Sarah Wei
Biographic Data
| ID | 3648417 |
|---|---|
| NAME | Sarah Wei |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Wei |
| SIGNATURE | WEI S |
| AFFILIATIONS | University of Warwick |
| ORCID | 0000-0003-1193-4792 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Moderate rating bias in interpersonal recommendations
Tourists often convey ratings in interpersonal recommendations to close others. However, extant research offers limited insight into whether such recommendations are received as intended. This research uncovers a “Moderate Rating Bias,” where tourists systematically overestimate close others’ likelihood of accepting their moderately rated recommendations (e.g., 3 out of 5). We show that this bias stems from asymmetric evaluations of such recommen…
Future–present relationship insensitivity
How much joy versus pain people choose to experience for the present often inversely affects how much joy versus pain they will experience in the future. Do people make choices that maximize their overall happiness? Prior research suggests that people are generally myopic (i.e., over‐choosing joy for the present). We suggest that the prior research may have biasedly focused only on situations in which the future is more important than the present…
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Indonesian Music and Dance
Variation in Central Javanese Gamelan Music
Pizmon
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Pizmon
Variation in Central Javanese Gamelan Music
Indonesian Music and Dance
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Future–present relationship insensitivity
How much joy versus pain people choose to experience for the present often inversely affects how much joy versus pain they will experience in the future. Do people make choices that maximize their overall happiness? Prior research suggests that people are generally myopic (i.e., over‐choosing joy for the present). We suggest that the prior research may have biasedly focused only on situations in which the future is more important than the present…
Moderate rating bias in interpersonal recommendations
Tourists often convey ratings in interpersonal recommendations to close others. However, extant research offers limited insight into whether such recommendations are received as intended. This research uncovers a “Moderate Rating Bias,” where tourists systematically overestimate close others’ likelihood of accepting their moderately rated recommendations (e.g., 3 out of 5). We show that this bias stems from asymmetric evaluations of such recommen…
Art (4 works) · Computer Science (3 works) · Diverse Musicological Studies (3 works) · Music History and Culture (3 works) · Psychology (3 works) · Sociology (3 works) · Visual arts (3 works) · Art history (2 works) · Behavioral Health and Interventions (2 works) · History (2 works)