Economics for the Masses
The Visual Display of Economic Knowledge in the United States (1910-45)
Bibliographic Data
| ID | 4297338 |
|---|---|
| Authors | Loïc Charles (0000-0001-9698-3707), Yann Giraud (0000-0001-8185-5550, Théorie Économique, Modélisation et Applications) |
| Year | 2013 |
| Volume | 45 |
| Issue | 4 |
| Pages | 567-612 |
| Publication date | 2013-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | History of Political Economy (JOURNAL) |
| Journal identifiers | ISSN: 0018-2702 • E-ISSN: 1527-1919 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/00182702-2369931 |
| OpenAlex | W3148653821 |
| Language | EN |
| Citations received | 9 |
| References cited | 48 |
The rise of visual representation in textbooks is an important feature of the development of the economics discipline after World War II. We argue that it was preceded by a no less significant rise of visual representation in the larger literature devoted to social and scientific issues. During the interwar period, editors, propagandists, and social scientists encouraged the use of visual language as an important means of spreading information and opinions about the economy to a larger audience. We explore different yet related aspects of this development by studying the use of visual language in economics textbooks intended for nonspecialists, in periodicals such as the Survey (a monthly magazine intended for an audience of social workers), and by various state departments and agencies during the Roosevelt administration. We focus on two types of visuals that developed rapidly and had a strong relationship with the social sciences in this period: photographs and pictorial statistics. In the last part, we discuss how visualizations that were created as part of a critical program of more abstract forms of social theorizing (e.g., classical and marginal political economy) were transformed into an engine for New Deal political propaganda in the 1930s
Aesthetics · Art · Period (music · Political science · Politics · Representation (politics · Social science · Sociology · State (computer science · Visual arts · Visual language · Art History and Market Analysis · Computer Science · Law · Philosophy, Science, and History
How Textbooks Create Knowledge and Meaning
Diffusing Economic Knowledge
Michael Polanyi’s Neutral Keynesianism and the First Economics Film, 1933 to 1945
Economics in contexts
Between Ethics and Science
Persuasion and Possibilities
The History of Economics
Visualization or Mathematization? The London School of Economics and "Diagrammatic Economics" in the 1930s
When Measurements Matter
Rediscovering the Forgotten Vienna Circle
The Struggle over the Soul of Economics
How the other half lives
How the Cold War Transformed Philosophy of Science
The Origins of American Social Science
How To Use Pictorial Statistics
Lewis Hine as Social Critic
Beyond the Rank and File Movement
An American Exodus
Symbols of Ideal Life
To the Lesser Heights of Morningside
Wisconsin Institutionalism
Forty Acres and Steel Mules
Portrait of a Decade
Pittsburgh Surveyed
Dorothea Lange
How did economics get that way & what way did it get
Daring to Look
Late Victorian visual reasoning and Alfred Marshall's economic science
Field, Undercover, and Participant Observers in US Labor Economics
Experience and Education
International Picture Language
Knowledge in Transit
"Seeing Is Believing" Otto Neurath, Graphic Art, and the Social Order
Hope for America
Free Enterprise and Free Inquiry
Historical Development of the Graphical Representation of Statistical Data
Ethics and the Excluded Middle
Making Visible
Lewis Hine
Social Science in the Crucible
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2014 - 2026 (13) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |