Reinventing the Central Asian Rawap in Modern China
Musical Stereotypes, Minority Modernity, and Uyghur Instrumental Music
Bibliographic Data
| ID | 5260238 |
|---|---|
| Authors | Chuen-Fung Wong (corresponding author) |
| Year | 2012 |
| Volume | 43 |
| Issue | 1 |
| Pages | 34-63 |
| Publication date | 2012-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/amu.2012.0007 |
| OpenAlex | W4235378522 |
| Language | EN |
| Citations received | 4 |
This article concerns the centrality of musical stereotypes in minority representation in modern China, with examples from the post-1950s concert tradition of the rawap , a Central Asian long-necked plucked lute used extensively today in traditional and modern music of the Uyghur, Turkic Muslims in northwest China. An icon of the official version of minority modernity, the rawap has been recreated to constitute a stereotypical portrayal of minorities as joyful merrymakers while also to embody the discourses of progress and enlightenment. Minority musicians have selectively co-opted certain stereotyped representations as aesthetic resources for subaltern performances
Aesthetics · Art · China · Enlightenment · Literature · Lute · Modernity · Musical · Political science · Representation (politics) · Sociology · Subaltern · China's Ethnic Minorities and Relations · Chinese history and philosophy · Gender Studies · History · Law · Philosophy · Vietnamese History and Culture Studies
| Citations per year | 0.33 |
|---|---|
| Citation span | 2014 - 2022 (9) |
| Highly cited | No |