Jeff Roy
Biographic Data
| ID | 3648540 |
|---|---|
| NAME | Jeff Roy |
| GIVEN NAMES | Jeff |
| FAMILY NAME | Roy |
| SIGNATURE | ROY J |
| AFFILIATIONS | Le Centre d’Études de l’Inde et de l’Asie du Sud (CEIAS), Paris, France |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Explorations in Sonic Creation
From Elsewhere
Swiss Yodelling-30 Years LaterTable Songs of Kakheti
Book Review| January 01 2019 Swiss Yodelling—30 Years LaterTable Songs of Kakheti Swiss Yodelling—30 Years Later. Produced by Hugo Zemp and Süpor XAO. Image, sound, and editing by Hugo Zemp. Organization of filming by Bernhard Betschart and Peter Betschart. In Swiss German with English subtitles. Digital, 71 mins. 2015.Table Songs of Kakheti. Produced by Hugo Zemp and Nona Lomidze. Image, sound, and editing by Hugo Zemp. Research, organization of…
From Jalsah to Jalsā
This article investigates the connections among music making, identity, and belonging within the context of a jalsā, a celebratory rite of initiation for a hījṛā (South Asian "third gender" individual) entering her gharānā (family). Drawing connections to Ali Jihad Racy's (2004) analysis of ṭarab (ecstasy) performance in the West Asian jalsah (informal gathering), the article reveals how music making within the larger architecture of the jalsā-in…
Translating Hijra into Transgender
This article analyzes discourses and performance practices in India's hijra and transgender communities through a comparison of badhais (ritualistic acoustic music and dance performed by hijras) and dances from the professional transgender-led troupe known as the Dancing Queens. Differences between the two evince the transformation of regimes and representations of hijra identity from devalorized codes of social difference to respectable, middle-…
The Internet Guru
The use of the Internet in oral music distance learning for Indian classical musicians is a recent phenomenon. With the overall purpose of exposing methods that fuse new and traditional pedagogies, this article investigates how technology maintains and configures orality in virtual music education "scapes." I argue that while online lessons maintain quality learning, significant structural shifts in lessons challenge (pre- Internet) conceptions o…
Translating Hijra into Transgender
This article analyzes discourses and performance practices in India's hijra and transgender communities through a comparison of badhais (ritualistic acoustic music and dance performed by hijras) and dances from the professional transgender-led troupe known as the Dancing Queens. Differences between the two evince the transformation of regimes and representations of hijra identity from devalorized codes of social difference to respectable, middle-…
From Jalsah to Jalsā
This article investigates the connections among music making, identity, and belonging within the context of a jalsā, a celebratory rite of initiation for a hījṛā (South Asian "third gender" individual) entering her gharānā (family). Drawing connections to Ali Jihad Racy's (2004) analysis of ṭarab (ecstasy) performance in the West Asian jalsah (informal gathering), the article reveals how music making within the larger architecture of the jalsā-in…
Explorations in Sonic Creation
From Elsewhere
Translating Hijra into Transgender
This article analyzes discourses and performance practices in India's hijra and transgender communities through a comparison of badhais (ritualistic acoustic music and dance performed by hijras) and dances from the professional transgender-led troupe known as the Dancing Queens. Differences between the two evince the transformation of regimes and representations of hijra identity from devalorized codes of social difference to respectable, middle-…
The Internet Guru
The use of the Internet in oral music distance learning for Indian classical musicians is a recent phenomenon. With the overall purpose of exposing methods that fuse new and traditional pedagogies, this article investigates how technology maintains and configures orality in virtual music education "scapes." I argue that while online lessons maintain quality learning, significant structural shifts in lessons challenge (pre- Internet) conceptions o…
From Jalsah to Jalsā
This article investigates the connections among music making, identity, and belonging within the context of a jalsā, a celebratory rite of initiation for a hījṛā (South Asian "third gender" individual) entering her gharānā (family). Drawing connections to Ali Jihad Racy's (2004) analysis of ṭarab (ecstasy) performance in the West Asian jalsah (informal gathering), the article reveals how music making within the larger architecture of the jalsā-in…
Swiss Yodelling-30 Years LaterTable Songs of Kakheti
Book Review| January 01 2019 Swiss Yodelling—30 Years LaterTable Songs of Kakheti Swiss Yodelling—30 Years Later. Produced by Hugo Zemp and Süpor XAO. Image, sound, and editing by Hugo Zemp. Organization of filming by Bernhard Betschart and Peter Betschart. In Swiss German with English subtitles. Digital, 71 mins. 2015.Table Songs of Kakheti. Produced by Hugo Zemp and Nona Lomidze. Image, sound, and editing by Hugo Zemp. Research, organization of…
Explorations in Sonic Creation
From Elsewhere
Art (5 works) · Sociology (5 works) · Aesthetics (4 works) · Gender Studies (4 works) · Anthropology (3 works) · Music History and Culture (3 works) · Philosophy (3 works) · Psychology (3 works) · Anthropological Studies and Insights (2 works) · Computer Science (2 works)