Permeable Boundaries

Hybridity, Music, and the Reception of Robert Wilson's I La Galigo

Bibliographic Data

ID2517348
AuthorsSarah Wei (0000-0003-1193-4792), Sarah Weiss (corresponding author)
Year2008
Volume52
Issue2
Pages203-238
Publication date2008-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnomusicology (JOURNAL)
Journal identifiersISSN: 0014-1836 • E-ISSN: 2156-7417
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.2307/20174587
OpenAlexW2511912622
LanguageEN
Citations received10
References cited4

Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo. Ethnomusicology 1 January 2008; 52 (2): 203–238. doi: https://doi.org/10.2307/20174587 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search The text of this article is only available as a PDF. Copyright 2008 Society for Ethnomusicology2008 Article PDF first page preview Close Modal You do not currently have access to this content

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