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Symbols of Ideal Life

Social Documentary Photography in America 1890-1950

Bibliographic Data

ID11087757
AuthorsCharles S Suchar (corresponding author), Maren Stange
Year1990
Volume19
Issue2
Pages276
Publication date1990-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Sociology A Journal of Reviews (JOURNAL)
Journal identifiersISSN: 0094-3061 • E-ISSN: 1939-8638
PublisherSAGE Publications (PUBLISHER • US)
DOI10.2307/2072619
OpenAlexW2325069011
LanguageEN
Citations received29

The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee

Art · Geography · Ideal (ethics · Photography · Political science · Social life · Social science · Sociology · Visual arts · History · Law · Literature, Film, and Journalism Analysis · Photographic and Visual Arts · Photography and Visual Culture

  • On documentary style

    Wolfgang Brückle•History of Photography•2006

  • They all believe they are undiscovered Mary Pickfords

    Richard Lindstrom, Richard L Lindstrom•Technology and Culture•2000

  • Social Reform, Social Surveys, and the Discovery of the Modern City

    David Ward, D J Ward•Annals of the Association of…•1990

  • Documenting America

    Sara Blair•The Henry James review•1995

  • Portraits of Working Women

    Open Access•Linda Arbaugh Kinnahan•Humanities•2022

  • Revolutionary Spaces

    Open Access•Jacqueline Ellis•Feminist Review•1996

  • Visualizing “the people”

    John Louis Lucaites•Quarterly Journal of Speech•1997

  • Economics for the Masses

    Loïc Charles, Yann Giraud•History of Political Economy•2013

  • The doorstep portrait

    Didier Aubert•Visual Studies•2009

  • The average child

    Kathy Quick•Visual Studies•2018

  • Developing selves

    Jason Pribilsky•Visual Studies•2015

  • Photographing the Places of Citizenship

    Angela Parker, Angela Parker Angela Parker et al.•Native American and Indigenous…•2015

  • Anne Lesme, Photographier l'enfant pour changer la société, États-Unis, 1888-1941

    Open Access•Didier Aubert•IdeAs•2020

  • Photography and the Discipline of American Studies

    Michael Kammen•American Art•2007

  • "Illusion Complete Within Itself"

    Maren Stange•Yale journal of criticism/ The…•1996

  • From ‘the horse in motion’ to ‘man in motion’

    Kaveh Askari•Early Popular Visual Culture•2005

  • Towards neuroscientific management? Geometric chronophotography and the thin-slicing of the labouring body

    J Martin Corbett•Management & Organizational History•2008

  • Invisible Cities, Visible Cinema

    Open Access•Tom Gunning•Comparative Critical Studies•2009

  • Facing the Fact

    Catherine Gander•Journal of Narrative Theory•2013

  • A shop is not a home

    Laura Hapke•American Nineteenth Century History•2001

  • The Hair in the Gate

    Open Access•Mike Crang•Antipode•2003

  • Melodrama, Realism, and Race

    Sumiko Higashi•Cinema Journal•1998

  • A spectator of life-A reverential, enthusiastic, emotional spectator

    Open Access•Joshua Brown, J Conway Brown•American Quarterly•1997

  • The Critical Eye

    Open Access•Tanya Sheehan•American Quarterly•2006

  • The Labors of Looking

    Open Access•Rebecca Mina Schreiber•American Quarterly•2004

  • Rewriting the Ghetto

    Open Access•Peter Kvidera•American Quarterly•2005

  • The Testifying Eye

    Open Access•Kate Sampsell•American Quarterly•2001

  • Sport and Spectatorship as Everyday Ritual in Ben Shahn's Painting and Photography

    John E Fagg, John Fagg•The International Journal of the…•2011

  • Picturing Preservation and Renewal

    Open Access•Francesca Russello Ammon•Journal of Planning Education and…•2018

Unique citing works29
Citations per year0,81
Citation span1990 - 2022 (33)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 26

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