Veitch

Biographic Data

ID3624839
NAMEJonathan Veitch
GIVEN NAMESJonathan
FAMILY NAMEVeitch
SIGNATUREVEITCH J
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS2
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The Burned-Over District: The Horses of Instruction and the Tygers of Wrath

    Jonathan Veitch•ARTICLE•Social research•2025

    This essay explores how, if at all, colleges and universities should intervene in contemporary student protests; the limitations and potential of deliberative democracy in structuring those debates; and whether or not such attempts-however well-intentioned, as Stanley Fish puts it-"erode the constitutive distinctiveness" of the university's mission

  • Introduction: Academic Freedom and the Origins of the Research University

    Jonathan Veitch•ARTICLE•Social research•2009

    Jonathan Veitch Introduction: Academic Freedom and the Origins of the Research University THIS GROUP OF PAPERS OPENED A LIVELY AND STIMULATING DISCUSSION of the meaning and history of academic freedom, revealing it to be a subject far more vexed and far less understood than is usually assumed to be the case. By way of providing some context for these papers, I would like to point out one theme that is often overlooked when speak­ ing of academic …

  • Introduction: What We Talk about When We Talk about Disasters

    Jonathan Veitch•ARTICLE•Social research•2008

    Jonathan Veitch Introduction: What We Talk about When We Talk about Disasters WHEN I WAS FIRST ASKED TO INTRODUCE THESE PAPERS, I IMMEDIATELY began to reflect on my ow n experience w ith disaster—w hich, as it turns out, is m ore substantial th an I had im agined. In Los Angeles, th e Rodney King insurrections took place a dozen blocks or so from w here I lived and w ent to school (though in Los Angeles even the distance of a few blocks can put y…

  • Too Awful to Describe

    Open Access•Jonathan Veitch•ARTICLE•American Quarterly•2000

    Murder Most Foul: The Killer and the American Gothic Imagination. By Karen Halttunen. Cambridge, Mass.: Harvard University Press, 1998. 322 pages. $29.95 (cloth). In Murder Most Foul, Karen Halttunen chronicles the strange career of evil in American life as it moved from an accepted part of the Puritan's daily world to the periphery of the liberal Enlightenment, where it made its presence felt--if not exactly understood--through the emergence of …

  • Colossus in Ruins: Remembering Pittsburgh's Industrial Past

    Jonathan Veitch•ARTICLE•Public Culture•1997•Cited by: 2

    Research Article| January 01 1997 Colossus in Ruins: Remembering Pittsburgh's Industrial Past Jonathan Veitch Jonathan Veitch Search for other works by this author on: This Site Google Public Culture (1997) 10 (1): 115–134. https://doi.org/10.1215/08992363-10-1-115 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Jonathan Veitch; Colossus in Ruins: Remembering Pittsburgh's Industrial Past. Public Cu…

  • The Great Depression and the Culture of Abundance: Kenneth Fearing, Nathanael West, and Mass Culture in the 1930s

    Jonathan Veitch, Rita Barnard•ARTICLE•American Literature•1996

  • Playing the Changes: From Afro-Modernism to the Jazz Impulse

    Jonathan Veitch, Craig Werner et al.•ARTICLE•American Literature•1995

    In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms. A primary contribution of Playing the Changes is its exploration of different phrasings of issues important to highly conscious A…

  • American Culture Between the Wars: Revisionary Modernism and Postmodern Critique

    Jonathan Veitch, Walter Kalaidjian•ARTICLE•American Literature•1994

    This study examines the feminist, African-American and populist that flourished in the era of American modernism. Arguing that American modernism runs much deeper than the seminal contributions of Wallace Stevens, T.S. Eliot and Ezra Pound, Kalaidjian revisits the historical avant-garde showcased in magazines of the period. This revisionary study discusses public art in the Depression era, proletarian subculture, and the social poetics of Kenneth…

  • Staging O'Neill: The Experimental Years, 1920-1934

    Jonathan Veitch, Ronald H Wainscott et al.•ARTICLE•The New England Quarterly•1989

  • Colossus in Ruins: Remembering Pittsburgh's Industrial Past

    Jonathan Veitch•ARTICLE•Public Culture•1997•Cited by: 2

    Research Article| January 01 1997 Colossus in Ruins: Remembering Pittsburgh's Industrial Past Jonathan Veitch Jonathan Veitch Search for other works by this author on: This Site Google Public Culture (1997) 10 (1): 115–134. https://doi.org/10.1215/08992363-10-1-115 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Jonathan Veitch; Colossus in Ruins: Remembering Pittsburgh's Industrial Past. Public Cu…

  • Staging O'Neill: The Experimental Years, 1920-1934

    Jonathan Veitch, Ronald H Wainscott et al.•ARTICLE•The New England Quarterly•1989

  • American Culture Between the Wars: Revisionary Modernism and Postmodern Critique

    Jonathan Veitch, Walter Kalaidjian•ARTICLE•American Literature•1994

    This study examines the feminist, African-American and populist that flourished in the era of American modernism. Arguing that American modernism runs much deeper than the seminal contributions of Wallace Stevens, T.S. Eliot and Ezra Pound, Kalaidjian revisits the historical avant-garde showcased in magazines of the period. This revisionary study discusses public art in the Depression era, proletarian subculture, and the social poetics of Kenneth…

  • Playing the Changes: From Afro-Modernism to the Jazz Impulse

    Jonathan Veitch, Craig Werner et al.•ARTICLE•American Literature•1995

    In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms. A primary contribution of Playing the Changes is its exploration of different phrasings of issues important to highly conscious A…

  • The Great Depression and the Culture of Abundance: Kenneth Fearing, Nathanael West, and Mass Culture in the 1930s

    Jonathan Veitch, Rita Barnard•ARTICLE•American Literature•1996

  • Colossus in Ruins: Remembering Pittsburgh's Industrial Past

    Jonathan Veitch•ARTICLE•Public Culture•1997•Cited by: 2

    Research Article| January 01 1997 Colossus in Ruins: Remembering Pittsburgh's Industrial Past Jonathan Veitch Jonathan Veitch Search for other works by this author on: This Site Google Public Culture (1997) 10 (1): 115–134. https://doi.org/10.1215/08992363-10-1-115 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Jonathan Veitch; Colossus in Ruins: Remembering Pittsburgh's Industrial Past. Public Cu…

  • Too Awful to Describe

    Open Access•Jonathan Veitch•ARTICLE•American Quarterly•2000

    Murder Most Foul: The Killer and the American Gothic Imagination. By Karen Halttunen. Cambridge, Mass.: Harvard University Press, 1998. 322 pages. $29.95 (cloth). In Murder Most Foul, Karen Halttunen chronicles the strange career of evil in American life as it moved from an accepted part of the Puritan's daily world to the periphery of the liberal Enlightenment, where it made its presence felt--if not exactly understood--through the emergence of …

  • Introduction: What We Talk about When We Talk about Disasters

    Jonathan Veitch•ARTICLE•Social research•2008

    Jonathan Veitch Introduction: What We Talk about When We Talk about Disasters WHEN I WAS FIRST ASKED TO INTRODUCE THESE PAPERS, I IMMEDIATELY began to reflect on my ow n experience w ith disaster—w hich, as it turns out, is m ore substantial th an I had im agined. In Los Angeles, th e Rodney King insurrections took place a dozen blocks or so from w here I lived and w ent to school (though in Los Angeles even the distance of a few blocks can put y…

  • Introduction: Academic Freedom and the Origins of the Research University

    Jonathan Veitch•ARTICLE•Social research•2009

    Jonathan Veitch Introduction: Academic Freedom and the Origins of the Research University THIS GROUP OF PAPERS OPENED A LIVELY AND STIMULATING DISCUSSION of the meaning and history of academic freedom, revealing it to be a subject far more vexed and far less understood than is usually assumed to be the case. By way of providing some context for these papers, I would like to point out one theme that is often overlooked when speak­ ing of academic …

  • The Burned-Over District: The Horses of Instruction and the Tygers of Wrath

    Jonathan Veitch•ARTICLE•Social research•2025

    This essay explores how, if at all, colleges and universities should intervene in contemporary student protests; the limitations and potential of deliberative democracy in structuring those debates; and whether or not such attempts-however well-intentioned, as Stanley Fish puts it-"erode the constitutive distinctiveness" of the university's mission

History (7 works) · Art (5 works) · Philosophy (5 works) · Art history (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Library science (2 works) · Modernism (music) (2 works)

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