Mary Bouquet
Biographic Data
| ID | 3640486 |
|---|---|
| NAME | Mary Bouquet |
| GIVEN NAMES | Mary |
| FAMILY NAME | Bouquet |
| SIGNATURE | BOUQUET M |
| AFFILIATIONS | Utrecht University |
| VERIFIED | No |
| TOTAL WORKS | 38 |
| TOTAL CITATIONS | 137 |
| AUTHOR COUNT | 37 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 5 |
Ethnographic Museums, Future of
Ethnographic museums and collections have moved, since the 1990s, from a relatively peripheral position in anthropology to becoming a locus for understanding how culture and history are made, and for social engagement. Ethnographic collections are housed in a variety of institutions ranging from universities, to municipalities, to national and universal museums. The repositioning of both collections and museums depends on research that is increas…
Making Kinship, with an Old Reproductive Technology
Collecting, Ordering, Governing: Anthropology, museums, and liberal government
Collecting, Ordering, Governing deals with anthropology, museums and colonial government in the period between the 1880s–1890s and the 1930s–1940s. The object of inquiry is the connection between the activities named in the title and sites of collection, calculation and governmental agencies. The authors examine how these concepts illuminate relations between anthropology and practices of social governance in the first half of the twentieth centu…
Museum Experiments
Museums, as enduring institutions, are continually transforming due to their practices of acquisition, curatorship, conservation, research, exhibition, and digitalization, and joint projects involving their shared heritage with a range of stakeholders. These dynamic and varied activities ensure that museums are the focus of intense scholarly and cross‐disciplinary interest. Since the 1980s, museums' expanding and varied activities have become inc…
Ethnographic Spectacle
While the term “ethnographic” refers to the scientific description of the culture of a society by someone who has lived in it, “spectacle” denotes a public event or show that is exciting to watch and experience. The contradictions that arise when these terms are combined create the unease that is at the heart of ethnographic spectacle. The European practice of creating ethnographic spectacle goes back many centuries to when it was the prerogative…
Time, Space, Velocity, and Scale: Moving Images and Regional Evocation
The uses of film across the museum spectrum date back to the early 20th century. Film was and is used in art and science museums variously to enliven, spectacularize and dramatize exhibitions. The ways film is used in ethnographic museums today raise questions about whether and how historical practices associated with the medium may percolate through into the present. This article examines a particular use of film dating from the first decade of …
The Pitt Rivers Museum. A World Within
This book belongs to that distinctive yet slippery genre that might be called the museum publication. Not quite a catalogue, it is a selection that – while certainly providing such basic identification of individual objects as ‘height’ or ‘length’, name of the people or country of origin, name of the donor, identification number – tells a story that is aimed at the visitor. The author, Michael O’Hanlon, Director of the Pitt Rivers Museum ( prm ) …
Genealogy in Anthropology
Exhibitions
EXHIBITION REVIEW ESSAYS Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York Nonstop Modernity: Renovating the Rijksmuseum A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s EXHIBITION REVIEWS The Museum of Old and New Art, Hobart Indigenous Australia: Enduring Civilisation, British Museum, London Photography: A Victorian Sensat…
Recreating First Contact: Expeditions, Anthropology, and Popular Culture
This volume brings together a dozen or so studies that afford vivid insight into the diversity and complexity of expeditionary collecting between the First and Second World Wars. The chapters are structured more or less chronologically and explore an impressive range of expeditions and collecting practices in diverse locations: Africa, the Americas, the Soviet Union, Iran, New Guinea and Australia. The expeditions variously collected zoological, …
Heritage
This article examines the changing relationship between museums and heritage using a number of Dutch cases. It argues that if heritage was once defined as being museological in character, this order of precedence is under revision as museums themselves are recursively transformed by heritage dynamics. Such dynamics include the display of renovation work-in-progress; the enhancement of historical collections by relocation to prominent new sites an…
Exhibiting knowledge: The trees of Dubois, Haeckel, Jesse and Rivers at the Pithecanthropus centennial exhibition
Making culture materialise
Science, magic and religion: The Ritual Processes of Museum Magic
BABY AND THE MUMMIES Chapter 1. Memorialising the Future: the Museum of Science and Industry in Manchester Penelope Harvey Chapter 2. Unwrapping Mummies and Telling their Stories: Egyptian Mummies in Museum Rhetoric Anna Wieczorkiewicz PART II: SITE SPECIFICS: THE CASE OF TERVUREN Chapter 3. Congo-Vision Barbara Saunders Chapter 4. The Scourge of Chief Kansabala: the Ritual Life of Two Congolese Masterpieces at the Royal Museum for Central Africa…
Academic Anthropology and the Museum: Back to the Future
Making Kinship, with an Old Reproductive Technology
The Family Photographic Condition
Thinking and Doing Otherwise: Anthropological Theory in Exhibitionary Practice
Despite the growing interest in museums and exhibitions in anthropology, there is still a sharp sense of difference (certainly in parts of Europe) between universities and museums in their practices of making and transmitting knowledge. This paper argues thatanthropological theory, in the general sense of translation, can be productively engaged in the making of exhibitions. Although scripting an exhibition goes beyond writing, various kinds of p…
Making culture materialise
Antropologica at the Tropenmuseum, Amsterdam
Picturing Empire: Photography and the Visualization of the British Empire
While the cultural history of the British Empire has recently attracted much interest, relatively little attention has been paid to the significance of its visualization. Yet the Empire was pictured across a wide spectrum of imagery, from paintings to postcards, maps to documents. Focusing on the role of photography, this wide-ranging book explores the aesthetics of empire. The development of photography in the Victorian era coincided with the dr…
Civilizing Rituals: Inside Public Art Museums
Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants. Civilizing Rituals is ideal reading for students of …
On the making of "Man-ape Ape-man" Pithecanthropus in Het Pesthuis, Leiden
If we live in a world increasingly dominated by science, knowledge of that world is disseminated by means that are akin to showbusiness. World famous scientists are increasingly media-personalities. Scientific curiosity, inquiry and the desire to know more are tempered by the imperative to put what is known on display: to present, to dress and to wrap things up.
On the Mall: Presenting Maroon Tradition-Bearers at the 1992 Festival of American Folklife
Museums and the Making of `Ourselves: The Role of Objects in National Identity
Family Trees and Their Affinities: The Visual Imperative of the Genealogical Diagram
Depuis les travaux de Rivers, une grande partie des etudes de la parente a ete consacree a la production de schemas permettant de visualiser les relations genealogiques de maniere systematique et comparable. Les anthropologues considerent le diagramme comme un resume graphique dont le statut theorique est rarement pris en consideration. L'A., au contraire, examine la dimension visuelle des differents types d'arbres genealogiques europeens qui ont…
Academic Anthropology and the Museum: Back to the Future
Production and Reproduction of Family Farms in South-west England
The paper examines the historical development of a sexual division of labour in the farm household in south-west England. The main focus is upon the transformation of women's work roles in the area studied from being primarily concerned with agriculture to being concentrated within the domestic domain. Women's contemporary domestic labour on the farm is of two sorts: on behalf of the family (reproductive labour) and for tourists (productive labou…
Reclaiming English Kinship: Portuguese Refractions of British Kinship Theory
Family Servants and Visitors: The Farm Household in Nineteenth and Twentieth Century Devon
On the Mall: Presenting Maroon Tradition-Bearers at the 1992 Festival of American Folklife
The Differential Integration of the Rural Family
This paper is concerned with the principle of the differential integration of the rural family, illustrated by means of a comparison between the social reproduction of the family farm in England and the pequenoproprietario household in Portugal. The comparison is developed in terms of a cultural model of the family in each case. In the English example, this appears to involve a partitioning of identity (especially on the part of the in-marrying w…
The Family Photographic Condition
Thinking and Doing Otherwise: Anthropological Theory in Exhibitionary Practice
Despite the growing interest in museums and exhibitions in anthropology, there is still a sharp sense of difference (certainly in parts of Europe) between universities and museums in their practices of making and transmitting knowledge. This paper argues thatanthropological theory, in the general sense of translation, can be productively engaged in the making of exhibitions. Although scripting an exhibition goes beyond writing, various kinds of p…
Museums and the Making of `Ourselves: The Role of Objects in National Identity
Framing Kno wledge: The photographic 'blind spot' between words and things
Images of Artefacts: Photographic Essay
Lettre de Mary Bouquet: In response to Philippe Peltier’s generous appraisal of our catalogue, Melanesian Artefacts. Post-modernist Reflections/ Artefactos Melané-sios. Reflexöes pós-modernistas
Bouquet Mary. Lettre de Mary Bouquet : In response to Philippe Peltier’s generous appraisal of our catalogue, Melanesian Artefacts. Post-modernist Reflections/ Artefactos Melané-sios. Reflexöes pós-modernistas. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°9, 1991. pp. 96-98
Melanesian Artefacts: Post-Modernist Reflections
Kinship as an Analytical Category in Rural Sociology: An Introduction
Production and Reproduction of Family Farms in South-west England
The paper examines the historical development of a sexual division of labour in the farm household in south-west England. The main focus is upon the transformation of women's work roles in the area studied from being primarily concerned with agriculture to being concentrated within the domestic domain. Women's contemporary domestic labour on the farm is of two sorts: on behalf of the family (reproductive labour) and for tourists (productive labou…
The Differential Integration of the Rural Family
This paper is concerned with the principle of the differential integration of the rural family, illustrated by means of a comparison between the social reproduction of the family farm in England and the pequenoproprietario household in Portugal. The comparison is developed in terms of a cultural model of the family in each case. In the English example, this appears to involve a partitioning of identity (especially on the part of the in-marrying w…
Family Servants and Visitors: The Farm Household in Nineteenth and Twentieth Century Devon
Kinship as an Analytical Category in Rural Sociology: An Introduction
Melanesian Artefacts: Post-Modernist Reflections
Lettre de Mary Bouquet: In response to Philippe Peltier’s generous appraisal of our catalogue, Melanesian Artefacts. Post-modernist Reflections/ Artefactos Melané-sios. Reflexöes pós-modernistas
Bouquet Mary. Lettre de Mary Bouquet : In response to Philippe Peltier’s generous appraisal of our catalogue, Melanesian Artefacts. Post-modernist Reflections/ Artefactos Melané-sios. Reflexöes pós-modernistas. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°9, 1991. pp. 96-98
Images of Artefacts: Photographic Essay
Framing Kno wledge: The photographic 'blind spot' between words and things
Reclaiming English Kinship: Portuguese Refractions of British Kinship Theory
Diverse World-Views in an English Village
This is an account of the diversity of individual perception and the ambiguity of social interaction in an English village - Wanet. It examines the development and maintenance of social relations between three individuals: Doris, a farmer; Sid, a builder; and Nigel, the anthropologist and newcomer. Focusing on the multiplicity of world views which individuals use to make social life meaningful to themselves, it shows how these three communicate t…
Strangers in paradise
Man-Ape, Ape-Man: Pithecanthropus in Het Pesthuis
Museums and the Making of `Ourselves: The Role of Objects in National Identity
Family Trees and Their Affinities: The Visual Imperative of the Genealogical Diagram
Depuis les travaux de Rivers, une grande partie des etudes de la parente a ete consacree a la production de schemas permettant de visualiser les relations genealogiques de maniere systematique et comparable. Les anthropologues considerent le diagramme comme un resume graphique dont le statut theorique est rarement pris en consideration. L'A., au contraire, examine la dimension visuelle des differents types d'arbres genealogiques europeens qui ont…
On the making of "Man-ape Ape-man" Pithecanthropus in Het Pesthuis, Leiden
If we live in a world increasingly dominated by science, knowledge of that world is disseminated by means that are akin to showbusiness. World famous scientists are increasingly media-personalities. Scientific curiosity, inquiry and the desire to know more are tempered by the imperative to put what is known on display: to present, to dress and to wrap things up.
On the Mall: Presenting Maroon Tradition-Bearers at the 1992 Festival of American Folklife
Civilizing Rituals: Inside Public Art Museums
Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants. Civilizing Rituals is ideal reading for students of …
Making culture materialise
Antropologica at the Tropenmuseum, Amsterdam
Picturing Empire: Photography and the Visualization of the British Empire
While the cultural history of the British Empire has recently attracted much interest, relatively little attention has been paid to the significance of its visualization. Yet the Empire was pictured across a wide spectrum of imagery, from paintings to postcards, maps to documents. Focusing on the role of photography, this wide-ranging book explores the aesthetics of empire. The development of photography in the Victorian era coincided with the dr…
The Family Photographic Condition
Thinking and Doing Otherwise: Anthropological Theory in Exhibitionary Practice
Despite the growing interest in museums and exhibitions in anthropology, there is still a sharp sense of difference (certainly in parts of Europe) between universities and museums in their practices of making and transmitting knowledge. This paper argues thatanthropological theory, in the general sense of translation, can be productively engaged in the making of exhibitions. Although scripting an exhibition goes beyond writing, various kinds of p…
Making Kinship, with an Old Reproductive Technology
Academic Anthropology and the Museum: Back to the Future
Science, magic and religion: The Ritual Processes of Museum Magic
BABY AND THE MUMMIES Chapter 1. Memorialising the Future: the Museum of Science and Industry in Manchester Penelope Harvey Chapter 2. Unwrapping Mummies and Telling their Stories: Egyptian Mummies in Museum Rhetoric Anna Wieczorkiewicz PART II: SITE SPECIFICS: THE CASE OF TERVUREN Chapter 3. Congo-Vision Barbara Saunders Chapter 4. The Scourge of Chief Kansabala: the Ritual Life of Two Congolese Masterpieces at the Royal Museum for Central Africa…
Art (22 works) · History (22 works) · Sociology (22 works) · Museums and Cultural Heritage (13 works) · History (12 works) · Visual arts (11 works) · Anthropology (10 works) · Art history (10 works) · Aesthetics (8 works) · Computer Science (7 works)