Chuen-Fung Wong
Biographic Data
| ID | 3648522 |
|---|---|
| NAME | Chuen-Fung Wong |
| GIVEN NAMES | Chuen-Fung |
| FAMILY NAME | Wong |
| SIGNATURE | WONG C |
| AFFILIATIONS | Macalester College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Hearing the minorities in modern Chinese music
Borderlands
Borderlands: Wu Man and Master Musicians front the Silk Route. 2011. Music of Central Asia, 10. Smithsonian Folkways Recordings SFW CD 40529. Recording engineering by Sergei Lobanov, Li Wei, and Vincent Joinville. Cinematography by Andrea Cavazzuti, Lin Jing, Zhao Yong, Saodat Ismailova, and Carlos Casas. Annotated by Rachel Harris. Produced by Theodore Levin, Wu Man, and Fairouz R. Nishanova. 48-page booklet; notes in English. Colour photographs…
Singing Muqam in Uyghur Pop
This essay is about the popular music of the Turkic-speaking Uyghur people in northwest China. It explores Uyghur pop as a repository of the indigenous muqam musical tradition. I look at how minority popular music, with its strong attachment to places and the experience of displacement, has made audible some of the dilemmas of subaltern identities. I also demonstrate how traditional musical icons have afforded minority musicians a culturally situ…
Reinventing the Central Asian Rawap in Modern China
This article concerns the centrality of musical stereotypes in minority representation in modern China, with examples from the post-1950s concert tradition of the rawap , a Central Asian long-necked plucked lute used extensively today in traditional and modern music of the Uyghur, Turkic Muslims in northwest China. An icon of the official version of minority modernity, the rawap has been recreated to constitute a stereotypical portrayal of minori…
The Making of a Musical Canon in Chinese Central Asia
The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam Rachel Harris Aldershot, Ashgate, 2008 xvii + 158 pp., with CD, ISBN 9-7807-5466-382-9 (£27.50) The Uyghur Twelve Muqa
Singing Muqam in Uyghur Pop
This essay is about the popular music of the Turkic-speaking Uyghur people in northwest China. It explores Uyghur pop as a repository of the indigenous muqam musical tradition. I look at how minority popular music, with its strong attachment to places and the experience of displacement, has made audible some of the dilemmas of subaltern identities. I also demonstrate how traditional musical icons have afforded minority musicians a culturally situ…
The Making of a Musical Canon in Chinese Central Asia
The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam Rachel Harris Aldershot, Ashgate, 2008 xvii + 158 pp., with CD, ISBN 9-7807-5466-382-9 (£27.50) The Uyghur Twelve Muqa
Reinventing the Central Asian Rawap in Modern China
This article concerns the centrality of musical stereotypes in minority representation in modern China, with examples from the post-1950s concert tradition of the rawap , a Central Asian long-necked plucked lute used extensively today in traditional and modern music of the Uyghur, Turkic Muslims in northwest China. An icon of the official version of minority modernity, the rawap has been recreated to constitute a stereotypical portrayal of minori…
The Making of a Musical Canon in Chinese Central Asia
The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam Rachel Harris Aldershot, Ashgate, 2008 xvii + 158 pp., with CD, ISBN 9-7807-5466-382-9 (£27.50) The Uyghur Twelve Muqa
Reinventing the Central Asian Rawap in Modern China
This article concerns the centrality of musical stereotypes in minority representation in modern China, with examples from the post-1950s concert tradition of the rawap , a Central Asian long-necked plucked lute used extensively today in traditional and modern music of the Uyghur, Turkic Muslims in northwest China. An icon of the official version of minority modernity, the rawap has been recreated to constitute a stereotypical portrayal of minori…
Borderlands
Borderlands: Wu Man and Master Musicians front the Silk Route. 2011. Music of Central Asia, 10. Smithsonian Folkways Recordings SFW CD 40529. Recording engineering by Sergei Lobanov, Li Wei, and Vincent Joinville. Cinematography by Andrea Cavazzuti, Lin Jing, Zhao Yong, Saodat Ismailova, and Carlos Casas. Annotated by Rachel Harris. Produced by Theodore Levin, Wu Man, and Fairouz R. Nishanova. 48-page booklet; notes in English. Colour photographs…
Singing Muqam in Uyghur Pop
This essay is about the popular music of the Turkic-speaking Uyghur people in northwest China. It explores Uyghur pop as a repository of the indigenous muqam musical tradition. I look at how minority popular music, with its strong attachment to places and the experience of displacement, has made audible some of the dilemmas of subaltern identities. I also demonstrate how traditional musical icons have afforded minority musicians a culturally situ…
Hearing the minorities in modern Chinese music
Art (4 works) · China's Ethnic Minorities and Relations (4 works) · Literature (3 works) · Musical (3 works) · Sociology (3 works) · Aesthetics (2 works) · China (2 works) · Chinese history and philosophy (2 works) · Diverse Musicological Studies (2 works) · Gender Studies (2 works)