Sarah Weiss
Biographic Data
| ID | 6804312 |
|---|---|
| NAME | Sarah Weiss |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Weiss |
| SIGNATURE | WEISS S |
| AFFILIATIONS | Yale-NUS College |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Sonic Gendering of Ritual Spaces
Sonic Gendering of Ritual Spaces
Both the sound of bells from churches and the adhan from mosques call their communities to gather and punctuate the day at regular intervals.They also gender public spaces as male, addressing the (mostly) men who serve as leaders in the religion, as well as the men whose lives are described in scriptures-words that were predominantly recorded by men.Drawing on comparative case studies from Asia and Europe, we argue that through performance, in pa…
Sonic Gendering of Ritual Spaces
Both the sound of bells from churches and the adhan from mosques call their communities to gather and punctuate the day at regular intervals. They also gender public spaces as male, addressing the (mostly) men who serve as leaders in the religion, as well as the men whose lives are described in scriptures—words that were predominantly recorded by men. Drawing on comparative case studies from Asia and Europe, we argue that through performance, in …
Rangda and the Goddess Durga in Bali
This article examines Rangda and her role as a chthonic and mythological figure in Bali, particularly the way in which Rangda’s identity has intertwined with that of the Hindu goddess Durga— slayer of buffalo demons and other creatures that cannot be bested by Shiva or other male Hindu gods. Images and stories about Durga in Bali are significantly different from those found in Hindu contexts in India. Although she retains the strong-willed indepe…
Interoceptive Processes in Anorexia Nervosa in the Time Course of Cognitive-Behavioral Therapy
Our findings suggest that interoceptive deficits are present in recovered patients. Therefore, further investigations are needed with more patients, differentiating between relapsed and recovered patients, and more specific training methods to improve interoceptive processes
Performance in Southeast Asian History
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Recognition of Facially Expressed Emotions in Patients with Fibromyalgia Syndrome
The study investigated the ability to identify facially expressed emotions in fibromyalgia syndrome (FMS) and its association with clinical parameters. Thirty-five FMS patients and 35 healthy controls accomplished a face recognition task. Additionally, pain severity, alexithymia, depression, anxiety, psychiatric co-morbidity and medication use were assessed. The patients displayed reduced task performance in terms of more misclassifications of em…
Listening to an Earlier Java
Gamelan of Central Java II
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Listening to an Earlier Java
PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Centr…
Indonesian Music and Dance
Variation in Central Javanese Gamelan Music
Pizmon
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Pizmon
Variation in Central Javanese Gamelan Music
Indonesian Music and Dance
Listening to an Earlier Java
PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Centr…
Permeable Boundaries
Research Article| April 01 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo Sarah Weiss Sarah Weiss Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (2): 203–238. https://doi.org/10.2307/20174587 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sarah Weiss; Permeable Boundaries: Hybridity, Music, and the Reception of R…
Gamelan of Central Java II
Listening to an Earlier Java
Recognition of Facially Expressed Emotions in Patients with Fibromyalgia Syndrome
The study investigated the ability to identify facially expressed emotions in fibromyalgia syndrome (FMS) and its association with clinical parameters. Thirty-five FMS patients and 35 healthy controls accomplished a face recognition task. Additionally, pain severity, alexithymia, depression, anxiety, psychiatric co-morbidity and medication use were assessed. The patients displayed reduced task performance in terms of more misclassifications of em…
Listening to the World but Hearing Ourselves
This essay problematizes the intersection of aesthetic preferences and positions on authenticity held by listeners as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory and ethnographic data derived from university listeners who respond to two pop songs from Mali, the author suggests that "perceived authenticity" is a primary determinant of the valuation of world musics. Marketers m…
Performance in Southeast Asian History
Interoceptive Processes in Anorexia Nervosa in the Time Course of Cognitive-Behavioral Therapy
Our findings suggest that interoceptive deficits are present in recovered patients. Therefore, further investigations are needed with more patients, differentiating between relapsed and recovered patients, and more specific training methods to improve interoceptive processes
Rangda and the Goddess Durga in Bali
This article examines Rangda and her role as a chthonic and mythological figure in Bali, particularly the way in which Rangda’s identity has intertwined with that of the Hindu goddess Durga— slayer of buffalo demons and other creatures that cannot be bested by Shiva or other male Hindu gods. Images and stories about Durga in Bali are significantly different from those found in Hindu contexts in India. Although she retains the strong-willed indepe…
Sonic Gendering of Ritual Spaces
Sonic Gendering of Ritual Spaces
Both the sound of bells from churches and the adhan from mosques call their communities to gather and punctuate the day at regular intervals.They also gender public spaces as male, addressing the (mostly) men who serve as leaders in the religion, as well as the men whose lives are described in scriptures-words that were predominantly recorded by men.Drawing on comparative case studies from Asia and Europe, we argue that through performance, in pa…
Sonic Gendering of Ritual Spaces
Both the sound of bells from churches and the adhan from mosques call their communities to gather and punctuate the day at regular intervals. They also gender public spaces as male, addressing the (mostly) men who serve as leaders in the religion, as well as the men whose lives are described in scriptures—words that were predominantly recorded by men. Drawing on comparative case studies from Asia and Europe, we argue that through performance, in …
Art (8 works) · History (7 works) · Sociology (6 works) · Asian Studies and History (5 works) · Computer Science (5 works) · Literature (5 works) · Psychology (5 works) · Visual arts (5 works) · Music History and Culture (4 works) · Musical (4 works)