Maren Stange

Biographic Data

ID3629685
NAMEMaren Stange
GIVEN NAMESMaren
FAMILY NAMEStange
SIGNATURESTANGE M
AFFILIATIONSClark University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS4
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR1996
H-INDEX1

  • "Illusion Complete Within Itself": Roy DeCarava's Photography

    Maren StangeARTICLEYale journal of criticism/ The…1996

    “Illusion Complete within Itself”: Roy Decarava’s Photography Maren Stange (bio) Coming of age in the 1940s, photographer Roy DeCarava saw that “black people in America were not viewed as worthy subject matter” for art but rather were usually “portrayed either in a superficial or a caricatured way or as a problem.”1 Undertaking a representation that was “serious,” “artistic,” and universally “human,”2 he wrote in regard to his first extended proj…

  • Mining the Margins

    Maren StangeARTICLEAfterimage1992

    Review| January 01 1992 Mining the Margins: Intellectuals on Black Popular Culture Notes of a Hanging Judge: Essays and Reviews 1979-1989, by Stanley Crouch. New York: Oxford University Press, 275, pp./$22.95 hb/$8.95 sb.Time Passages: Collective Memory and American Popular Culture, by George Lipsitz. Minneapolis: University of Minnesota Press, 291 pp./$34.50 hb/$14.95 sb.No Respect: Intellectuals & Popular Culture, by Andrew Ross. New York: Rout…

  • Mind's Eye, Mind's Truth: FSA Photography Reconsidered . James Curtis

    Maren StangeARTICLEWinterthur Portfolio1991

  • Symbols of Ideal Life: Social Documentary Photography in America 1890-1950

    Charles S Suchar, Maren StangeARTICLEContemporary Sociology A Journal…1990

    The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee

  • Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950

    Kim Sichel, Maren StangeARTICLEJournal of American History1990

    Journal Article Symbols of Ideal Life: Social Documentary Photography in America, 1890–1950. By Maren Stange. (New York: Cambridge University Press, 1989. xviii + 190 pp. $34.50.) Get access Kim Sichel Kim Sichel Boston University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 2, September 1990, Page 689, https://doi.org/10.2307/2079269 Published: 01 September 1990

  • Deconstructing American Photographs

    Open AccessDavid P Peeler, Maren Stange et al.ARTICLEAmerican Quarterly1990

  • Jacob Riis and Urban Visual Culture: The Lantern Slide Exhibition as Entertainment and Ideology

    Open AccessMaren StangeARTICLEJournal of Urban History1989Cited by: 3

  • The Management of Vision

    Maren StangeARTICLEAfterimage1988

    Other| March 01 1988 The Management of Vision: Rexford Tugwell And Roy Stryker in the 1920s Maren Stange Maren Stange Maren Stange is an assistant professor of communications and American studies at Clark University in Worcester, MA. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1988) 15 (8): 6–10. https://doi.org/10.1525/aft.1988.15.8.6 Views Icon Views Article contents Figures & tables Video Audio Supplem…

  • Documentary Photographs as Texts

    Open AccessJames C Curtis, Andrea Fisher et al.ARTICLEAmerican Quarterly1988Cited by: 1

  • Odd moments in studio life

    Maren StangeARTICLEAfterimage1979

    Review| October 01 1979 Odd moments in studio life The Champion Pig: Great Moments in Everyday Life by Barbara P. NorfleetDavid R. Godine/123 pp./$15.95 (hb) Maren Stange Maren Stange Maren Stange is completing her doctorate in American Studies at Boston University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1979) 7 (3): 16. https://doi.org/10.1525/aft.1979.7.3.16 Views Icon Views Article contents Figure…